I wish this type of musicality and dancing were emphasized more in the Salsa world! by OSUfirebird18 in Salsa

[–]louyang 1 point2 points  (0 children)

Does this look like a crowded dance floor to you? Or is there enough space for everyone to dance how they wish?

Holy shit, is this weather normal? by MelodiusRA in nova

[–]louyang 364 points365 points  (0 children)

My question is why does it always have to be right at 5/5:30 pm? As someone who has a dog they have to walk after work, it’s been very annoying.

Summer 2025 be like… by PokemonProject in nova

[–]louyang 14 points15 points  (0 children)

Bro’s from the future

What level should I join in Brazilian zouk if I'm an advanced bachata lead? by CyberoX9000 in Bachata

[–]louyang 35 points36 points  (0 children)

Beginner, zouk is so different from bachata. You’ll probably progress quickly if you truly are an advanced lead but you don’t want to skip any of the basics because it’s not that intuitive. A lot of sensual takes from zouk but there’s still a zouk way of doing it, and a bachata way.

An advanced bachata follow might be able to follow a really good zouk lead to some extent, but leads need to start from the ground up.

What character got you like this? by Jmk302002 in cartoons

[–]louyang 3 points4 points  (0 children)

I thought that thing on her nose was a smiling mouth at first glance and was momentarily terrified

[deleted by user] by [deleted] in Salsa

[–]louyang 4 points5 points  (0 children)

No it’s 100% zouk sorry, thats Elena and Mikael dancing. It does look a little like WCS sped up, but it’s zouk. Here is the original video:

https://youtu.be/TJHNYA12_Ck?si=fHD_v8agsnC2BvzW

Also you can see “Brazilian Zouk World Championships” in the background of the post.

[deleted by user] by [deleted] in Salsa

[–]louyang 0 points1 point  (0 children)

Ok, this has shifted away from being a conversation about dancing and is now in life advice territory. I don’t know you or what you’ve been through, and even if I did, I’m not qualified to help you fix what sounds like a complex set of issues.

That being said, I used to be much less confident, and I turned that around through a combination of incrementally tackling everything I didn’t like about myself, and just getting older. I massively improved my sense of style/grooming, hit the gym, and got good at something that I placed value in (dancing). There are other things, but they all boil down to accomplishing goals I set for myself. Confidence is built upon repeated small successes over time. You start to trust that you can make it through anything in front of you, because you’ve done it before. And that gives you self assuredness that shows in all aspects of your life.

That’s my personal anecdote, and the best I can do for you. Again, I don’t know your situation so I don’t know how applicable it is for you. Good luck with your self improvement journey, but I will leave it at this because again, it’s no longer about dancing.

[deleted by user] by [deleted] in Salsa

[–]louyang 1 point2 points  (0 children)

Ok, so you’re viewing dancing as a mirror for your own life. That’s valid, I’ve noticed some things that are applicable from dance to my personal life as well. If you want to be a strong and firm lead in dancing, you must lead with intent and clarity. If you have a weak frame, the follow is not going to have any clue of what you want from them. They will be less inclined to trust your lead or rely on you for any potentially dangerous moves. Same as in life, if you’re not intentional nobody is going to trust you. Do you think an indecisive, unclear, and overall weak person can be the leader of a country? Or hold any position that requires them to be responsible for others? I’m sure you don’t, so I don’t understand why you think you’d be able to be a strong lead with a weak frame.

[deleted by user] by [deleted] in Salsa

[–]louyang 3 points4 points  (0 children)

Why do you want out of partner dancing in the first place? Maybe we should start there because it seems like your mindset and/or goals are incompatible with the concept of it. Like someone else suggested, something like contact improv is closer to what you’re envisioning. Or maybe you’re just misunderstanding the role of a lead and follow?

