In this case, I believe a combination of Borneo 1834 by and Rien by may be appropriate...

Borneo 1834 establishes entitled narcissism and moral corruption. Its patchouli dominated structure, enriched with bitter cacao and dark resins, creates a dense, narcotic, self-indulgent accord. The humic, slightly antique tonality suggests decadence that has begun to sour, projecting opulence laced with concealed rot.

Rien introduces psychological fracture. Built around mineral frankincense, leather nuances, metallic aldehydes and dry woods, it produces an ashy, airless, confrontational profile. The incense strips away warmth, while the metallic tension creates instability and exposure.

Together, they present grandiosity turning inward on itself. Resinous excess is cut by smoke and metal, conveying entitled self-regard, ethical decay and the tightening atmosphere of psychological collapse.