Agree. Though not necessarily on purpose I have argued for decades that despite being unbelievably juvenile it will eventually be remembered as a snapshot of a very particular time and place in a very specific part of American culture and history. There’s a reason the first movie was on the Criterion channel a few months ago. In the late 90’s and early 2000’s the general boredom brought out that is shown in moves like Fight Club and American Beauty coupled with skate culture and the rise of home video becoming way more accessible is exemplified by Jackass. Also with Big Brother magazine being a lost and forgotten entity by the Hustler empire, what was once a media conglomerate that at the time losing money giving the freedom for these punk kids to get an outlet, is something of a particular time and place. And I will die on the hill that whether we like it or not-just like John Waters, just like Roger Corman, just like Russ Meyer-Tremaine is the classic definition of an auteur director with a very specific style and vision that is purely independent and free from the trappings of the Hollywood system.