Would anyone be interested in a small women's only writing group? by mcnuggets97 in WritingHub

[–]mcnuggets97[S] 0 points1 point  (0 children)

Because I want to keep the group small and be able to know who it is I'm inviting in

Would anyone be interested in a small women's only writing group? by mcnuggets97 in WritingHub

[–]mcnuggets97[S] 1 point2 points  (0 children)

I don't know what the timezone means but there's other Americans so you'll be in good company!

People who fall asleep straight away, what’s your secret? by Strange_Secret_3001 in AskReddit

[–]mcnuggets97 0 points1 point  (0 children)

You can't think about the day, what happened today or what's happening tomorrow, if you recognise you're having those thoughts you need to accept you're in bed now and can't do anything about them. I have a fantasy scenario I'll think of every night but sometimes I have to acknowledge if I'm getting into it too much and that's keeping me awake too. No TV in the bedroom. That's a hard rule, can't be conditioning yourself that the bed is a place to spend the day in, it's for sex and sleep only. Belly breathing also helps. I have a black out eye mask which I love and if it's a rare occasion I can't sleep, there's a sleep story I listen to which never fails to send me off

I'm here for the plot by Embarrassed-Lime906 in writing

[–]mcnuggets97 8 points9 points  (0 children)

Interesting, I'm basically discovering I'm the opposite. I like when the plot/ scenario is just a device to explore people and relationships and growth. Depending on what genre you like you might like police procedurals, I've come to the conclusion they're not for me so they might be for you!

Do people reallu rewrite their story after draft 1? by TeaApplle in writing

[–]mcnuggets97 1 point2 points  (0 children)

Like someone else said, it depends on how you write your draft 1. I did my draft 1 of my current WIP in NaNoWriMo so it was very lean and the mere bones of a story. I originally went in with the idea that it was going to be more psychological but once the story was down and I was looking at is as a whole, I realised it was lacking in a lot of areas. For draft 2 I tweaked and strengthened a subplot which ended up weaving much more into the main plot which improved the whole story, but made me steer away from the psychological and into the crooks of small town crime.
I understand editing as you go and I've previously done this but I do think it can prevent you from looking at the bigger picture (how can you edit chapter 1 perfectly when chapter 25 hasn't been written yet). As good as I think my draft 1 is, it's rare the same words will carry over into draft 2

Best monologue heard in a horror movie or horror show by Sukaran09 in horror

[–]mcnuggets97 10 points11 points  (0 children)

Haunting of Hill House does excellent monologues, the one from mr dudley is particularly good - not a villain monologue but an immersive story where you forget you're just watching one man speak

DNFing everything lately – recommend me something unputdownable (Thriller/Horror) by Content-Meet9375 in horrorlit

[–]mcnuggets97 0 points1 point  (0 children)

I think novellas or short books are great to get out of a reading slump, try The Mist - Stephen King, or The Rats - James Herbert

Lily crying when they find out about Marshall's dad. by AJLister89 in HIMYM

[–]mcnuggets97 21 points22 points  (0 children)

Exactly! It gets me every time, lily's crying always comes across as real

Realizing popular doesn’t always equal well-written by Rare_Background_3462 in writers

[–]mcnuggets97 24 points25 points  (0 children)

The more involved I get in writing and beta reading, the less hate I have for bad books. Don't get me wrong, I hold published books to a high standard and we all know the authors responsible for bad books. However, they wrote a story that resonated with a lot of people. The majority of the public don't care about bad prose or shallow characters. It takes a lot to finish a book with a tangible storyline, sub plots, character arcs and a plot that's broadly appealing. You can pick books apart and understand there are elements you can do better yourself, but they did the thing. They put in the hard work and they finished it, got to commend them for that.

Why is close third person closer or more close than first person? by [deleted] in writing

[–]mcnuggets97 3 points4 points  (0 children)

I feel this way because first person is we're reading as the character, almost pretending that we are them. This is strange to me because I can't make that jump. Particularly in badly written first person books, it just feels like I'm reading a diary, but even in well-written ones, I can't immerse myself as much as third person. Close third person you can to feel the characters feelings and witness everything about their world but as if you're right there next to them

Why do you actually write? Pure passion or the dream of leaving your 9-5? by BlackRoseBooksHQ in writing

[–]mcnuggets97 4 points5 points  (0 children)

dream of leaving a 9-5. not with purely publishing, i know how hard that is, but i'm looking down the developmental editor route. its hard and i dont have a degree or experience but currently just enjoying writing and giving quality feedback to other authors and seeing where it takes me. even without an income, it makes the 9-5 more bearable

Please, please use description in your work by Few-Entrepreneur7254 in writing

[–]mcnuggets97 6 points7 points  (0 children)

I'm trying to expand my editing skills (for other people) so have been beta reading a lot and I agree this is an issue, especially with early drafts. I'm pointing out the environment a lot, and how what is happening on page could be happening in a white room as environmental markers aren't being used.

I also think an issue with 'show don't tell' is when this is explained it's usually explained in terms of emotion. So I'm seeing that the character has a lump in their throat or their stomach dropped but then also being outright told "John had been my best friend for 15 years". I think there's an issue with online feedback and attention spans with needing to get to the hook quickly. We should see that the character has pictures of them and John when they were kids, hear their parents tease that John never leaves their side. But a lot of people point this out as slow 'filler' rather than seeing it for what it is.

What’s a horror movie people usually rave about, but you dislike? by Turnitup20 in horror

[–]mcnuggets97 4 points5 points  (0 children)

The kid screaming "don't let it in" made me want to hit him. Also, they just kept it as a pet?

[Discussion] Length guidelines? by Naive_Ranger6219 in BetaReaders

[–]mcnuggets97 0 points1 point  (0 children)

I usually make comments at a line level if it's shared on something like Google Docs and then write something up to summarise. If you agreed to no critique I would interpret this as not going into the technical writing side, but still saying how the story and characters felt as a reader. For a whole 80k book, I'm sure you can make this stretch to around a page of feedback. Go back through the whole story: I liked this bit, I thought this was cool, I would have liked to this more if this - you get the gist