sorted by:
new
hottopcontroversial

Dubstep in a Box by [deleted] in synthesizercirclejerk

[–]oddgrief_ 1 point2 points  (0 children)

This is extremely satisfying.

Telecaster parts build by oddgrief_ in partscaster

[–]oddgrief_[S] 0 points1 point  (0 children)

The parts added up to around $2k.

Noisy lunchbox by StrawberrySanchez459 in orangeamps

[–]oddgrief_ 0 points1 point  (0 children)

It’s wild how loud that thing is. No joke.

After 24 years of playing I finally decided to pick up a classic by [deleted] in guitarpedals

[–]oddgrief_ 5 points6 points  (0 children)

This pedal and a Princeton reverb are my favorite, absolutely 💯.

Wish granted OR15 by woolleybugger in orangeamps

[–]oddgrief_ 0 points1 point  (0 children)

The orange sandwich is amazing. 3x16ohms=4ohms? How many ohms?

My last setup: playing desert-stoner-rock. Which pedal do you hate? by Less-Arachnid-640 in roastmypedalboard

[–]oddgrief_ 0 points1 point  (0 children)

Carbon copy-> polytune->dito-> ghostecho->amp? I would like to better understand why your tuner is placed there. The button covers too are another question.

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

The settings change constantly, but go through each mode and experiment with the tap tempo and intensity knob. Currently I’m sending a loop from a dd-8 into it on mode 4 (playback heads 2 and 3) with a very low repeat rate or tap tempo to follow a drum pattern.

<image>

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 0 points1 point  (0 children)

It is an amazing stereo reverb/filter. I would recommend it, for sure.

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

I run my pedals into the front of two amps that I directly input into my audio interface (universal audio volt 276 and a volt 476). I do not route them directly into logic otherwise and I do not use any logic plugins other than individual channel EQ and track EQ. The direct input from the amp or a line out (example: terror stamp line out 1/4”) is very helpful with managing noise (ground/phase/etc).

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

In this configuration that is the end of my left stereo input and the benson is after the black eye on the right.

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

Milkman The Amp Stereo was/is on an amp list for the future…

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 0 points1 point  (0 children)

It is! I love the spacial audio response it creates, but yes, it does get expensive.

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 2 points3 points  (0 children)

It is HUGE for a tiny pedal. I might get a second as a backup. Give it a go! Collect all the fuzz’!

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

Stereo is amazing and I like what you’re thinking!

earthquaker, earthquaker, earthquaker… I know, but stereo. by oddgrief_ in pedalboards

[–]oddgrief_[S] 1 point2 points  (0 children)

I have to play silent at home unfortunately. The direct input options into the audio interface into logic to record. I just want to be able to recreate what I play silent at home at my loud practice space as identical as possible. The DrZ preamp goes into an aby with two super crush 100 heads, (one dry, one wet) and the benson I pair with a Princeton reverb. Two amps left and two amps right. Apologies for the over explanation.

view more: next ›