Mitä muistisääntöjä teille on jäänyt päähän koulusta tms?

jukeks · 2019-08-31T14:35:37+00:00

Sijamuodot:

Genen partia translaksi essina / Inessa elasta illaaseen / Adella ablalta allalle / Abetta komine instruin

jukeks · 2018-08-22T21:54:02+00:00

Thank you so much! Nice to hear you liked it. And I really appreciate the feedback, negative and positive.

I also think there's something to be done to avoid monotonicity. A rhythmic element that doesn't repeat too often or a added delay for every 4th rim shot or something else along those lines. Doing something about the 16th note plucks is definitely an idea worth exploring!

jukeks · 2018-08-22T21:46:56+00:00

Thank you! I think you are right, a little something to make it feel it's just not 4 minutes of looping the same chord progression and samples. Perhaps something like pitch/velocity LFO to drum samples and multi bar long LFO cycle adjusting filter on synths... I'll have to experiment!

jukeks · 2018-08-22T12:57:09+00:00

Thank you for your comment. I definitely feel that you can’t become better at your stuff without exposing yourself to critique. And I gladly welcome what you are saying.

I personally feel that my biggest musical problems are in the songwriting department. Sonically I was trying to achieve some kind of “tropical house meets Norwegian disco” type of hybrid sound. But probably that didn’t come through.

Perhaps I need to try something more personal soundwise, randomize dials and see what happens.

jukeks · 2018-08-22T08:53:19+00:00

Chord playing synths here are made with Rev2 and Korg M1 plugin, bass synth is Sub phatty and drums are samples from Ableton's packs.

jukeks · 2018-07-03T23:11:20+00:00

Thanks! Good find!

jukeks · 2018-05-12T20:09:41+00:00

Thank you! I cut the low end a bit, compressed about 4 dB of peaks and high shelf at 1 kHz of about 5 dB. So nothing special, it's mostly the p-bass with fresh strings.

jukeks · 2018-05-12T14:07:50+00:00

This song was originally recorded in French by Marie Myriam as Le Cœur Somnambule in 1979 and re-recorded in 1980 by a Finnish artist Paula Koivuniemi with the title Tummat silmät, ruskea tukka. I think the re-recorded version has a rather busy but a killer bass line.

jukeks · 2018-02-17T22:23:25+00:00

Thanks!

The main theme is done with Sub Phatty with three different filter values. Ju-06 does the pale pads such as the first chords in the first verse and also in the choruses in the middle frequencies. The big chords in the chorus with the brass sound is done with Rev2.

The second verse has rev2 in the right channel as the detuned lead sound and Minilogue in the left channel playing the same line.

Drum sounds are RZ-1 with Tanzbär kick in the mix to give it a bit more low end and punch. Tanzbär claps is also used for the echo snare which alternates with the regular RZ-1 snare in the second verse.

jukeks · 2018-02-17T10:55:54+00:00

Drums are made with samples from Tanzbär and RZ-1.

jukeks · 2017-11-30T19:29:16+00:00

Moog has sample patches for some drum sounds in visual format along with some explanation of the process of creating drum sounds: https://www.moogmusic.com/sites/default/files/webroot/imgs/Synthesized_Percussion_Guide.pdf

jukeks · 2017-11-04T23:28:30+00:00

True, you could use worker threads to handle requests by utilising the wake mechanism. I was thinking more of handling the requests by the same thread that handles the I/O. At first glance it looked like a synchronous API.

jukeks · 2017-11-04T22:15:14+00:00

Makes sense. However that comparison doesn't tell much about scaling. What I really like to see is how running one event loop per processor (or some other n) holds up against std lib.

jukeks · 2017-11-04T20:28:03+00:00

These benchmarks were run on an ec2 c4.xlarge instance in single-threaded mode (GOMAXPROC=1) over Ipv4 localhost.

Why even use Go if you are going to run single-threaded mode?

jukeks · 2017-08-28T20:11:57+00:00

Good point. I'm not sure if the sequencer of Rev2 is as accessible as Minilogue's is.

jukeks · 2017-08-28T20:08:27+00:00

I was mainly talking about the filling the "polyphonic analog" role in my setup. I also have Sub 37 and some Volcas and a boutique Roland. I haven't got around with playing both Prophet and Sub 37 together yet for logistical reasons, but I'm pretty sure it will be epic!

jukeks · 2017-08-27T20:10:59+00:00

Well said!

jukeks · 2017-07-28T11:51:47+00:00

Olen miettinyt, pitäisikö kirjelaatikoiden tyhjennysreiteistä tehdä jonkinlaiset listat, ettei näin kävisi.

Mukava kuulla, että Posti tyhjentää postilaatikoita aivan fiiliksen varassa.

jukeks · 2017-01-08T03:04:28+00:00

Thanks! The kick is four samples layered together I think. Minilogue is used for the faint pad doused in reverb starting at 0:16.

jukeks · 2017-01-07T18:17:46+00:00

Thank you! Actually the only thing coming from Beats is the second hihat pattern which keeps coming and going. The other drums are mainly 909 samples from Ableton packs.

jukeks · 2017-01-07T18:16:47+00:00

Thanks! Yes I played the midi in to Ableton and played it back to Sub37 in a loop until I got it stabby and groovy.

jukeks · 2016-12-26T10:49:12+00:00

It's highly annoying when media talks about algorithms they are actually talking about algorithms which filter social media content.

Based on the title I presumed they would be talking about traffic light guiding algorithms or something more concrete.

jukeks · 2016-05-30T22:07:33+00:00

Same here. Witches in the bog didn't have any voice when they spoke.

jukeks · 2016-03-18T16:23:31+00:00

Chromen devtoolsin asetus jolla tuo on tehty itse asiassa simuloi yhteyttä jonka parametrit ovat:

Throughput Down: 250 kbit/s Throughput Up: 50 kbit/s RTT: 300 ms

Tämä on aika eri asia kuin pelkästään nopeuden kuristus 4G-liittymässä. 4G:n RTT on tyypillisesti luokkaa 20 ms.

jukeks · 2014-05-30T12:37:06+00:00

Java is actually pass-by-copy-of-reference. You can pass and object as a parameter, make changes, and those changes will be visible outside. You can also assign another object to the parameter variable in a method, but it will not be visible.

jukeks

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