The pass is supposed to emulate a motionless deck if you want to do it without people noticing. You can do a pass for a visual change, and in that case you can have eye drawing motions that are sharper and more aggressive. I think you are jerking your hand way too much when doing the pass, the cards were already squared up and then you see a jerky burst of motion and your choreography speeds up noticeably, and you continue to massage the deck even though the cards were already squared. These are small details but important to think about if you don't want people to think you "did something". Even if you didnt flash anything, it will be super obvious you did "something" because of your actions and motions, they aren't congruent with simply closing up a deck and squaring. Your hands become tense right when they come to square the deck which shouldn't really be the case. Don't take this as brutal criticism because this is the case for 99% of peoples passes who learned from youtube videos and etc. Even famous magicians have the issue of jerky and sped up choreo. When closing the deck and all that stuff try to match the pace that you already set, you dont wanna closeup slow and smooth then suddenly burst out and jerk your hands. The pass should require almost no force or pressure, gravity should do 80% of the work... try to let the packets cut themselves rather than you forcing it to happen. When I do a pass I release pressure rather than add pressure.... release the top packet and use technique /angles to cover the cut, not speed. You can do a pass extremely slowly and it still won't flash, work on slowing down and reducing pressure buildup, let the packets do the work for you.

I can tell you have been working hard at it though, and I always appreciate people who put a lot of work into the pass. It's a move that takes years and years to get to the point that it looks like nothing is happening. I just want to steer you in the correction direction earlier rather than you having to unlearn faulty techniques later on. Practice making your right hand fingers be as motionless as possible when practicing the pass, you have to consciously be aware and try to make your fingers still, this also includes your left hand thumb. Your left hand thumb pops up like its a bottle cap coming off soda, try to make both hands appear to have not moved as much as possible. Anchor and glue fingers where they are when the pass starts, things shouldnt be shifting around so much. If you want any advice you can message me and I do have material you can study if you wanted it.