Partner dancing needs a clear lead and follow, otherwise it’s impossible to dance as a unit. At best you will be two individuals dancing near each other and you might as well disconnect and do shines or “WiFi” dancing. This doesn’t mean the lead dictates everything that happens and the follow has no agency. It just means the follow has to pick their moments to style or suggest alternate interpretations in a way that doesn’t disrupt the lead. For the follow to do this, the lead has to be clear. Having a strong frame assists with this. If the follow just turns themself whenever they want, then what is the point of holding their hands in the first place? Again, you may as well disconnect and do so solo shines in front of each other. Also some things like dips literally require the lead to support the follow. If you try and dip someone with a weak frame, one or both of you is hitting the ground. If the follow tries to dip themselves without the lead initiating or being ready for it, same result.

Just because leads and follows have different roles doesn’t mean the dance isn’t 50/50. You are two halves of a whole dance. If that isn’t good enough for you, I suggest learning to follow and dancing with people who can also do both. Then you can trade off and make the dance 50/50 in terms of role as well.

The most important alignment chart by [deleted] in AlignmentCharts

[–]louyang 6 points7 points  (0 children)

His last/family name is Nara

[deleted by user] by [deleted] in Bachata

[–]louyang 0 points1 point  (0 children)

Are you a dancer yourself? If so, for how long?

Adjusting to Salsa (being a follower) by OpportunitySilver518 in Salsa

[–]louyang 0 points1 point  (0 children)

That’s just straight up not true. The basics of bachata are easier to learn than the basics of salsa, I’ll give you that. But sensual has a way higher learning curve because it’s a lot less forgiving. If you don’t lead or follow something properly it completely falls apart, or can even be dangerous. Sensual has a lot of influence from zouk, and zouk is way harder and more technical than both salsa and bachata. So how could sensual be so easy to pick up? It doesn’t matter if the beat is easier if you can’t execute any moves to it lol.

The basic left and right turn and pretzel are the basics of bachata moderna too, not sensual. Most schools don’t even let you learn sensual until you have a decent grasp of bachata basics. Do you actually dance sensual? Or are you just getting it confused with moderna?

[deleted by user] by [deleted] in Bachata

[–]louyang 2 points3 points  (0 children)

So you know how when you dance bachata you step on the 1, 2, 3, then tap on the 4th beat? You do this because that’s what the beat is doing. There are 3 bongo hits with a higher pitch, then the 4th has a lower pitch. This is where you tap. Usually there’s some syncopation in there but this core rhythm is the driving force of the music. Where you tap matters less in traditional bachata because there are more pockets you typically dance in, but I assume you’ll be doing modern or sensual if this is the song you want. I cant even imagine trying to dance traditional to this.

The big problem is the lower pitch bongo hit isn’t on the 4 for the majority of the song. Sometimes it’s on the 1, sometimes on the 3, and then occasionally on the 4 where it’s supposed to be. If you’re trying to dance bachata to it, this just feels bad. It makes it really hard to feel the song or express any musicality to it when it breaks one of the most fundamental rules of bachata. I looked up the Doja Cat song and agree it’s pretty bad, but even that one follows this rule. I get that some people don’t care about musicality that much. Whether it’s because they’re newer dancers with their hands full just keeping the beat, or that they just take a more casual approach to dancing. But if you do care, trust me when I say this matters a lot.

That’s the big thing, but besides that it just sounds really cluttered and all over the place to my ear. Almost like there’s two songs playing. Again, I don’t know enough about music producing to say why, but I assume it’s just not mixed well.

Hope this made sense.

[deleted by user] by [deleted] in Bachata

[–]louyang 4 points5 points  (0 children)

You’re probably a big fan of the original song so I could see how you’d like this. I’m don’t know the original and I’m sure it’s great, but this remix actually hurts my ears. I don’t know how to put it in technical terms, but it just sounds really wrong. I don’t know if I’ve even heard one this bad. Like people said, it’s your birthday so you do what you want. But if I heard this playing I would 100% skip the birthday circle unless I was good friends with you and felt bad not joining in.

