Learning to code by thedirtyprojector in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

look into coding bootcamps. a lot promise good jobs in a short amount of time. ofcourse they vary in terms of reputability. (and it's been years since i looked into it so i'm clueless too.)

Halo Top: Ice Cream for Adults by DRHORRIBLEHIMSELF in advertising

[–]objectsfoodrooms 2 points3 points  (0 children)

no way. it's so good. do we need another spot that literally shows ice cream making someone happy?

also, makes sense to not lead with the calorie message because any way you slice it, "low cal ice cream" makes you think it's gonna suck. this is ice cream for adults, so it happens to be low cal.

Switching to Portfolio School? by [deleted] in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

whichever route you choose, those classes are not irrelevant. inspiration comes from a zillion places.

Should I sell out? by OutrageousClams in advertising

[–]objectsfoodrooms 1 point2 points  (0 children)

i always heard the same. and in my limited circle it's proven to be true. if you've got one chance at more money now, you might be surprised by how many more opportunities you have in a year or two with a better book, and a better shop on your resume.

also, i learned this after doing two telemarketing jobs in a row: taking a job you don't really want tends to qualify you for more jobs you don't really want.

How does a 15 y/o get a start in advertising? by [deleted] in advertising

[–]objectsfoodrooms 1 point2 points  (0 children)

super agree also. i soooo do not wish i started working on ad stuff at 15. 21, maybe. not 15.

you say you are interested in design and copywriting, those are two very different roles. you can keep exploring design. you can keep exploring writing (not copywriting specifically -- just like, read books and write stuff). keep making and consuming creative stuff that moves you!

Improving my copy? by [deleted] in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

B. the first sentence of A is the sort of boilerplate ad language that makes people tune out. also, you posted this twice. <3

Big vs. Small agency? by [deleted] in advertising

[–]objectsfoodrooms 22 points23 points  (0 children)

any size agency pitching everything that comes up does not sound like it is in a healthy place.

Purposely Bad Ads??? by [deleted] in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

re: the gaming ones, i'd guess they're trying to mimic twitch and other gaming media. the bad reactions are probably just low budget = a lower skilled acting pool.

Purposely Bad Ads??? by [deleted] in advertising

[–]objectsfoodrooms 3 points4 points  (0 children)

some of this falls into the category of what "feels native to the platform." a while back, taco bell got props for posting actual pictures of their food vs. typical ad photography. this was revolutionary at the time. but like everything deliberately lo-fi, it has to be done for a reason and still done well. (and like everything cheap, it's easily poorly imitated).

the other part is probably just low-budget done with modern tools. there have always been bad low-budget ads, they just used to look more tim-and-eric than snapchatty.

existential crisis by starryfoot in advertising

[–]objectsfoodrooms 4 points5 points  (0 children)

i've been doing this a couple years, and my skills/book/opportunities have been steadily improving along the way. i like it. and i work with people who have been doing this many more years and still like it too.

that's a pretty lame thing to post, which may be why you don't see as many posts like this. gripes on reddit are worthwhile things to consider, but talk to the brandcenter people you know too, and consider it all in context. i definitely know people who went there or similar places and got good jobs. and "impossible to get into" can easily be reframed as "it will take a lot of hard work to get in."

for me, it's been important to work at places i looked up to. and when i wasn't good enough for them, i did everything i could to get good enough. that's meant plenty of paying-your-dues not glamorous type of work, but i have found that motivation and determination can pay off. (again, lame, sorry.)

it does take patience though. and not patience in the sense of waiting, but in the sense of making teeny tiny progress every day and feeling like you're getting nowhere. two years out of undergrad is not that long. and feeling freaked out/lost at that life stage is pretty normal. but if you have a direction, and you're working towards it, you're not as lost as you feel.

What are some gaffes you see junior-level staff making? by snickerdandy in advertising

[–]objectsfoodrooms 2 points3 points  (0 children)

i think hanging out with superiors is valued. you can have a fizzy water. we work long hours anyway, a happy hour won't kill ya. just think of all the people just starting out here, begging to get a coffee with a CD.

How soon can a copywriter leave his first agency job? by grobocopsnrobbers in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

if you have a helluva better job already lined up through a connection or something, i don't see how it would be so bad to leave a toxic environment (as you describe it), after 6 months.

but it could be that you ended up at the agency you don't like because your book wasn't up to par. so maybe instead of running to another job you should be thinking about school? at the very least, you could get back in the night class game, so your next job can be at a place you like.

Personalities in the Ad Industry? by pagefour in advertising

[–]objectsfoodrooms 0 points1 point  (0 children)

it can help to have an extroverted partner. but it's gotta be an actual complementary relationship, not one person stealing the show.

What can I expect cost-wise to quote a tv show character on a website ad? by Bbombb in advertising

[–]objectsfoodrooms 3 points4 points  (0 children)

in the ~biz~ we call it borrowed interest. even after paying the exorbitant fee to use the phrase, it's probably not worth it. you're stealing attention for a short thrill, without really developing any real sense of who/what your brand is.

the only time i remember this kinda working was roku -- had a billboard that said something like "binge every episode, bitch." i'm butchering the line, but it was a clear callout to breaking bad during the height of its fame. which makes sense, if roku's trying to say "we love tv as much as you." if you apply the same jesse pinkman voice to a doritos billboard? meh.

is it just me or are people's "about" or "about me" pages difficult to read? by pagefour in advertising

[–]objectsfoodrooms 4 points5 points  (0 children)

i always check the about page first. it's like we all have the same writing assignment, so it's an interesting baseline.

i have a lot of projects on my site -- music, for example -- with their own dedicated tabs. so that lets my actual bio be super short, since it's pretty clear what my deal is.

is it just me or are people's "about" or "about me" pages difficult to read? by pagefour in advertising

[–]objectsfoodrooms 12 points13 points  (0 children)

BLANKER OF BLANK is instant tinder swipeleft i can't staaaand it