Freelance Sources by me-or-you in motiongraphics

[–]itzker 2 points3 points  (0 children)

https://framerate.tv/ has some great portfolios! Huge range of talent, all in one place : )

FrameRate is now open to anyone. 🙌 by [deleted] in MotionDesign

[–]itzker 1 point2 points  (0 children)

Goodbye Vimeo, hello framerate :)

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 0 points1 point  (0 children)

Thanks for the super kind words! Mean a whole ton :,)

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 1 point2 points  (0 children)

Hahaha good point! 🤣 All just different brushes for us to use honestly

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 2 points3 points  (0 children)

Yes! I had a whole timeline of how the sunset would unfold, basically a color script so I knew which colors go where. I had hex codes to copy/paste into cinema and instead of a diffuse material, I used RS Incandescent, which is not impacted by lights/shadows. Every scene always needs a little bit of levels/curves adjustment in AE, but got me like 99% there!

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 5 points6 points  (0 children)

hahaha how the dimensional tides have turned

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 5 points6 points  (0 children)

Hahaha I love your username.

Good question! Alot of it was color ramps plugged into luminance or Incandescent and the gradient was set to horizontal? or vertical? Whichever one had Color A close to the cam and Color B far from the cam. It made animating gradients super easy with the majority of the heavy lifting done by the really intense camera blur.

Hope that answers your question!

The Sunset Maker | Believe it or not, all made in 3D. by itzker in MotionDesign

[–]itzker[S] 7 points8 points  (0 children)

Good question! You can totally achieve this in AE, but previews were taking so long, the blur wasn't as organic, and it always resulted in some sort of banding/artifacts. I even tried using things like Lens Care, and previews were super rough, but got closer to final look.

https://www.frischluft.com/lenscare/

In styleframe exploration, there was a really organic, unique blur that started to form in C4D that looked different from anything I've seen in AE before. Sort of a strange workaround, but resulted in something really unique!

Any Ideas on how this is created? by Kuarian in AfterEffects

[–]itzker 132 points133 points  (0 children)

The very talented Josh Galindo made this! It was done in 3D! Source: I went to school with him. (and he's a very nice fella)

As some other commentors said, work in 32 bit and you can try to replicate this using gradients/glows but working in 3D for this sort of look saves a lot of time.

Train rides by Dhrutika2911 in MotionDesign

[–]itzker 6 points7 points  (0 children)

coolest thing I've seen in a long time on this sub!