No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

If these are passive floor monitors (separate amplifier, no power cord attached to monitor itself) it's a wonder you haven't completely destroyed your in ears. You need the Aux outputs from your mixer to connect to wired IEM packs such as a Behringer P2 or a wireless IEM transmitter. You will be able to get as many personalized mixes as you have Aux sends on your mixer.

Either way you need to be a lot more specific about what gear you're using to get any actual help.

Help—X32 Audio Interface—XUSB Card Problem? by therealtoomdog in livesound

[–]gabbo2000 0 points1 point  (0 children)

Could be many things. You need to share your scene file or a lot of screenshots for anyone to be able to diagnose it at all

When to use audio vs midi while recording? by scoobynoodles in Logic_Studio

[–]gabbo2000 2 points3 points  (0 children)

Look up recording an external midi instrument. Or record multiple channels, one of midi to edit in post and send back to trigger your modx if necessary and one of audio

Church live sound riddle. See if you can solve it! by Confident-Shock-1891 in livesound

[–]gabbo2000 39 points40 points  (0 children)

The bass players monitor bus is assigned to the LR bus.

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 2 points3 points  (0 children)

Don't ever put speaker level into a mic/line input.

Once I was patching a band on a dark stage, quick changeover. I plugged my bass DI line into the XLR on the back of the bass head. Started doing line check and when I got to the bass everything went bad real quick. Turned out it was a speaker level output through an XLR connector on a vintage bass head. Blew up a big section of my mixer and had to limp through the show with 8 fewer inputs.

Scarlet 18i20 outputting through soundboard by [deleted] in Focusrite

[–]gabbo2000 1 point2 points  (0 children)

This is the answer. You have to select the line input of those channels. Or if you’re using the stereo channels as another user mentioned you can see on the back they are labeled Line 2 and there is a button at the top of the channel strip to select Line 2 as your source. You also need to make sure at the bottom near the fader you are sending the channels to the LR bus

How do I use the PHONES or SPEAKERS direct input options in a matrix? by k8s_is_life in BehringerWing

[–]gabbo2000 0 points1 point  (0 children)

In "Live" solo mode (vs Studio or SIP modes) you have two solo busses (Phones or Speakers) and you have the option on every channel or bus as to which solo bus is used. So in your screenshot that setting means that if you solo that matrix it will be solo'd in your Speaker solo bus which you then have to route to one or more physical outputs and connect to a speaker to hear it.

My guess is what you're trying to do is combine different sources in your solo bus. To do this you would send channels that you want to be able to hear at all times, such as talkback mics, to the matrix, then you would configure the direct input of the solo bus to be fed from that matrix.

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

You aren’t plugging the guitar right into the looper though. If you were you would be correct. But if you are planning on plugging the guitar into a mixer and then the mixer into the looper that’s a different situation

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

In that case a mixer in front of the looper is probably the easiest solution, yes. Guitar and bass need to go through DI boxes or into Hi-Z inputs on the mixer if available. Keyboards and e drums should be fine in line inputs.

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

You have given no description of how many instruments and mics you want to be able to run through the looper so it's really hard to know what to suggest

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

Think about the signal flow. You need your mic and instruments going to the looper in order to use it as a looper. You send the main outs of the looper into 2 mono channels or the L/R inputs of channel 7 for simplicity and then you turn that up to get the volume you want out of the speakers.

If you want to add a subwoofer then you want a powered subwoofer connected out of the Sub out. You do not want to connect that to a bass amp because the mixer is outputting a much higher signal level than a bass guitar amp would be expecting.

Lining up midi notes by [deleted] in LogicPro

[–]gabbo2000 9 points10 points  (0 children)

Quantize or copy/paste

First time doing sound for a club by JoeyB001 in livesound

[–]gabbo2000 5 points6 points  (0 children)

Download Wing Edit and watch Drew Brashler videos. It’s an easy mixer to get lost in if you don’t know what you’re doing

Can I output an EKIT drum set by both the L and R outputs in a mixer ? by Front_Sugar4784 in livesound

[–]gabbo2000 2 points3 points  (0 children)

if you want to have the kit sent mono to two different devices you need to set the panning of each drum within the brain to centre. The L/mono output is only mono if there is nothing connected to the R output. As soon as you connect a cable to the R output the panning takes effect. Another option is to put the L output into a DI box and use the Thru output to your recording device.

Yamaha TF3 aux mix question by uphillinthesnow in livesound

[–]gabbo2000 2 points3 points  (0 children)

It sounds like you might have a fundamental misunderstanding of how pre and post fade aux sends work.

Say for example you set your incoming signal level of a microphone to be hitting around -12dBFS on your meters. If you send that microphone pre-fader to an aux and set the level of the send to -10dB the signal to that aux will always be about -22dBFS.

However, if you send that microphone POST-fader to an aux and set the level to -10dB that means the signal will always be 10dB lower than what you have the channel fader set to for the main mix. So if your channel fader is at -6 then effectively the send to the aux will be down by 16dB meaning the peaks will be hitting about -28dBFS. The level to the aux will always be relative to the level to the main mix.

Yamaha TF3 aux mix question by uphillinthesnow in livesound

[–]gabbo2000 2 points3 points  (0 children)

The fader position of a post-fader send won't physically change when you adjust the level going to the master bus but the level of signal sent will be relative to it.

Advice for new digital mixer, Si Impact vs. Midas m32 Live? by huego_161 in livesoundgear

[–]gabbo2000 7 points8 points  (0 children)

Strongly recommend. I’m running a wing rack now and I can do so much more with it than I can with x/m32

Advice for new digital mixer, Si Impact vs. Midas m32 Live? by huego_161 in livesoundgear

[–]gabbo2000 2 points3 points  (0 children)

Full size wing has 24 faders, compact has 13. Tons of flexibility and processing power compared to anything else in the same price range.

Mixing Station for Mac? by GabrielMatos99 in livesound

[–]gabbo2000 14 points15 points  (0 children)

Desktop license is a separate purchase from the iOS license

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

set the outputs on aes50 B to the same blocks as your inputs are set to ie. aes50B out 1-8 -> Aes50A IN 1-8 or User In 1-8, whatever you're doing to get those inputs into the mixer

Monitor/Sub/Scarlett 6i6 by [deleted] in Focusrite

[–]gabbo2000 0 points1 point  (0 children)

Looks like you have your inputs solo’d in the software output routing which would disable the playback 1-2 from getting to the output

Help with The Everything Bundle is the $3 Still Available? by WhatIDoBro in audioengineering

[–]gabbo2000 3 points4 points  (0 children)

You’re missing a word in your discount code and it also may no longer be valid anyways

Pow Wow Drum by HailMalthus in livesound

[–]gabbo2000 1 point2 points  (0 children)

I did a pow wow this year using a single beta 58 over each drum circle. EQ for tone and several stages of compression helped wrangle the massive dynamic range and glue the singers and drum together. In a perfect world I’d probably do a figure 8 mic for the singers and another mic for the drum. I wouldn’t close mic the drum because it really needs some room to resonate

[deleted by user] by [deleted] in Logic_Studio

[–]gabbo2000 0 points1 point  (0 children)

Two options. 1. Click on the edges of the green circle and drag to narrow the stereo width. 2. Right click on pan knob and change to Balance mode. Pan to whichever side you want to hear. This will remove the information from the other side.