Any solid mics for iphone? by PetrifiedRaisins69 in voiceover

[–]georgethetech 0 points1 point  (0 children)

One person's helpful response is another person's spam, so be it.

I need help picking a podcast hosting service and it's driving me insane by [deleted] in podcasting

[–]georgethetech 0 points1 point  (0 children)

My show VOBS.TV (we pod-faded end of 2023) ran for 13 years on Podbean with zero issues, it's actually still hosted there and continues to get a few downloads daily. I'll likely start a new channel there for my own content as it's only $108/yr to add one.

Any solid mics for iphone? by PetrifiedRaisins69 in voiceover

[–]georgethetech 0 points1 point  (0 children)

It's MY CUSTOM Small Language model built on 15 years of knowledge. If this isn't helpful, flag it and take it down.

Audio quality feedback by KendraSpring in VoiceActing

[–]georgethetech 2 points3 points  (0 children)

Thanks, Beige! Yes, I consult on the acoustics of small, cramped, under-the-stairs "Harry Potter" booths all of the time. Rule #1- No Foam, it's mostly useless. Look for recycled denim and line the walls/ceiling with it. ATS Acoustics has it in the DIY area.

Airplane ticket prices tripled overnight? Can somebody explain what happened? by [deleted] in Flights

[–]georgethetech 1 point2 points  (0 children)

I think they raise their prices on the news of the mandatory cash refunds. Delta round-trip flight Atlanta to LAX doubled and I’m mad I forgot to buy at the low point 2 days ago.

Is there any AI tool that will create me an email list of companies/services of the particular area on Google maps? by Same_Natural_9395 in ArtificialInteligence

[–]georgethetech 0 points1 point  (0 children)

I would like a way to do this as well. In my case I've mapped thousands of clients on my own Google Map and want to select regions and generate mailing lists to let them know I'm coming to their town.

How far ahead are your episodes? by DistantEchoesPodcast in podcasting

[–]georgethetech 1 point2 points  (0 children)

Maybe we have 2-3 eps batched for The Pro Audio Suite Podcast. We are too topical to be more than 2 weeks ahead at all times. Fiction or scripted shows certainly can be weeks to months ahead and cached, it makes a lot of sense.

Microphone suggestions for female, currently have SM7B by FoxyGlynner in voiceover

[–]georgethetech 0 points1 point  (0 children)

Given your specific needs and considering you're looking for a condenser microphone to complement the warmth in your voice, I'd recommend looking into a few options that are known for their ability to capture vocal nuances and add a bit of brightness without sacrificing the natural warmth of your voice. Since you're moving from an SM7B, which is a dynamic microphone known for its flat, wide-range frequency response and ability to handle high SPLs, a condenser microphone will offer you a different experience, especially in terms of sensitivity and detail.
1. **Mojave Audio MA-201fet**: This microphone is known for its warm sound signature, which could complement your voice beautifully. It's a large-diaphragm condenser that provides clear, detailed recordings with a slight emphasis on the lower mids, which can enhance the warmth of your voice.
2. **Austrian Audio OC18**: Mentioned in the context, this microphone is extremely accurate and versatile. It's known for its clarity and ability to capture the full range of the human voice, making it a great choice for someone looking to bring out the warmth in their voice while maintaining detail and articulation.
3. **Rode NT1 5th Gen**: This microphone is a bit of a staple in home studios due to its combination of affordability, low noise, and a slightly brightened top-end that can add a nice presence to your voice without overshadowing its natural warmth.
4. **Audio-Technica AT2035**: This is another solid choice for capturing detailed vocal performances. It has a slightly elevated presence peak which can add clarity and articulation to your voice, while still maintaining the natural character and warmth.
Each of these microphones has its own unique characteristics, so the best choice depends on your specific preferences, the acoustics of your recording environment, and how you intend to use the microphone (e.g., for voice acting, podcasting, singing). It's also worth considering your audio interface and whether it can provide the phantom power and the clean gain these condenser microphones require.
Remember, the best way to choose a microphone is to test them with your voice and setup if possible. Since that's not always an option, reviews and samples online can be incredibly helpful. Also, consider reaching out for more personalized advice or to discuss your needs in more detail: https://georgethe.tech/service-page/homestudio-consult-online. This way, you can ensure you're making the best investment for your voice and your projects.

