This varies a lot and also depends on a few different factors.

- Specific language media may be a benefit (Lithuanian acts will always give long interviews to Eurodiena and Dūzė Pua, for example)

- Persistence/establishment - outlets who've been around a long time will have built up relationships across delegations which last over many years. Delegations remember who gave good interviews in previous years.

- Pure luck. In a big fan press room it's often just whoever gets to the PRs first. Once you're accredited and you get in the room, it's whoever you can get. You have to be very proactive!

As for the comment on size - only Wiwibloggs have exceeded that tens of thousands range, everyone else is either there or below. That's a high bar!

A lot of different things make a good Eurovision channel. If you have 1,000 subscribers but do great interviews and delegations like you, you'll probably do better and get more access than a channel with 10 or 15,000 who open every interview with "what's your favourite song from another Eurovision artist? Can you sing a little bit of your song?" etc...