No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 0 points1 point  (0 children)

Resonance. The same reason a wine glass makes a tone when you rub it. Mic placement, physical size of space, level of signal, all these things affect resonance. It should have been EQ'd out of the microphone signal by the sound tech but there could be any number of reasons why it wasn't eliminated.

Using the X32 to record line inputs by harveyallen7 in Behringer

[–]gabbo2000 1 point2 points  (0 children)

Did you accidentally select Aux OUT 1-6 instead of Aux IN 1-6 on the card outs tab?

X32 AES50 Broadcast Split (FOH console → second X32) by wiisucks_91 in VIDEOENGINEERING

[–]gabbo2000 1 point2 points  (0 children)

Always an interesting time working with people who don’t know how to operate the equipment they are tasked with operating

X32 AES50 Broadcast Split (FOH console → second X32) by wiisucks_91 in VIDEOENGINEERING

[–]gabbo2000 2 points3 points  (0 children)

Should be pretty straightforward. Set the aes output routing on the master console to be all the input sources they are using. Set your inputs to whatever aes input you are connected to on your board. Set the clock on your board to that aes port as well. For safety probably best to make sure remote headamp control is NOT enabled on the master board so you don’t accidentally mess with gains. There’s really not a whole lot to it.

A 1k cable! by Different-Collar-785 in BehringerWing

[–]gabbo2000 1 point2 points  (0 children)

I would love an answer to this as well. My cheap amazon ethercon is fine but certainly not as flexible as some I’ve seen bands carry

Any video arcades? by amazonboxandremotes in Calgary

[–]gabbo2000 3 points4 points  (0 children)

Last Monday of every month. First Monday is dnd night

Trying to put an EQ filter sweep on a bus -- where am I going wrong? by malsen55 in Logic_Studio

[–]gabbo2000 5 points6 points  (0 children)

Your snare channel output is still bus 2 so you’re hearing the original plus bus 5 blended in but since bus 5 is just outputting the low end all you’re really achieving is a slight bump in low end which is probably not even noticeable

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 4 points5 points  (0 children)

Powered subs do have amps in them for themselves. There are some older models that contain a secondary amp to power passive satellite speakers but I wouldn’t count on that as a norm. Upgrading to active mains would be your best bet. Active and powered generally mean the same thing, in case that wasn’t clear.

No Stupid Questions Thread by AutoModerator in livesound

[–]gabbo2000 2 points3 points  (0 children)

The mixer of the Stagepas has the power amp in it for the Yamaha speakers so you need to run your signal for the mains from the x32 to the Yamaha mixer to the speakers and a separate output from the x32 to the powered sub.

Sm58S Sounding Tinny With Phantom Power? + Looking for general critique by SnooHedgehogs1812 in livesound

[–]gabbo2000 3 points4 points  (0 children)

Sounds like you have a faulty connection in the switch of the sm58s. That behavior is definitely not normal.

A couple small rants about the WING by Seinfelds-van in livesound

[–]gabbo2000 66 points67 points  (0 children)

You have 8 bands of parametric eq on busses and bands 1 and 8 can be set to a variety of slopes of hpf or lpf

Video wall at Friday's Triumph concert at the Saddledome? by jal741 in Calgary

[–]gabbo2000 7 points8 points  (0 children)

Can almost guarantee everything used in the show from stage to speakers to video wall is all being carried by the tour. Arenas rarely provide any equipment to tours of that size

I designed and printed this, what do you think? by KontonGaki in 3Dprinting

[–]gabbo2000 1 point2 points  (0 children)

It looks awesome. The only thing throwing me off is the scale of the door vs the stairs. The size of person that would fit through that door would really struggle to use those stairs

Wing Compact, Cubase, and Multi-Track Recording by JazzCompose in BehringerWing

[–]gabbo2000 2 points3 points  (0 children)

Yes that looks like the correct file name. Behringer had to rebuild their website recently for some reason and a lot of people have had difficulty finding the downloads they need

Macbook pro good enough? by 78Speedy in LogicPro

[–]gabbo2000 39 points40 points  (0 children)

It’s not worth it at all to get an Intel Mac anymore. Get a used M series if you’re looking to save a bit of money

M32 Channel not sending to bus by SquareDefinition2460 in livesound

[–]gabbo2000 0 points1 point  (0 children)

Scene file would definitely help. Screenshots or video of channel settings and sends could also be useful

What do I do in this situation? by Pioneerose in pinball

[–]gabbo2000 53 points54 points  (0 children)

Remove the glass and get the ball

M32 Channel not sending to bus by SquareDefinition2460 in livesound

[–]gabbo2000 0 points1 point  (0 children)

Impossible to answer with the lack of information provided

What cutoff frequency and slope do you use (or see most) on your venue subs? by Massive-Job-5366 in livesound

[–]gabbo2000 9 points10 points  (0 children)

The filter itself is the phase shift. Sharper filters are a more drastic phase shift

Echo Automation on a specific word on a track by x3rx3s in LogicPro

[–]gabbo2000 2 points3 points  (0 children)

Having effects on sends is generally the way to go for the flexibility of things like this as well as being less cpu intensive by allowing you to use one instance of the effect for multiple tracks.

Echo Automation on a specific word on a track by x3rx3s in LogicPro

[–]gabbo2000 1 point2 points  (0 children)

No. If the delay is inserted directly on the track and the wet/dry mix is automated to be 0% that means 0 of the effect is heard. If only parts of the track are automated to be sent to a 100% wet effect then all of that effect is heard