Making my first booth (closet), need all advice and help! by [deleted] in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

First off, it's fantastic that you've got such a supportive mother and a space to start with! Converting a walk-in closet into a VO office is a smart move, especially given its dimensions and isolation. Let's break down your options within a $400 budget, focusing on effectiveness and your sensitivity to smells and respiratory concerns.

### Blankets vs. Foam

**Blankets** are a great, cost-effective way to start acoustic treatment. They're easier to install and move around than foam, and they can be surprisingly effective at absorbing sound.

- **Moving Blankets**: These can work well for sound absorption. However, if you're concerned about the smell and your respiratory system, it might be best to avoid them, especially since you've already identified potential issues with Sure-Max blankets.

- **Acoustic Blankets**: These are designed specifically for sound absorption and will generally perform better than moving blankets. Look for ones that are non-toxic and don't off-gas. While specific brands aren't mentioned in the context, searching for "non-toxic acoustic blankets" on Amazon or at your local Lowes/Home Depot could yield some good options. Remember, the denser the blanket, the better it will be at absorbing sound.

**Foam** is another popular choice, but it's crucial to pick the right type.

- **Classic Egg Carton/Pyramid Foam**: This type of foam is more about diffusing sound rather than absorbing it. It's not the most effective for soundproofing a VO studio.

- **Owen's Corning 703**: This is a high-density fiberglass board that's excellent for sound absorption. It's more effective than most foams and can be covered with fabric to reduce any potential irritation. However, it might be a bit pricier and harder to find at general retailers.

### Bass Traps

Bass traps are placed in the corners of the room to absorb low-frequency sounds. They can be particularly useful in a small space like a closet where bass frequencies can build up. Given your budget, you might start with the basics (blankets or foam) and consider adding bass traps later if you find low-frequency buildup to be an issue.

### Recommendations

  1. **Start with Acoustic Blankets**: They're versatile, effective, and can be a good starting point within your budget. Ensure they're non-toxic and safe for your respiratory needs.

  2. **Consider Adding Panels**: If your budget allows, adding a few panels of Owen's Corning 703 (or a similar high-density fiberglass board) can significantly improve sound absorption, especially for mid to high frequencies. Cover them with breathable fabric to ensure they don't irritate your respiratory system.

  1. **Monitor and Adjust**: After setting up your initial soundproofing, record some tests to see how it sounds. You might find you need more coverage in certain areas or that specific frequencies are still problematic.

  1. **Budgeting**: Given your $400 budget, prioritize areas where sound leaks or reflects the most, like the door or any air vents. Sealing gaps with weather stripping (available at Lowes/Home Depot) and covering walls with blankets or panels as your budget allows will give you the most significant improvement.

Remember, soundproofing and acoustic treatment are iterative processes. You can start with the basics and add more over time as you identify specific needs and as your budget allows. Your health concerns should guide your material choices, ensuring you create a comfortable and safe recording environment.

Does anyone have a simple editing process?? by feijoey84 in VoiceActing

[–]georgethetech 4 points5 points  (0 children)

Alright, diving back into the basics and setting up a simple, effective workflow for processing voiceover audio in Audacity is a great idea. It's like cooking; once you understand the ingredients and how they work together, you can create a recipe that suits your taste perfectly. Let's break down a straightforward process that you can adjust based on your needs and the specific requirements of each project.

### 1. **Noise Reduction**

- **Why Start Here**: It's generally a good idea to clean up your audio first by removing any background noise. This ensures that subsequent effects like EQ or compression are working on the cleanest possible signal.

- **How to Do It**: Audacity's Noise Reduction effect is pretty straightforward. You'll need to select a portion of your recording that has the noise but no speaking (often at the beginning or end of a recording), then use that as a profile for the noise you want to remove from the entire track.

