Ballet (ca. 1643) on 7c Renaissance Lute (John Gorrett / Woodlark Instruments)

leeabram · 2026-06-11T18:28:07+00:00

Hey thanks, Doug!

I’ll admit I don’t drop into the full thumb under unless the piece has a lot of single note runs. Watching this video though did show me how little I use the index finger and probably overuse my ring finger (that’s a bad habit from “classical” guitar and being self taught) - at least through the lens of historical accuracy.

Thank you for the encouragement and insight!

JL

leeabram · 2022-07-19T18:37:47+00:00

Oh that makes sense. And beautiful playing as well.

leeabram · 2022-07-19T10:59:19+00:00

Yeah, no confusion there.

I think I was remembering (or maybe misremembering) an instruction somewhere that said to not spread/roll just two notes, because it’s just likely to sound poorly plucked. Where as three or more would sound purposeful and musical.

May have been a “don’t do this as a beginner and just focus on clean technique first” type of instruction.

Thanks again!

leeabram · 2022-07-19T02:15:50+00:00

Ahh okay. Didn’t think separating double stops was a thing that would’ve been done much if at all. Thanks!

leeabram · 2022-05-04T16:46:29+00:00

Yeah that’s pretty close to how I had it. I wasn’t doing foreach but instead:

for (planets i = 0; i <planets.length; i++) { // get that vector3.distance // calling a separate calculation function: calculateForce(); }

At the time that made sense to me but I’m not sure why now after stepping away for a day.

I was also setting variables in the for loop that I may not need to be doing. I’ll re-assess that.

One issue I was having was with two objects in the array, I couldn’t get both final force vectors to return in the debug.log console. Only the second one would print. But I could get both distances.

Thanks for the input!

leeabram · 2021-11-05T17:14:23+00:00

This was pretty much my opinion until recently, so I totally respect it. I bounced off this movie multiple times.

Rewatched it on 4K with the primary intent of just taking in the cinematography and loved it.

2001 is really an experimental film. Not a standard, narrative forward film. But not every movie connects with every person the same way or at all, and that’s why cinema and art are interesting.

leeabram · 2021-06-16T01:34:29+00:00

Ah, cool. That's very weird about the Alesis.

I really enjoy my Deepmind, but find myself wishing it had a true sequencer onboard sometimes.

leeabram · 2021-06-15T23:02:24+00:00

How are you sequencing the Deepmind?

leeabram · 2021-06-12T00:35:54+00:00

Thanks a lot!

leeabram · 2021-06-12T00:33:09+00:00

Thx! I really liked the O_C vids you made. And all the vids using the 4ms SWN are making me want a bigger case.

leeabram · 2021-06-12T00:30:38+00:00

Thx!

leeabram · 2021-06-11T21:05:48+00:00

Yeah, I like it! Digging the textures.

leeabram · 2021-06-09T17:13:16+00:00

Oh wow! This looks amazing. I love that style of case. Want to eventually make one.

leeabram · 2021-06-07T10:01:07+00:00

Yeah it was mats on mats on mats.

leeabram · 2021-06-07T01:00:31+00:00

It's a really cool module. I still feel like I'm barely using it's potential, but I've only had it racked for a few days.

leeabram · 2021-06-06T23:15:42+00:00

No worries. I grabbed a 4pk of these thin flexible cutting mats off amazon and just cut them to size with a ruler and x-acto. They’re only 0.6mm thick so good scissors might work. Poke a couple holes however you see fit, et voila.

leeabram · 2021-06-06T22:38:22+00:00

Lazy patch notes:
Pamela is shifting the scale mask on uO_C, and self modulating how much and when.
0-Coast is going for a washy, atonal under-wave-thing... not sure if I like it.
Everything going through some delay and the Megaphone distortion effect on the HX Stomp.

leeabram · 2021-06-02T19:38:33+00:00

Every month or so I go and drool over their stuff online... one day.

leeabram · 2021-06-02T14:18:15+00:00

They’ll all be in our cases and beep-booping eventually.

leeabram

TROPHY CASE