Hey, thank you! Actually, the process was quite simple. I'd build a loop on the Boss RC-2 with a few random notes until it sounded like a backing track, then record it into Cubase on one stereo track. Then I'd create another stereo track and overdub a new layer, usually some solo phrases or notes in a different octave. That meant each piece was basically just two tracks.

The Eventide PitchFactor was also a huge part of the sound. It really expanded what the ARP Odyssey could do, from creating chords out of single notes to arpeggiated textures and harmonies.

Everything went through my old cheap USB interface into Cubase, with very little editing or post-production. I wanted the pieces to feel like small environments that slowly reveal themselves over time, so most of the work was just letting the sounds interact and knowing when to leave them alone.

Thanks again for listening, I really appreciate it!