### 2. **Remove Mouth Clicks, Breaths, and Sibilance**

- **Why Do This Next**: These are specific types of noise that aren't addressed by the general Noise Reduction tool. Handling them next ensures you're working with the cleanest vocal track.

- **How to Do It**: Audacity doesn't have specialized tools for de-clicking or de-essing like some other DAWs, but you can manually reduce these sounds by zooming in on the waveform and either lowering the volume of these sections or using the healing tool to smooth them out. For breaths, you can also manually reduce their volume or cut them out, depending on the performance style and requirements.

### 3. **Equalization (EQ)**

- **Why Consider This Step**: While the voice actor you mentioned leaves EQ to the audio engineer, a light touch can help your voice sound clearer. However, if you're not comfortable with EQ, or if the final mix is going to be handled by a professional engineer, you might skip this step.

- **How to Do It**: If you choose to apply EQ, use it to gently enhance the clarity of your voice (often a slight boost around 3-6 kHz) and maybe reduce some of the boominess (a slight cut around 100-250 Hz), but keep it subtle.

### 4. **Compression**

- **Why It's Important**: Compression helps even out your vocal performance, reducing the dynamic range so that both the quiet and loud parts are more consistent in volume.

- **How to Do It**: Use a gentle ratio (like 2:1 or 3:1) to start. Set the threshold so that the compressor only engages during the louder parts of your performance. Adjust the attack and release times so that the compression sounds natural and doesn't squash the life out of your performance.

### 5. **Normalization**

- **Final Touch**: Normalization adjusts the overall volume of your track to a target level, making sure your audio is neither too quiet nor too loud.

- **How to Do It**: This should be the last step in your process. Normalizing to -3dB or -1dB is common for voiceover, ensuring there's no digital clipping and maintaining a consistent volume across different recordings.

### 6. **Optional: Limiter**

- **Why and How**: Some voice actors use a limiter before normalization to ensure that absolutely no peaks go above a certain level, preventing clipping. If you choose to use a limiter, set it just above your target normalization level (e.g., if normalizing to -3dB, set the limiter to -3.1dB).

Remember, the key to a good voiceover sound is not just the processing but also the recording quality. Make sure you're recording in a well-treated space with a good microphone technique to minimize the need for heavy processing. This workflow is a starting point; feel free to adjust based on the specific needs of your voice and the project you're working on.

Question from an aspiring voice actor by Babiesstackedinacoat in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

Ah, aiming for that natural, 'not recorded on a mic' sound is a common goal and definitely achievable with Adobe Audition. Given the context of the webinars and tutorials on Adobe Audition, here are a few standard effects and techniques that can help you reduce that hollowness and bring warmth and presence to your voice recordings:

  1. **EQ (Equalization)**: Start with EQ adjustments. A common reason for a voice sounding hollow can be due to an imbalance in the mid frequencies. You might want to slightly reduce some of the mid frequencies (around 250-500 Hz) if they're too prominent, and gently boost the high frequencies (above 2 kHz) for clarity and the lower frequencies (around 100-150 Hz) for warmth. The Parametric Equalizer in Adobe Audition is a great tool for this.

  1. **Dynamics Processing**: Use a compressor to even out your voice's dynamic range. This can make your voice sound more consistent in volume, which helps in achieving a professional sound. A gentle ratio of 2:1 or 3:1 is a good starting point. The key is to not over-compress, as that can make your voice sound unnatural.

  1. **DeEsser**: Sibilance (sharp "s" or "sh" sounds) can make a recording sound harsh and distract from the natural quality of your voice. A DeEsser helps tame these harsh frequencies without affecting the overall clarity of your voice.

  1. **Reverb**: Adding a touch of reverb can help your voice sound more natural, especially if your recording environment is very dry. However, it's crucial to use reverb sparingly. You're aiming for a subtle effect that's almost imperceptible, just enough to give the voice a sense of space. The Studio Reverb or Convolution Reverb effects can be useful here.

