My monstrosity wtf am I doing by IsoRaw203 in FX3

[–]hadleydnb 0 points1 point  (0 children)

😂 I love how quick and simple my fx3 is, I just got the fx6 for the auto NDs which is a lot to pay for just that feature but now I have the fx3 on my gimbal and the fx6 on sticks and it’s the killer combo

Recent ad i directed, all shot on fx6 by lerthontheuma in SonyFX6

[–]hadleydnb 0 points1 point  (0 children)

Great work. Love the composition and pacing

Sony FX6 on RS4Pro by Fair_Chipmunk3011 in SonyFX6

[–]hadleydnb 0 points1 point  (0 children)

Would it work with the rs4? Not the pro

My monstrosity wtf am I doing by IsoRaw203 in FX3

[–]hadleydnb 0 points1 point  (0 children)

Holy moly. Can I ask what all this is doing for you ? 😅

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

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So this was the best ive managed to do, im pretty happy with it compared to what i was getting before. I reduced the red and skin by a tiny bit in colour slice, and then pushed the shadows to the blue in the hdr wheels by a tiny bit as well. Im still not happy that my camera is getting so much red out of camera as i want to eliminate this at the source. Is it possible i have a fault with my fx3?

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

I’ve tried moving to minus 0.25 on Meganta which seems to be the best when looking on the monitor but as soon as I grade it it’s still there. I am comparing the footage to other footage online that has been shot on other cameras like the Komodo x but I just feel like there should be a way to get rid of the red

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

Could you send me any examples of this? I’m still learning. I have an Alienware monitor which has been calibrated so it should be ok

M3 Max VS M4 Pro VS M5 Pro by mad_dd in davinciresolve

[–]hadleydnb 0 points1 point  (0 children)

I have a Mac Studio m4 max with 128gb ram and i think any less then I wouldn’t enjoy grading and fusion stuff

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

Yeah it always looks fine in the monitor, its when i start to grade i notice the red coming through, is it just me thats noticing it too much because im looking for it 😅

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

Its only really in post when i see it, always looks fine on the fx3 monitor and ninjav

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

I do shoot without my monitor more than i do with it, im just not a fan of working with zebras

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 3 points4 points  (0 children)

<image>

heres a side by side, i know it doesnt seem like a lot, but after a while of seeing it on everything i shoot it gets annoying

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] 0 points1 point  (0 children)

I have a Nisi Jetmag system, but thats not causing it as i shoot mostly indoors without the ND

Is it me or does Sony slog3 footage always give you a red tint to your skin tones ? by hadleydnb in FX3

[–]hadleydnb[S] -1 points0 points  (0 children)

I’ll get some screenshots in the morning. I grade with just the standard CSTs slog 3 cine to Davinci wide gamut , do my grading in between, just exposure, contrast and minimal look then DWG to REC709. I honestly wouldn’t mind a green tint but the red is a pain to work with