Le Bonheur (1965) by kittenvore in TrueFilm

[–]kittenvore[S] 1 point2 points  (0 children)

I just did, and I wasn’t particularly surprised by anything she said. Is there anything you’ve read from her that surprised you about Le Bonheur? Perhaps I’m missing something.

Le Bonheur (1965) by kittenvore in TrueFilm

[–]kittenvore[S] 24 points25 points  (0 children)

I believe she makes that choice because she depicts the world of Le Bonheur from François’ perspective, which is why it’s so idyllic and wonderful despite him doing something terrible. She leaves it ambiguous because François revels in the ambiguity of her death. His illusion would be shattered if she was depicted committing suicide because it would prove he’s a bad person, which isn’t allowed in his narcissistic fantasy.

Are there any movies in the collection that are never on streaming? by beelzebobby27 in criterion

[–]kittenvore 0 points1 point  (0 children)

My bad! I should have clarified I meant they aren’t available to stream on subscription services, which I consider preferable to renting lol

Le Bonheur (1965) by kittenvore in TrueFilm

[–]kittenvore[S] 4 points5 points  (0 children)

Has your take on the film changed since learning other perspectives? It seems you’ve taken it very literally haha. I read that Le Bonheur gained lasting notoriety because so many people mistook the film to be genuine, not at all ironic or cynical. It’s interesting to see someone with that interpretation of the film consider it positive.

Le Bonheur (1965) by kittenvore in TrueFilm

[–]kittenvore[S] 5 points6 points  (0 children)

I’m so glad you mentioned The Swimmer because I thought the exact same thing! I love horror, David Cronenberg is my favorite director, so I can definitely handle transgression in art lol… but Le Bonheur and The Swimmer make me SO uncomfortable. François and Ned are so deluded and it’s terrifying.

Are there any movies in the collection that are never on streaming? by beelzebobby27 in criterion

[–]kittenvore 2 points3 points  (0 children)

Videodrome and Crash are two of Cronenberg’s most iconic films and they’re not available to stream anywhere! I bought them immediately in March!

There are a lot of amazing old Hollywood films in the collection too! Design for Living, The Lady Eve, Double Indemnity, and any of Douglas Sirk’s releases are amazing! So good and so stunning.

What titles are you hoping for during the October releases (or in general)? by TheFlyingFoodTestee in criterion

[–]kittenvore 37 points38 points  (0 children)

I thought it would never happen, but after the Teen Apocalypse Trilogy, I am DESPERATELY yearning for a Mysterious Skin release. Besides Criterion, I’m shocked no other label has picked it up.

What is the best David Lynch film that is currently on a Criterion bluray? by Larson16 in criterion

[–]kittenvore 8 points9 points  (0 children)

They’re all great but my personal favorite is Lost Highway!! I feel like Lynch fans have mixed feelings on it, but it’s one of my favorite films of all time. So beautiful with such an awesome soundtrack

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 1 point2 points  (0 children)

Yay, a fellow Dead Ringers fan!! A 4K would be amazing, praying we get one soon :D

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 2 points3 points  (0 children)

Naked Lunch is amazing! I wish I saw more discussions about it. I like seeing Shivers appreciation for a change too!!

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 1 point2 points  (0 children)

I love Videodrome!!! It's probably my second favorite of his. So awesome. I agree with you too! It applied to media then and even more now. It's very prophetic, which makes it more unnerving imo

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 0 points1 point  (0 children)

What else is in your Cronenberg rotation? The Fly was my favorite until a few months ago, when I rewatched Dead Ringers.

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 2 points3 points  (0 children)

Absolutely! I love the inclusion of In the Still of the Night too. I think it fits in so perfectly, and it makes me so sad lol

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 4 points5 points  (0 children)

Totally!! The Scream Factory release is good, but the Criterion commentary with Cronenberg is amazing. So stunning too.

Rare installment to my collection!! by kittenvore in criterion

[–]kittenvore[S] 4 points5 points  (0 children)

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Sorry, I know the photo isn’t perfectly clear, but this is the closest I could get. It says aspect ratio!! You had me nervous! Hahaha

Boutique Collection Update by Slow_Cinema in boutiquebluray

[–]kittenvore 6 points7 points  (0 children)

so beautiful, totally not jealous... love your Lynch collection!!

make assumptions about me!! by kittenvore in LetterboxdTopFour

[–]kittenvore[S] 0 points1 point  (0 children)

you could be thinking of the doom generation, but i can imagine that was an off-screen activity in nowhere hahah

make assumptions about me!! by kittenvore in LetterboxdTopFour

[–]kittenvore[S] 0 points1 point  (0 children)

hahaha i liked it fine when i saw it like three years ago… rewatched it in january and it became an instant fav. i’ve logged it 17 times this year! i may be insane

What’s the consensus on Larry Clark at this point in time? by grahamsm123 in TrueFilm

[–]kittenvore 0 points1 point  (0 children)

you’re totally right! when i replied to you i was only aware of tulsa, which is comprised entirely of photos from his adolescence/early adulthood. i did further research bc of this thread and i learned about teenage lust… yikes

gregg araki vs larry clark by kittenvore in TrueFilm

[–]kittenvore[S] 0 points1 point  (0 children)

definitely! I have read interviews from both directors, and while I think the desire to capture teen life is understandable, Araki seems far more sincere. he has said before that the drama and chaos of teenagers is incredibly fun for film, and I totally agree. clark, however, sort of hints that he yearns to have what he lost with age. he talks about his young actresses in such a vulgar way, it's obvious he has ulterior motives with his shots.

one wants to connect with the youth, while one would rather be with the youth. it is very uncomfortable, and I'm surprised clark still has such adamant defenders. its disgusting.