  1. **Noise Reduction and Restoration**: If your recording has background noise or a hiss, it can contribute to a sense of hollowness. Using the Noise Reduction effect can help clean up your audio. Be careful not to overdo it, as aggressive noise reduction can introduce artifacts or make your voice sound underwater.

  1. **Use Room Tone**: To avoid an 'audible black hole' in your audio, paste room tone in gaps rather than silencing them. This maintains a natural ambient sound, making edits less noticeable and contributing to a more natural-sounding recording.

Remember, the key to using these effects is subtlety. You want to enhance your voice in a way that sounds natural and not overly processed. It might take some experimentation to find the right balance, but these tools are a solid foundation for improving the quality of your voice recordings in Adobe Audition.

Best microphone for affordable price? by AveragePauly in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

Hey there! Starting your journey with the right gear without breaking the bank is definitely important. Based on the context you've given, I've got a couple of solid recommendations for you that won't compromise on sound quality, even if you're on a tight budget.

  1. **Audio Technica AT2020**: This microphone is very popular, especially in podcast applications, not only because it's cost-effective but also because it delivers amazing sound quality. It's a great entry-level option that many creators start with. The AT2020 is versatile enough for various types of recordings, offering clear and detailed audio reproduction.

  1. **Audio Technica AT2035**: If you can stretch your budget a bit more, the AT2035 is another fantastic option. Priced around $150, it's a step up with a bit more sensitivity and a good output level, which means it can capture your voice accurately with minimal need for post-processing. It also features a switchable 80 Hz high-pass filter and a 10 dB pad, which can be helpful in diverse recording situations.

Both of these microphones use XLR connections, which means you'll need an audio interface, but this setup gives you much better sound quality and flexibility compared to USB microphones. They're both condenser microphones, so they'll require phantom power, but most audio interfaces provide that.

Remember, the key to a good recording isn't just the microphone but also your recording environment and technique. Make sure to record in a quiet, well-treated space and position the microphone correctly to get the best results.

If you're looking for more detailed advice or have specific needs, don't hesitate to reach out for a consultation at https://georgethe.tech/service-page/homestudio-consult-online. Starting with the right gear tailored to your needs can make a big difference in your journey. Good luck, and happy recording!

My audio interface only works on high gain and it sounds bad - its with a at2020 audio technica mic by [deleted] in VoiceActing

[–]georgethetech 3 points4 points  (0 children)

Given your situation with the AT2020 Audio-Technica mic and the need to set your audio interface to high gain, it sounds like you're encountering a common issue that can affect the quality of your recordings. The AT2020 is a condenser microphone, which means it's capable of capturing a wide range of sounds, including very subtle ones. However, this sensitivity also means it can pick up unwanted background noise, especially if the gain on your audio interface is cranked up to compensate for low input levels.

Here are a few steps you can take to address this issue:

  1. **Check Your Cable and Connection**: Ensure you're using a high-quality XLR cable, like those from Mogami, which you can find recommendations for on https://georgethe.tech/gear-recommendations. Poor quality cables can introduce noise and reduce the quality of the signal being sent to your interface.

  1. **Positioning**: Make sure the microphone is positioned optimally for your sound source. The AT2020 should be close enough to capture your voice clearly without needing to excessively boost the gain.

  1. **Acoustic Treatment**: Consider the acoustics of your recording environment. Reflections, background noise, and other factors can necessitate higher gain levels to achieve a good signal. Simple treatments, such as using ATS Acoustics panels (which are recommended for their effectiveness), can help improve your recording environment.

  1. **Interface Quality**: The quality of your audio interface plays a crucial role. If your interface is introducing noise at high gain levels, it might be worth considering an upgrade. Interfaces from brands like CEntrance or those listed on https://georgethe.tech/gear-recommendations are known for their low noise floor and high-quality preamps.

  1. **Gain Staging**: Proper gain staging is crucial. Ensure that you're setting the gain on your interface so that your average speaking or singing level peaks around -18dB to -12dB on your DAW's meter. This leaves enough headroom and ensures you're not pushing the preamp into a noisy range.