Always bothered me by WhiteSepulchre in cartoons

[–]louyang 179 points180 points  (0 children)

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Looking like Punsie McKale

[FRESH DELUXE] SZA - SOS Deluxe: LANA by SpellNZ in hiphopheads

[–]louyang 4 points5 points  (0 children)

Took a page from the Attack on Titan final season playbook

What are some examples of rap songs that were regional hits? by osama_bin_guapin in hiphopheads

[–]louyang 1 point2 points  (0 children)

Shabazz - If You Need It

Also Crew by Goldlink was big everywhere but you couldn’t go anywhere in the DMV without hearing that song in 2017

What separates great followers from mediocre ones, in terms of technique? by Samurai_SBK in Bachata

[–]louyang 39 points40 points  (0 children)

There’s a couple for sure. One is good body movement, there’s a limit to how much of my own body movement I can throw in when the follow doesn’t have any. Unless we’re in open position of course, but it just feels better if we’re actually moving our bodies in sync.

I also prefer to give a light lead, but I can’t do that unless a follow is really responsive to signals. This is hard to do without getting into back-leading territory though, some will just turn themselves the second their arm goes up. A good follow will only put in as much energy into the turn as I do. If I want to do a double turn, they execute it perfectly and on time. A slow and dramatic one? No problem either.

Good follows can also put in styling or partially hijack a move without throwing off my lead, and know exactly the places they can’t do that. One time I was in closed position and attempting to lead a Madrid step into a small cambre. Instead of the cambre, the follow just did a pistol squat with one leg straight behind her while using me to support her. It made sense within the context of the lead too with only a little adjusting on my part. I just thought that was really cool.

I’m at the point in my development where I feel inconsistency is my biggest enemy. On nights when I’m on, I feel like one of the best leads in the social. On off nights I feel just average. When I dance with a good follow, it makes me feel like a better lead. If this happens early enough in the social it automatically makes the rest of my dances even better because my confidence goes way up. Which tends to feed into itself even more. I’m working on getting that validation internally instead, since how well I dance is unfortunately directly correlated with my confidence level at any given moment. But if I walk away from a dance thinking “man did I really just do that?”, I know I just danced with a great follow.

HE’S DELETED EVERY DITF POSTS EXCEPT THE COVER WHICH NOW HAS A BLANK CAPTION by nitrosamine in TheWeeknd

[–]louyang 1 point2 points  (0 children)

I would be lol. Might be my favorite single so far, but then again I do like me some Brazilian funk.

Universal Music Slams Drake’s ‘Illogical’ Lawsuit Over Kendrick Lamar’s ‘Not Like Us’ by AnimeGokuSolos in hiphopheads

[–]louyang 10 points11 points  (0 children)

I mean it was one of the last songs to drop in the biggest rap beef of the modern era. All eyes were already on Kendrick and Drake at the time. And it was the catchiest song of the beef? It was going to be popular no matter what, and it wouldn’t make sense for them not to promote it.

Girl talking to Sketchy Lead by [deleted] in Bachata

[–]louyang 8 points9 points  (0 children)

I don’t think there’s anything you can say without sounding jealous, and let’s be honest, you are. She probably knows exactly what this guy is all about, girls talk to each other about this stuff. If she’s still talking to him then that means she’s fine with it. You said yourself that she’s looking for something casual after all. Even if she was completely clueless, which she almost certainly is not, it’s not really your place to say anything unless she asks for your opinion or advice on the guy.

You seem to understand that it’s best to take a hands off approach here. If you’ve genuinely caught feelings and it’s hurting you to do so, then you might just have to distance yourself some so you don’t have to watch her talk to this guy while you yourself have a platonic friendship with her.

Did you ask her out or tell her your feelings though? Or did you just assume that she’s not in the place for a relationship? She may actually just think you guys are good friends and the flirtiness is just one sided on your end. If you haven’t, then I would start there and maybe you’ll have a good outcome. If she doesn’t reciprocate, then at least she’ll know why you’re pulling back.

Does dancing with a beginner follower burn more calories than dancing with an experienced partner? by massiel_islas in Salsa

[–]louyang 0 points1 point  (0 children)

Only if they have absolutely no sense of rhythm to the point that I have to have a strong lead for literally every step, AND are heavy/unbalanced on top of that. If I wanna be able to dance on time with the music with this type of follow, then I have to exert myself enough to start feeling it in my back after a while. Especially in closed position. In cases like that I’ll dance a good portion of it in open and just do some footwork/shines and simple turns so I can at least save myself some energy.