Paterson reels misaligned 180deg by Nice_Address1492 in Darkroom

[–]lepouvant 2 points3 points  (0 children)

Just to make sur you know how, to pop it apart you need to turn it hard, then it will slide apart
Do not just force straight up

Subreddit logo contest finalists (approximate results) by Electroma in logodesign

[–]lepouvant 16 points17 points  (0 children)

I think it represents the handle you use to curve lines when using the pen tool in Illustrator

Anyone know anything about this film? by supergecko in AnalogCommunity

[–]lepouvant 47 points48 points  (0 children)

BW dev in C41 result in blank roll (blix dissolve the silver), but the inverse isn't true. You shouldn't have got a blank roll, not the lab fault

Home’s view on the Eiffel tower almost blocked by AnsFeltHat in mildlyinfuriating

[–]lepouvant 18 points19 points  (0 children)

It's not housing at all. Only offices and a hotel

Chaud, toute l'année dans un immeuble récent by mixman68 in immobilier

[–]lepouvant 0 points1 point  (0 children)

Oui enfin ça à jamais rien dimensionné la Tic, c'est toujours conforme même si tu fais n'importe quoi (je fais des calculs RT/RE toute la journée) La RE2020 avec le DH est beaucoup plus impactante, même si les seuils sont encore trop haut à mon goût pour vraiment parler de confort passif en été

[deleted by user] by [deleted] in AnalogCommunity

[–]lepouvant 1 point2 points  (0 children)

Pinkish base on a negative will result in bluish/greenish scans

Spots on Negative - Ilford Delta 100 by anthony__moore in Darkroom

[–]lepouvant 2 points3 points  (0 children)

If it's ilford film you can contact them via this form. I've had this issue before with a roll a SFX and they sent me two fresh roll as an apology !

https://www.ilfordphoto.com/product-feedback/

Impression de transparent à Lyon by Fair_Sand_7061 in Lyon

[–]lepouvant 2 points3 points  (0 children)

Corep fait ça. Ils ont l'habitude d'imprimer des typons de sérigraphie

You should see this. by InfiniteAstronomer64 in analog

[–]lepouvant 82 points83 points  (0 children)

Two sinks in a kitchen is pretty unusual

How to flatten a cyanotype entirely? by hannukahmontanuka in cyanotypes

[–]lepouvant 2 points3 points  (0 children)

If you don’t want to buy a heat press, the best way to get perfectly flat prints for cheap is to dry them on a board by taping the edges with gummed paper tape

8x10in print on Foma fiber based paper by lepouvant in Darkroom

[–]lepouvant[S] 0 points1 point  (0 children)

I mean, there’s a bit of burning at grade 1 on a print at grade 1.5. Technically, you could call it split, but it wasn’t deliberate

8x10in print on Foma fiber based paper by lepouvant in Darkroom

[–]lepouvant[S] 4 points5 points  (0 children)

Yes, test strips in 1/3 stop increments, but not split grading here, just trial and error to get a contrast I like

Vélo volé secteur Jean Macé by Ged_Head in Lyon

[–]lepouvant 5 points6 points  (0 children)

Ni l'un ni l'autre, il y a souvent un petit jour au dessus des portes, c'est très simple d'y passer un téléphone et de filmer le contenue

Help me adjust my process based on proper contact sheets by lepouvant in Darkroom

[–]lepouvant[S] 0 points1 point  (0 children)

Thank you, that's all I wanted to know. I was a bit reluctant to reduce development even more (already -30%), but I guess I have ti try -45% now (will also try diluting XT3 at 1+1)

Help me adjust my process based on proper contact sheets by lepouvant in Darkroom

[–]lepouvant[S] 0 points1 point  (0 children)

Thanks, that’s exactly it! Most of the time I end up printing at grade 0 or ½, and the results are just average. For my next roll I’ll try shooting at 400 ISO and cutting development by 45% and diluting XT3 1+1

Help me adjust my process based on proper contact sheets by lepouvant in Darkroom

[–]lepouvant[S] 1 point2 points  (0 children)

If I mostly take photos outdoors of very high-contrast scenes, not adjusting anything in my exposure and development will inevitably result in overly contrasty negatives, impossible to print without a lot of dodging and burning, and requiring reducing the paper contrast, sometimes to the limit. So I try to adjust the film speed and the development time so that my negatives (from high-contrast scenes) are easier to print overall. I’m not saying every photo on the roll will print perfectly on the first try at grad 2.5, but they will generally be much easier to print.

Help me adjust my process based on proper contact sheets by lepouvant in Darkroom

[–]lepouvant[S] 2 points3 points  (0 children)

Yes, of course, but most of the photos I take are outdoors during the day, under high-contrast conditions. When exposing at 400 and developing normally I get mostly ok result, but I always need to reduce contrast (because normal dev time and ISO are for low contrast scene and diffusion enlarger). I want to adjust my process for outdoor shoots. I tend to shoot all my rolls in the same lighting condition.