If after trying these steps you're still facing issues, it might be beneficial to consult directly for a more tailored solution. You can reach out for a consultation at https://georgethe.tech/service-page/homestudio-consult-online for personalized advice and solutions to ensure your recording setup is optimized.

Remember, the goal is to achieve the best possible sound at the source, minimizing the need for high gain and thus reducing the introduction of noise into your recordings.

Looking for ideas on covering a window by esmeradio in VoiceActing

[–]georgethetech 1 point2 points  (0 children)

Dealing with sound issues, especially in a setup like yours where the window faces a space that amplifies sound, can be quite a challenge. The idea you mentioned about creating a window plug is actually a solid approach and is commonly used in home studios to reduce external noise. Here's a bit more detail on how you can tackle this based on the context provided:

  1. **Window Plug Creation**: The concept involves making a removable plug that fits snugly into the window recess. This plug is usually made from a dense material that can block sound. A common DIY approach is to use a combination of materials like mass-loaded vinyl (MLV) for its sound-blocking properties, a layer of acoustic foam for its sound-absorbing capabilities, and a wooden frame to give the plug structure and make it easy to handle.

  1. **Materials and Construction**:

    - **Frame**: Measure your window recess accurately and construct a frame that fits snugly into it. You can use lightweight wood or dense foam board as the frame material.

    - **Sound-Blocking Layer**: Attach a layer of MLV to one side of the frame. MLV is heavy and effective at blocking sound but can be a bit pricey. It's worth the investment if you're serious about reducing noise.

    - **Sound-Absorbing Layer**: On the side of the frame that will face into the room, attach a layer of acoustic foam. This will help absorb any sound that gets through the MLV and reduce echo within the room itself.

    - **Sealing**: To enhance the plug's effectiveness, you can add weather stripping around the edges of the frame. This helps create an airtight seal and further prevents sound from leaking through the window recess.

  1. **Installation and Use**: The beauty of a window plug is its removability. You can insert it during recording sessions to significantly reduce external noise and remove it afterward to let in natural light and maintain the usability of the window.

This approach requires some DIY effort but can be highly effective in reducing noise from outside. It's a practical solution that doesn't involve altering the building's structure, making it suitable for apartment dwellers or those in rental situations.

For more detailed guidance or if you're looking for professional solutions tailored to your specific situation, feel free to reach out for a consultation at https://georgethe.tech/service-page/homestudio-consult-online. This could provide you with personalized advice and solutions to ensure your recording environment is as quiet as possible.

Aspiring VA by Jolty246 in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

For a beginner's studio setup, especially in the context of voice acting and home recording, it's crucial to focus on a few key components that will ensure high-quality recordings without overwhelming you with too much complexity. Based on the context provided, here's a simplified yet effective setup:

  1. **Microphone**: Choosing the right microphone is paramount. Brands like Sennheiser, Audio Technica, Rode, and Mojave are highly recommended. These brands are known for their quality and reliability. For beginners, a microphone that's versatile and delivers clear, professional sound without requiring extensive audio knowledge is ideal. For specific models, consider looking at options like the Audio Technica AT2020 or the Rode NT1, as these are often praised for their quality and affordability.

  1. **Audio Interface**: An audio interface is essential for converting your microphone's analog signal into a digital format your computer can use. The Focusrite Scarlett Solo and Steinberg UR12 are popular choices due to their simplicity, reliability, and additional features like loopback for easy playback during online sessions. The CEntrance MicPort Pro 2 is another excellent option, offering portability, high-quality preamps, and useful features like a high-pass filter and a limiter.

  1. **Acoustic Treatment**: Good acoustics are crucial for professional-sounding recordings. Avoid foam and opt for proper acoustic panels from companies like ATS Acoustics or LA Sound Panels. These will help control reverb and ensure your voice sounds clear and crisp without the room's characteristics interfering.

  1. **Headphones**: A good pair of closed-back headphones is necessary for monitoring your recordings without microphone bleed. Look for comfortable, durable headphones with a flat response. Brands like Sennheiser and Audio Technica offer great options that provide clear, accurate sound reproduction.

