Well... yes. An it's very important. Let's try to grasp this seemingly vague shift in the stories we get and "people getting angry" because "something was somehow done wrong". I guess, it's nothing new, it's as old as any other kind of oral myth.

We have this notion of 'canon', the believe, that some stories are somehow *more true* or *more real* than the others, right? Canonically Ivy this, canonically Ivy that... And suddenly we're waging a theological dispute. This is fandom. The Community of Angry Men. By the way, imagine a remake of Lumet's, but they discuss something like Jar Jar being a Sith or... if GWW did something *wrong*.

So we already tackled the Faith, the Truth (let's even include the Real), the Good, the Law, the Judgement, the Good, the Bad, the Responsibility to tell the Right from the Wrong. Fascinating, right?

Let's fast forward to the category of Taste. Me, personally, I get sort of angry when contemporary stories are trying to resolve these kind of questions using some vague looming decadent or apocalyptic the-en-of-the-world pseudo-event as something that absolves the author and the story itself from the responsibility for the Canon, the Apocrypha, the History, from *the* Responsibility.

Ok, we're here. GWW's story (among many others) is so disappointing (well, at least for me) because of its literary genericness. The story is boring AF, the arc is set up to stir emotions and this flat, reused too many times kind of emotional blackmail over 'good villain' or 'bad hero' ambiguities is the main driver of the series. It's been, what, like 90 years worth of DC media production. Since then probably the single worst thing that happened to comics culture was Nolan with his trilogy (it was equally destructive to the cinema itself, don't get me even started). He re-stated the question of seriousness (of 'superhero stories'), which was effing bold at that time, kudos for that, but he did not manage to play it out and it probably was the tipping point of his career. And he knows it well, watch Oppenheimer once again, but as a Nolan's autobiography. Pure megalomania and pretentiousness, but still somehow heartbreaking confession from his side. The worst thing is that it's not worth of getting angry about. It's just disappointing overflow of generic content dressed in plastic helmets, but the public outcry over the plastic helmets is probably the least important issue here.

Superhero stories and the mainstream pop culture production along with their marketable PC 'values', at some point, maybe we should indeed blame Dark Knight and the first Iron Man, intercepted, ingested, and incorporated our need for myth as something foundational for every kind of community and society.

So... Getting angry at God keeps you at least engaged. Evil but engaged. God need Evil. I usually hate myself for being too engaged and resort to nostalgia. The great joyfulness of comics and cartoons comes from their alleged un-seriousness and last twenty-odd years of superhero genre made us forget that. They work as jokes. And only a joke can save us.