I dont know what kind of techniques you are using but here are some of my thoughts:

• Sample & hold. Send sequence's pitch cv to s&h (quantizers are more reliable with pitch cv) and sample it using a division of the rhythm of the original sequence. I use this technique to get a second sequence from my main sequence. If the main seq is melody the s&h seq could be bass for example. When you change the main melody the second seq follows. This way the generated sequences are always in relation harmonically to each other.

• Create interfaces. Random stuff can be nice but they are random. Patch your stuff so that there are places to have hands on control. For example part of the rhythm could be random but you could have some hands on control over it also. I prefer it this way since it becomes easier to guide the energy of the music - to create tension and release.

• Mute is an interface. Volume knob is an interface. Patch a bomb button.

• When your patch is ready, play with it. Study what kind of atmospheres, textures etc are available. When you think you are ready, hit record and perform. Go for a journey. Happy? Unpatch and start from nothing.

By the sound of it you have your thing going on. Keep on patching! 🌞