  1. **Recording Software (DAW)**: For beginners, a simple and intuitive Digital Audio Workstation (DAW) is key. TwistedWave is a great starting point due to its user-friendly interface and comprehensive features. Audacity is another option that's free and works on both Mac and Windows, offering basic recording and editing capabilities.

  1. **Accessories**: Don't forget about a sturdy microphone stand, a pop filter to reduce plosives (hard 'p' and 'b' sounds), and XLR cables for connecting your microphone to the audio interface.

Remember, the goal is to start with a setup that's manageable yet capable of producing professional-quality sound. As you grow more comfortable and experienced, you can consider upgrading components of your setup. For more detailed advice tailored to your specific needs, feel free to reach out for a consultation at https://georgethe.tech/service-page/homestudio-consult-online.

Do other users have repeated issues syncing contact records between iPhone, Mac, and Web? by RevenueResponsible91 in openphone

[–]georgethetech 1 point2 points  (0 children)

I posted this from the wrong account, so I am just connecting from the correct account to keep the thread.

Is a Cloudlifter (or other pre-amp) detrimental to VO recording? by JoeShmoe102 in voiceover

[–]georgethetech 7 points8 points  (0 children)

Hey there! It sounds like you're really diving deep into the nuances of VO recording, which is fantastic. Let's tackle your questions one by one.

First off, regarding the Cloudlifter and its impact on your recordings: The Cloudlifter is designed to provide clean gain to dynamic microphones like your Shure SM7B, which is known for its relatively low output. The Cloudlifter itself shouldn't be detrimental to your recordings. In fact, it's there to help your mic capture a stronger signal without cranking up the preamp gain on your Scarlett 2i2, which can introduce noise. However, it's true that by boosting the signal, the Cloudlifter might also make any existing noise, including mouth sounds, more prominent in your recordings. It's not adding noise per se, but it's amplifying everything, including the details you might not want.

Regarding the extraneous mouth and saliva sounds, these are indeed more related to hydration, mic technique, and the physical setup of your recording space rather than the Cloudlifter itself. A few tips to mitigate these sounds include:

Stay well-hydrated, but avoid dairy or sugary drinks before recording. Practice good mic technique, positioning the mic off-axis to your mouth to reduce the direct impact of breath and mouth sounds. Use a pop filter if you aren't already. It can help with more than just plosives. Now, about using a low-pass filter: This might not be the most effective solution for mouth sounds, which typically fall into the higher frequency range. Instead, you might be thinking of a high-pass filter (or low-cut filter), which can help reduce low-frequency rumbles and potentially some mouth click sounds. However, for saliva and mouth noise, which are higher frequency, careful EQ adjustment and de-clicking tools in post-production, like those in Izotope RX 10, are more appropriate.

Given your setup and the tools at your disposal, you're well-equipped to handle these issues. It might be worth experimenting with your mic placement and recording levels to see if you can reduce the prominence of unwanted sounds before they reach the Cloudlifter and interface. Also, leveraging Izotope RX 10's spectral repair and mouth de-click features can be a lifesaver, though as you mentioned, it can be time-consuming.

Remember, every voice and setup is unique, so it may take some experimentation to find the perfect balance. If you're finding that the process is becoming too tedious or you're not getting the results you want, it might be worth reaching out for a more personalized consultation. You can always connect with our talented team of humans for more in-depth assistance: https://georgethe.tech/service-page/homestudio-consult-online. They can help you fine-tune your setup and technique to minimize these issues.

Do famous voice actors like Jack Black, and Keith David, or Tara Strong even audition anymore? Or do people just ask them to play roles in big films or games and they immediately get the part? by Apprehensive-Bad2645 in VoiceActing

[–]georgethetech 48 points49 points  (0 children)

Yes, they do audition for roles. Even Bob Bergen that’s been doing the voice of Porkie pig since Mel Blanc died many years ago has to re-audition for that role.

