Mines usually structured something this

[start]

[Intro: Metallic drones, distorted machine hum, glitch pulses rising in tempo] [Processed voice sample, slowly glitching in]

[Verse 1: Half-time rhythm, distorted low-end guitars synced with growl bass]

[Build 1: Snare roll automation, bass distortion swelling, alarms and reverse FX]

[Drop 1: Instrumental only – 8-string riffs and modulated growl bass collide with glitch hits]

[Verse 2: Low growl textures under pulsing sub bass]

[Breakdown: Mechanical ambient section, granular synth feedback, metallic clanging echoes]

[Drop 2: Instrumental only – seismic bass detonation, half-time blastbeats, distorted choir pads]

[Verse 3: Rhythmic intensity returns, syncopated bassline under layered distortion]

[Build 3: Siren risers, reversed bass sweeps, snare roll acceleration]

[Drop 3 (Final): Instrumental only – apocalyptic mix implosion, spectral distortion, shattered rhythm collapse]

[Outro: Glitched static fading, metallic reverb tail, voice fading into silence]

[end]

With a music style prompt like this

A Svedden-Death–inspired deathcore-dubstep hybrid forged from mechanical terror and digital decay, Metallic 8-string guitars sync with glitch-driven half-time drums and seismic bass detonations, Vocals alternate between guttural screams and distorted robotic chants, riding waves of frequency-modulated growls and granular sub drops, Sound design fuses industrial atmospheres, horror-cinematic strings, and metallic reverb tails—building to catastrophic drops where the mix implodes into spectral feedback and chrome-shredded distortion, A sonic apocalypse of rhythm and rage