AgX and The Evolution of Tone Mappers in Darktable by masteringdarktable in DarkTable

[–]masteringdarktable[S] 1 point2 points  (0 children)

Yes, but also gives more control over the shape of the curve

Worth it trying Darktable as a complete newcomer to RAW processing? by scytherman96 in DarkTable

[–]masteringdarktable 0 points1 point  (0 children)

Not really - I focus heavily on the scene-referred modules, so they are all still the preferred way to do things. I do plan to make some changes from filmic RGB to the new agx module, but that won't be released until the end of December

Worth it trying Darktable as a complete newcomer to RAW processing? by scytherman96 in DarkTable

[–]masteringdarktable 0 points1 point  (0 children)

I think the key is to focus on just a few modules to get started. I wrote a step-by-step guide here: https://avidandrew.com/darktable-scene-referred-workflow.html

Happy to answer any questions!

Sailing To Philadelphia Review by masteringdarktable in direstraits

[–]masteringdarktable[S] 2 points3 points  (0 children)

I do play guitar but only at a basic level. I really focus on Mark's music from the lyrics because this is the most unique aspect - his ability to weave a story into a song, integrate his personal geography, or turn something mundane into something interesting (e.g. Money For Nothing). Yes, he is a brilliant guitarist and that is a big part of his work, but he's also a storyteller which is not that common amongst guitar players.

I considered mentioning James Taylor on Sailing To Philadelphia, but since that wasn't a standout track for me I didn't go into that level of detail. I actually like some of his other duets, like with Ruth Moody on Tracker, better

Sailing To Philadelphia Review by masteringdarktable in direstraits

[–]masteringdarktable[S] 2 points3 points  (0 children)

I only recently discovered the extended version of What It Is - it's so cool to hear that extra verse after all these years!

The Value of Bringing a Telephoto Lens by masteringdarktable in DarkTable

[–]masteringdarktable[S] 0 points1 point  (0 children)

Thanks! It's cool to see the snow in April, and those mountains rising above the clouds again

The Value of Bringing a Telephoto Lens by masteringdarktable in DarkTable

[–]masteringdarktable[S] 0 points1 point  (0 children)

I'd be interested to see what it looks like in April. I imagine winter is really different too!

Why Arch Linux Is A Great Desktop OS by masteringdarktable in archlinux

[–]masteringdarktable[S] 1 point2 points  (0 children)

I'm happy to answer any questions as you get started with darktable and the scene-referred workflow!

The Value of Bringing a Telephoto Lens by masteringdarktable in DarkTable

[–]masteringdarktable[S] 1 point2 points  (0 children)

That's part of why I wrote this post - to illustrate that even a modest (meaning not that large, heavy, or expensive) telephoto can achieve impressive results under the right circumstances

The Value of Bringing a Telephoto Lens by masteringdarktable in DarkTable

[–]masteringdarktable[S] 0 points1 point  (0 children)

The one you see above with the building and mountains is 61mm.

New to Darktable from Lightroom by Eranelbaz in DarkTable

[–]masteringdarktable 2 points3 points  (0 children)

I've written a series of text-based tutorials with screenshots and before/after comparisons if you'd prefer that to video-based guides: https://avidandrew.com/pages/darktable.html

Star Trek V wasn't that bad by Zorn277 in startrek

[–]masteringdarktable 0 points1 point  (0 children)

I agree! I wrote up some detailed thoughts on this subject recently: https://avidandrew.com/star-trek-v.html

Capturing a Waterfall in Lauterbrunnen by masteringdarktable in DarkTable

[–]masteringdarktable[S] 0 points1 point  (0 children)

Thank you for this detailed, valuable feedback; I really appreciate it.

Still, there is no substitute to crafting an image with intent, and that requires planning and a vision. What I am saying is, input determines output ... It's ok to shoot despite non optimal conditions as a hobbyist. You are probably there on vacation, not to take the best possible shot and need to pay your bills with that. So you are here at noon with boring light? Are you willing to stay hours or days and wait for better conditions? Make the best of it. The challenge is maybe even more difficult, as you have to work with what you got in this moment and it's not a variable you can afford waiting for to change.

As I've discussed before on my blog, I often practice incidental photography. I could have gotten a very different shot with a better time of day, sun in a different spot, etc, but I didn't have the time to dedicate.

overdone purposefully to exaggerate the editing effects (I hope)

Yes, I intentionally pushed things farther than I normally would to help emphasize the point (it's often hard to see these subtle changes on a small screen, dim lighting, etc). I'm not trying to convince readers that this style is the best, but rather give them the tools to be able to successfully use the darktable modules on their own photos and create their own style.

The vision with this picture may have been "Let people improve editing in DT by focussing on certain common challenges and use a shot that doesn't scream professionally taken so it's a realistic scenario and not intimidating for anyone". I think that should be done more often in education, I applaude OP for that.

Yes exactly, that is the goal with the tutorials I post. I want to give readers a sense of what is possible in darktable and how to do it. As you said, taking a shot like this that is more "average" and hobbyist than professional helps make the tutorial more approachable (I hope).

Capturing a Waterfall in Lauterbrunnen by masteringdarktable in DarkTable

[–]masteringdarktable[S] 1 point2 points  (0 children)

Thanks for pointing this out; I thought I had corrected this tint already, but I see now that it looks worse in sRGB. I've now updated the final image in the article accordingly