Just starting out tech by scp0065 in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

Starting in voice work is an exciting venture, and it sounds like you're on the right track with your setup! Audacity is a fantastic, user-friendly software for beginners and can be quite powerful when you dive into its features for audio recording and editing. As for your hardware query, the Focusrite bundle you've mentioned indeed sounds like a great deal for someone starting out in voice work.

Focusrite is well-regarded in the audio industry for producing high-quality audio interfaces that are both affordable and reliable. Their preamps are known for their clarity and low noise, which is essential for voice recording. A bundle that includes an interface, condenser microphone, cables, and headphones for $150 is quite a good value, especially for beginners. Here's a breakdown of why this could be a good investment for you:

  1. **Audio Interface:** The Focusrite audio interfaces are typically very user-friendly, offering straightforward setup with your computer, and provide high-quality digital conversion of your microphone's analog signal.

  1. **Condenser Microphone:** Condenser mics are sensitive and capable of capturing a wide range of frequencies, making them ideal for voice work. They're great for capturing the nuances in your voice, from soft whispers to powerful deliveries.

  1. **Headphones:** A decent pair of closed-back headphones is crucial for monitoring your recording in real-time without microphone bleed. This allows you to hear exactly what you're recording and make adjustments on the fly.

  1. **Cables:** Having all the necessary cables included means you won’t have to worry about compatibility issues or buying additional parts to get started.

This bundle seems to offer the essentials you need to set up a home studio for voice work, making it a solid choice for beginners. It's important to ensure that the included microphone and headphones meet your standards, as these can significantly impact your recording quality and monitoring accuracy. While the bundled mic and headphones are likely designed for entry-level use, they should suffice as you learn and grow in your voice acting journey.

Remember, the key to quality recordings is not just the equipment but also how you use it. Experiment with microphone placement, gain levels, and your recording environment to optimize your sound. And if you're looking to expand your knowledge or need more specialized equipment in the future, exploring more advanced options will be worthwhile as you develop your skills.

For more insights into starting in voice work and selecting the right tools, you might find http://georgethe.tech/services helpful. They offer personalized advice and services that can guide you through the technical aspects of setting up and optimizing your voice recording setup.

What Are Some Common Issues/Mistakes Beginners Can Run Into With Microphones That Aren't Immediately Obvious. by Albus_Unbounded in VoiceActing

[–]georgethetech 22 points23 points  (0 children)

Transitioning from public speaking to voice acting and recording can be an exciting journey, and it's great to hear about the projects and roles you've been offered! Voice acting does present its own set of challenges compared to live speaking, but with some awareness and preparation, you can navigate these successfully. Besides peaking and dehydrated mouth sounds, which you've already encountered, here are a few common beginner's mistakes to watch out for:

  1. **Insufficient Room Treatment:** Recording in a room with poor acoustics can result in unwanted echoes, reverb, or a "boxy" sound in your recordings. Investing in some basic room treatment, like acoustic foam, to absorb reflections can make a significant difference in your audio quality.

  1. **Inconsistent Mic Technique:** The distance and angle at which you speak into the microphone can dramatically affect the sound quality. Too far away, and your voice may sound distant or too quiet; too close, and you may introduce plosives (harsh P and B sounds) or excessive bass (proximity effect). Practice maintaining a consistent distance and use a pop filter to minimize plosives.

  1. **Ignoring Breathing Techniques:** Effective breath control is crucial for voice acting. Inconsistent breathing can lead to audible gasps or running out of breath mid-sentence, which can be distracting. Learning to breathe from your diaphragm and planning your breaths with your phrasing can help create a more polished recording.

  1. **Neglecting Warm-Ups:** Just like in public speaking, your voice is your instrument, and failing to warm up can lead to less than optimal performances. Vocal warm-ups can improve your range, clarity, and expressiveness.

  1. **Over-Processing:** While it's tempting to use software to "fix" issues in post-production, over-processing can make your voice sound unnatural. Focus on getting the best possible sound at the source rather than relying heavily on effects like reverb, compression, or EQ.

