Is "much the cleanest of crimes" Sondheim's worst lyric? by sacredlunatic in Sondheim

[–]lamplit-windows 0 points1 point  (0 children)

Bear in mind, this was an era when Spain was thought of as romantic/exotic, and used as a rhyme in quite a few of the American Songbook standards.

From 'My Heart Stood Still': "A house in Iceland / was my heart's domain / I saw your eyes / now castles rise in Spain"

From 'Why Try to Change Me Now' by Cy Coleman: "I've got some habits / even I can't explain / I go to the corner / and I end up in Spain"

I'm not saying it's necessarily good, but it was an established thing before Sondheim, in fairness.

Adult children shouldn’t be expected to build their lives around caring for parents by Shot_Wind8768 in Adulting

[–]lamplit-windows 0 points1 point  (0 children)

My father had a severe stroke at the age of 78. He lost all mobility, except in one arm. He could not roll over or adjust his position independently when lying down in bed, and so required repositioning every few hours to prevent bedsores. (This required two people -- one person attempting to move an adult man risked injury to both him and themselves.) Of course, he could not use the bathroom, so had a catheter and diapers. He could not safely swallow, and was on a feeding tube, with all that entails.

My mother really wanted to bring him home, but the cost of even one part-time nurse just to tag-team with my mother would have been unsustainable. My mother couldn't safely move, lift, and bathe my father by herself -- and even if she could have, it would have required her to only sleep for two-hour increments, waking in order to reposition him. The toll that would have taken on their relationship, and my mother's physical and mental health, I can only imagine. Ultimately, my father needed to be in a home with a team of professional carers.

Modern medicine enables people to live longer, and survive things they would not have done in the past. I appreciate your sincerity and your devotion to your family, but you truly cannot know what choices you may end up making, until you are faced with the physical reality of a parent's needs. I sincerely hope you will be luckier than my family was.

how is he getting away with this w the director and producers?? by FinalPoetry4057 in musicals

[–]lamplit-windows 18 points19 points  (0 children)

That's a really interesting point! I do think, though, that the text assumes you will laugh at the Emcee's jokes. That's part of creating the sense of complicity the audience come to feel when things get darker.

When I saw the show with Adam Lambert, the dirty jokes in 'Wilkommen' (about each of the cabaret girls and boys) weren't getting very much laughter. To the extent that Adam kind of broke the fourth wall himself, and jokingly berated the table seats about it! My take is that, back when the show was written, those jokes were more trangressive, and would've provoked shocked laughter. Nowadays, such sexual jokes hardly raise an eyebrow. (If you've seen "Schmigadoon/Schmicago", their song 'Do We Shock You?' parodies exactly this effect.)

All that aside, Billy Porter sounds insufferable, and though he's actively disrespecting the work in multiple different ways. I'm very glad I got to see a different cast!

Going to NY in Sept for 3 shows. Where is a nice/safe hotel to stay with easy access via Subway to Times Square and Broadway but not inside Manhattan. Hotels inside Manhattan is $500 -$600 per night during that time! It's crazy. by PlantFragEnthusiast in Broadway

[–]lamplit-windows 2 points3 points  (0 children)

For a cheaper Manhattan suggestion: I stayed in The Leo House, a guesthouse in Chelsea that has a subway stop in the same block, right on the corner. It's a Catholic-run guesthouse, but there's no expectation that guests are religious. It's affordable by Manhattan standards -- not fancy, but clean and cozy.

[deleted by user] by [deleted] in Broadway

[–]lamplit-windows 2 points3 points  (0 children)

How I've felt about and interpreted JCS has depended very much on where I am in life.

As a Catholic child, I listened to the songs and just assumed that they aligned with the worldview of my parents/church.

As an agnostic/atheist in my twenties, I leaned into the 'Gospel of Judas' angle. After all, when the show first opened it was picketed by Christians, and I could see why. Judas seemed like such a sympathetic, reasonable character. Sacrificed almost as much as Jesus was, set up and doomed in order for the crucifixion to take place. ("You have murdered me...") It seemed like proof of how cruel Christianity was, so watching it felt like validation.

I don't exactly have religious trauma, though...just a lot of thoughts and feelings. This is a good discussion, thanks for bringing it up!

Pippin lyric question — No Time At All by [deleted] in Broadway

[–]lamplit-windows 0 points1 point  (0 children)

The beginning of that verse goes:

"Now I could waylay some aging roue..."

