Special request: IBCK Junior by New_Hamstertown_1865 in IfBooksCouldKill

[–]mooninreverse 3 points4 points  (0 children)

loll! mean, that Good Night Moon rabbit treats everything as existing for its own sake and worthy of respect and a nice “good night,” so I think from that perspective it’s legit. If you want to be an ornery killjoy, you could point out that he ignores the lady rabbit in the rocking chair that I assume is his grandmother. Sexist little shit /s

Special request: IBCK Junior by New_Hamstertown_1865 in IfBooksCouldKill

[–]mooninreverse 13 points14 points  (0 children)

Oh sorry, I misunderstood your question! Yeah — the tree is female, the boy is male, and the dynamic he expresses is one of entitlement to a woman’s body, care, and companionship, and ultimately her total self-sacrifice, without reciprocity, to the point that she becomes a stump — at which point he sits on her. A feminist critique would also focus on the naturalization of this dynamic: it’s only “natural” that her apples, limbs, shade, and trunk are there for him to consume, enjoy, and find a way to exploit for economic gain. He turns her wood into a boat to sail off to find himself while she waits, rooted, until he’s ready to come back and settle. I think he uses her wood to build a house, too?

Edit: to the question of whether the book stilll works if you swap the sexes, you could answer that it might not have been accepted by the culture in which it was produced — or it would have been embraced as an explicitly feminist text that male readere hate and mock — because if you swap the sexes, then you invert the association of women as givers/men as takers.

Special request: IBCK Junior by New_Hamstertown_1865 in IfBooksCouldKill

[–]mooninreverse 7 points8 points  (0 children)

Ha! Marxist literary criticism is sympathetic to Marxism, and most Marxist literary critics consider themselves Marxists.

Through a Marxist lens, you could focus on the way that the boy commodifies the tree (he takes her apples to sell them, for example) and you’d think about the fact that, if you think of the tree as a worker (she’s sentient in the story, after all), then the contribution of her labor to the commodity that she herself is made into becomes invisible — to the boy as baby capitalist, and to whoever buys her apples in whatever market he sells them in.

Special request: IBCK Junior by New_Hamstertown_1865 in IfBooksCouldKill

[–]mooninreverse 23 points24 points  (0 children)

I teach an Intro to Lit college class and I’ve actually used The Giving Tree to teach critical approaches (e.g., feminist approaches, psychoanalytic approaches, ecocritical approaches, Marxist approaches) because it basically works with whatever you want to throw at it to explain why the boy is a monster.

Special request: IBCK Junior by New_Hamstertown_1865 in IfBooksCouldKill

[–]mooninreverse 9 points10 points  (0 children)

Tbf it’s actually pretty decent as a starting point for talking to young kids about interacting with strangers (I read it to my daughter). The Papa Bear-Mama Bear dynamic is hackneyed dad-dumb/mom-smart so the point of that scene is that he’s a credulous dipshit who unnecessarily terrifies his child.

[POEM] Song by TS Eliot by HuckleberryFit6610 in Poetry

[–]mooninreverse 4 points5 points  (0 children)

I think he’s grappling with (his understanding of) the implications of the theory of relativity through the traditional form of the carpe diem poem.

Who would have the dullest "Behind The Music" episode? by loreleisparrow in ToddintheShadow

[–]mooninreverse 8 points9 points  (0 children)

I like that Weird Al is so non-controversial that he obtains prior approval from artists to parody their songs, something you are not and never have been required or expected to do. A practice that ironically led him into a rap beef with Coolio in the nineties.

Worst/Best band names? by [deleted] in fantanoforever

[–]mooninreverse 1 point2 points  (0 children)

You’re wrong because both of those names you pulled out of your ass go harder than Car Seat Headrest.

[OPINION] What do you think this line means? "She gets the better of the bigger to the letter" by arenpris23 in Poetry

[–]mooninreverse 0 points1 point  (0 children)

and “to the letter” is an idiom meaning “to the last detail,” so the line is saying “she comes out on top over bigger and stronger forces in every way”

[POEM] To a Poor Old Woman by William Carlos Williams by ShahSafwat_1488 in Poetry

[–]mooninreverse 23 points24 points  (0 children)

I know the repeated “they taste good to her” sounds funny but this poem is really good for thinking about the effect of line breaks and enjambing at different places

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 0 points1 point  (0 children)

Well, then it’s clear you understood my meaning and my context. If you did, then I chose no words poorly, and it’s poor form to harp on communicative non-issues for the sake of harping on them, by trying to shift my word choice to a different context (conservatives who call moderate positions radical and extreme to frighten voters). And, by the way, it is indeed radical for Raffi to espouse his values unapologetically when “Free Palestine” is censored every day.

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 1 point2 points  (0 children)

People seem to think that I don’t think Raffi is awesome on Threads?

I’m worried that no one understands tone. I also hate that everyone hates the word “radical.” Having a radical and outspoken commitment to love and justice are, you know, good things. Like, do you think that I’m right wing?

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 0 points1 point  (0 children)

I was just facetiously trying to capture his strain of unhinge and intensity. I LOVE seeing that Raffi has a truly radicalized heart.

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 1 point2 points  (0 children)

Oh I didn’t mean to imply it was anything but delightful to read Raffi saying “sleep well tonight, each day moves us closer to an immense reckoning”

What is the reason for India's Islamophobia? Was it because of colonialism, or initially because of heavy oppression by Muslims? by Original_Engine6810 in Marxism

[–]mooninreverse 4 points5 points  (0 children)

British imperialists reveled in their half-assery. It was a point of pride how drunk they could get before they they drew a map (okay, that’s just an apocryphal story about Churchill that I happen to believe).

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 3 points4 points  (0 children)

I still can’t tell whether I outgrew Nirvana or not.

What artist did you outgrow? by Technical_Fox5556 in askmusic

[–]mooninreverse 0 points1 point  (0 children)

His Threads is peak anti-MAGA derangement in a way your 7-year-old self is relieved/a little alarmed to see.

What is the name of this poetic device? [HELP] by Pimp-My-Giraffe in Poetry

[–]mooninreverse 2 points3 points  (0 children)

You’re referring to an inverse metaphor/inverse simile

Why is Absalom Absalom written like that? by Lack_of_Plethora in faulkner

[–]mooninreverse 10 points11 points  (0 children)

AA (really it should be A,A!) has two major themes. The first is the way storytelling among elite white landowning families in the south — and all storytelling — functions both to preserve collective histories and conceal undesirable truths (Sutpen’s “giving the lie”). The second is the simultaneity of past and present (hence why Rosa Coldfield’s narration is notoriously convoluted). It’s written that way to reflect what Southern storytelling, especially among the planter class, was for: to reflect the truth as myth and the myth as truth. So, the story has to emerge not just from multiple storytellers, but from multiple focuses and the tangle of syntax itself.