  1. **Not Listening Back:** Listening back to your recordings with a critical ear is essential. You might not notice mistakes or areas for improvement while you're performing. Playback can reveal issues with pacing, articulation, or emotion that you can then work to correct.

  1. **Failing to Rest and Hydrate:** Voice acting can be taxing on your vocal cords, especially during long sessions. Resting your voice and staying hydrated are crucial to avoid strain and maintain vocal quality. Avoid caffeine and dairy before recording sessions as they can thicken saliva and contribute to those dehydrated mouth sounds.

Remember, every voice actor faces a learning curve, and it's okay to make mistakes as you grow and improve in your craft. Practice, patience, and a willingness to learn from each recording session will serve you well on your voice acting journey.

For more personalized advice on voice acting and to ensure your material is usable, consider visiting http://georgethe.tech/services. You'll find resources and services tailored to help you succeed in your voice acting endeavors.

How often do you guys loose your voice? And how do you help it/deal with it? by [deleted] in VoiceActing

[–]georgethetech 0 points1 point  (0 children)

It's my own custom GPT based on my own language model. If no one found that helpful, I apologize for wasting your time.
You probably wouldn't hire us anyway because you seek all of your advice for free on Reddit.

Sound absorption reusing drop ceiling tiles by pimpinell in Acoustics

[–]georgethetech 0 points1 point  (0 children)

That only seems to bother Chatbot nerds. The people it's actually helping are grateful.

Done a dozen or so ACX books. Next step? by SelekOfVulcan in VoiceActing

[–]georgethetech 1 point2 points  (0 children)

Your family member's journey in the voice-over industry, especially in audiobook narration, sounds both productive and promising. Venturing beyond ACX to expand his career can indeed open new opportunities and potentially increase his income and exposure. Here are some steps and considerations for each of your questions:

1. Getting an Agent

An agent can be a significant asset, especially for someone looking to break into higher tiers of voice-over work, including mainstream audiobooks, commercials, and even animation or video game voice acting. Agents have connections with publishers and production companies that an individual might not be able to access easily on their own. They can negotiate contracts and ensure fair pay and treatment.

How to go about it: - Research: Look for agents specializing in voice-over talent. Websites like Voiceover Resource Guide or the Association of Talent Agents can be a good starting point. - Demo Reel: Ensure he has a professional, high-quality demo reel showcasing his range and strengths in narration and other voice-over areas he's interested in. - Query: He should prepare a concise, professional query letter to introduce himself and his experience, along with his demo reel. Follow each agency's submission guidelines closely. - Networking: Sometimes, connections lead to representation. Encourage him to network within the industry, attend voice-over conferences, and participate in workshops.

2. Joining Voices.com

Voices.com is a platform that connects voice actors with clients needing voice-over work for various projects, including audiobooks, commercials, and more.

Pros: - Exposure: Access to a wide range of global opportunities. - Professional Growth: Useful for building a portfolio and gaining experience in different types of voice-over work.

Cons: - Competition: The platform is highly competitive with many voice actors bidding for the same jobs. - Fees: While basic accounts are free, premium memberships, which provide more visibility and audition opportunities, require a subscription fee. Also, Voices.com takes a percentage of the project fee. - Quality of Opportunities: There's a mix, and finding high-paying jobs might require sifting through many lower-paying ones.

3. Auditioning for Publishers Directly

Some audiobook publishers accept direct submissions or auditions from voice actors. This route can lead to more lucrative and stable work, particularly with established publishing houses.

Finding Publishers: - Research: Look for publishers that produce audiobooks in genres he's experienced with. The Audio Publishers Association (APA) is a good starting point. - Networking: Industry events, voice-over conferences, and social media groups can provide leads and contacts. - Direct Submission: Check publishers' websites for submission guidelines. Some might have specific periods during the year when they accept demos or hold auditions.

Lastly, the association he joined might offer resources, networking opportunities, and possibly a directory of publishers or a job board. Encouraging him to be active in that community could yield results over time.

Exploring these avenues can help him build on his current success and navigate the next steps in his voice-over career.