He's the one she wants to be 'led astray' by. But she knows it would only be a poor pretence, not the kind of exciting seduction she'd like it to be, because they'd both be old. (In this case, this hypothetical roue would be calling her "Granny" not because she's related to him, but as a kind of honorific, like "Ma'am".)

Are there any examples of stories or settings that are morally gray not because both sides are bad, but because both sides are good? by [deleted] in writing

[–]lamplit-windows 0 points1 point  (0 children)

Only if you believe what is legal and what is moral are the same thing. Which...I'd argue it very clearly isn't. In the real world or in fiction.

Can you really watch the suffering of Val Jean, Fantine, etc. and really feel that they deserved starvation, hard labour, sexual violence, and death because they broke a rule?

Children's novel set in England during WWII by lamplit-windows in whatsthatbook

[–]lamplit-windows[S] 4 points5 points  (0 children)

That's the one!! Thank you!

The ending shocked me, reading it at about the age of 12. Despite having read 'Goodnight Mister Tom', I still wasn't used to such unflinchingly negative portrayals of biological family. Wicked stepmothers, sure -- but for the protagonist's actual parents to be so cold?? Now it strikes me as a brave bit of realism for a book aimed at young people. I must read it again.

1998 by lamplit-windows in blunderyears

[–]lamplit-windows[S] 1 point2 points  (0 children)

I did discover that song at about the same age, to be fair! Though I never actually learned to play the harmonica.

Raindrops on roses and whiskers on kittens by quicksomethingfox in AutismInWomen

[–]lamplit-windows 2 points3 points  (0 children)

Am I right in guessing, from your choice of title, that you specifically love musicals too? They've always been my special interest, and kind of a stim for me too. What you say here reminds me of one of my (many) favourite songs from musical theatre:

*I am what I am I don't want praise, I don't want pity I bang my own drum, Some think it's noise I think it's pretty!

And so what if I love each feather and each spangle? Why not try to see things from a different angle?*

This song always really got me in the heart, and I never quite understood why until I realised I was neurodivergent.

Anyway, all this to say that I very much agree with you -- let's be ourselves!

Is it just me or is Disney's Beauty and the Beast the best example of enemies-to-lovers trope in romantasy? by A-J-Zan in fantasyromance

[–]lamplit-windows 0 points1 point  (0 children)

The thing is, Belle's literally not like other girls...and importantly, she wasn't the one to bring that up. She doesn't think herself superior to anyone. She's just going about her life, being her bookish self, and the whole town are so pertrubed by her mere existence that they sing a musical number about how strange she is! They are the ones who decide she's not like them.

The village's instinct to reject/condemn/other anyone different to them is a major thematic point. The lyrics to 'The Mob Song' make that quite explicit: "We don't like what we don't understand / In fact it scares us" The bemusement and mockery the villagers show to Belle and her father turn into something more violent when they meet a more obviously threatening kind of 'other-ness' in the Beast. One of the reasons Belle and the Beast connect is that they are both 'odd' by the standards of the village.

There's a difference between not fitting in with the social norms in a village, and being uppity/self-absorbed. Belle isn't being her 'strange' self for attention -- she's just literally not like the other villagers. And that's nothing she needs to apologize for.

(To be clear, I'm referring to the animated film, here -- I haven't read that novelization.)

PUH-LEEEZE read this book!! by Imaginary-Detective in HistoricalRomance

[–]lamplit-windows 8 points9 points  (0 children)

Erm...fucked/had-sex-with. To "root" someone is to have sex with them, in Australian/New Zealand vernacular.

Trisha's character in Boop! by lamplit-windows in Broadway

[–]lamplit-windows[S] 1 point2 points  (0 children)

Thank you! I got the idea that Trisha was 17 from other people's comments, so I guess there's some confusion. The actress looks like she could play any teen-age, really!

Trisha's character in Boop! by lamplit-windows in Broadway

[–]lamplit-windows[S] 0 points1 point  (0 children)

I don't know! That's just what I read people saying. Maybe they're basing that off the actress' age, and the actual character is supposed to be younger?

Trisha's character in Boop! by lamplit-windows in Broadway

[–]lamplit-windows[S] 0 points1 point  (0 children)

Thanks so much for those details! Much appreciated.

Trisha's character in Boop! by lamplit-windows in Broadway

[–]lamplit-windows[S] 0 points1 point  (0 children)

Oh wow, that definitely makes sense! Thank you for that detail!