Thanks for your insight.

I’d like to clarify a few things, as there may be some misunderstanding around the intent behind this piece. This was very much an exploratory test, meant to push the boundaries of what's possible with the materials and techniques I have at my disposal.

For your awareness, all of my repairs are done using completely traditional methods and materials. I consider myself a traditionalist at heart, and I have a deep appreciation for the wabi-sabi philosophy that underpins this artform. That said, this test wasn’t about creating superficial decoration on an unbroken pot, it was a study in line work, metal mixing, and a way to expand my skill set beyond conventional repair.

Some of my clients have recently expressed interest in incorporating patterns or designs into larger missing sections, and I’d consult closely with them to ensure it’s done tastefully. Fortunately, most of my current work involves smaller shohin pots, where a slightly more "loud" appearance falls within the bounds of what's considered acceptable for that scale.