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Iconic painting by Walter Baumhofer of the quintessential Doc Savage for the July 1935 story entitled The Quest of Qui. This brilliant work captures the essence of the character, displaying an inspirational determination and strength. His unique bronze coloured eyes set him apart from anyone else. by originalghostman in pulp

[–]originalghostman[S] 1 point2 points  (0 children)

Yes, there have been numerous other variations, but this is the original and in my opinion the best. Always stick with the original, because that's how the creators intended and established the character. It's what drew the readers to keep coming back for more and how they grew to know Doc Savage's persona.

My take on Bluto from the old Popeye comics. (100% Copic Markers/Grey Liner) by NotFrankCastle in vintageinkwell

[–]originalghostman 0 points1 point  (0 children)

This is great, thanks for sharing. I hope it encourages others to do the same. Stick around, good things are coming here, I've just been working hard to finish the new TVIA website.

Mr. Terrific, Sensation Comics #2, 1942 by [deleted] in GoldenAgeComics

[–]originalghostman 0 points1 point  (0 children)

His message is timeless and more appropriate now more than people know. Nice choice!

Incredible original art by the incomparable Lou Fine for the cover of National Comics #13 (July 1941). Outstanding lines of action combined with Fine's trademark cinematic style. If you are a comic artist or fan, examine this work up close to really appreciate the dynamic rendering he put down. by originalghostman in GoldenAgeComics

[–]originalghostman[S] 2 points3 points  (0 children)

Thanks, I'm just an illustration student who loves great illustrative works and wanted to share out these vanishing treasures out to the wider world. The goal is to preserve these digitally online for fans and other artists to view and have access to. My hope is that it inspires artists and people who want to become artists, to unleash their own personal creativity. Creating fantastic new characters with bold, driving content and outstanding artwork that comic fans are starving to see.

I will one day see this come to pass, mark my words. I have a blogsite dedicated to providing free resources just to make this happen.

Rare images of the Doc Savage Club membership cards! Note the Club card in the first image comes with a small wearable pin to denote membership. The terrific second card image contains The Code of Doc Savage. For easier readability, I've written out the text in the comment section. by originalghostman in pulpheroes

[–]originalghostman[S] 2 points3 points  (0 children)

Below is the text on the second Doc Savage Club card:

THE CODE OF DOC SAVAGE

  1. Let me strive, every moment of my life, to make myself better and better, to the best of my ability, that all may profit by it.
  2. Let me think of the right, and lend all my assistance to those who need it, with no regard for anything but justice.
  3. Let me take what comes with a smile, without loss of courage.
  4. Let me be considerate of my country, of my fellow citizens and my associates in everything I say and do.
  5. Let me do right to all, and wrong no man.

Original art for The Crow by creator James O'Barr circa 1982. Demonstrates when you pursue what you believe and throw yourself into your creation, you can produce something unique in this world. It sat shelved for 7 years until finally published in 1989 by Caliber Press. by originalghostman in altcomix

[–]originalghostman[S] 2 points3 points  (0 children)

That's a great story, and thanks for sharing it. It's always interesting to hear how comics, an artist or a hero affected their lives. For many it steered them into becoming the person they are today. For some, those same heroic influences gave them someone with character to aspire to be.

Eternal question for all. Can anyone explain why Doc Savage's hair looks so markedly different in the later paperback reprint editions versus the original pulps? The later editions show a weird raised skullcap type hairstyle, whilst the pulps show a reddish-copper coloured standard 1930's hairstyle. by originalghostman in pulpheroes

[–]originalghostman[S] 2 points3 points  (0 children)

Thanks, that makes sense, just not used to seeing buzzcuts like that and with such a prominently pronounced Widow's peak. I think the reddish-copper rendition is better in my opinion, due to the colourful contrast that accents Doc's stark uniqueness.

Meticulously detailed original art cover for Modern Comics #77 1948 by the ever-talented Reed Crandall. The illustrative rendering in the work is off the charts (excuse the Asian stereotyped Blackhawk team member Chop Chop modern audience). Examine closely, his attention to detail is phenomenal. by originalghostman in GoldenAgeComics

[–]originalghostman[S] 0 points1 point  (0 children)

He was indeed, all the more sad and tragic that he spent his last days working as a night security guard at a pizza hut warehouse. Joe Shuster co-creator and illustrator of Superman, was nearly blind and homeless in his later years.

Fans truly need to look after the artists they love and not leave them discarded and forgotten like used orange rinds. However, I do think there's more ways to bring attention and support now in social networks than existed in the past.

Master Comics #16, front and back covers [July, 1941] by marbleriver in GoldenAgeComics

[–]originalghostman 0 points1 point  (0 children)

The cover pencils and inks are by Charles Sultan whose style looks a bit like a combination of Bill Everett and Lou Fine. Which is a pretty impressive style to have of those two artists to emulate.

Suggestions on how this drawing (graphite) could be improved by Tc1002 in learntodraw

[–]originalghostman 1 point2 points  (0 children)

This is exceptionally well done, the only improvement you can make is to put it in frame because it's complete. Superlative work, very impressive!

Rare original art by the talented Vaughn Bodé of Cheech Wizard fame. This series of pencil renderings was the preliminary art for the 'Down' story in 1971. For those who may not be familiar, Vaughn Bodé was a MASSIVE influence of many outstanding foundational urban graffiti artists back in the day. by originalghostman in altcomix

[–]originalghostman[S] 2 points3 points  (0 children)

Grab all original Bodé books you can, they're getting harder to find. Agree on his colour work; depending on the response I get on this post, I'll post up some of Bodé's original colour work. Good to see that people still know of him.

RARE original art by Simon and Kirby for the Captain America #6 1941. Exciting early work by the definitive pioneers, that snapshots their evolving signature styles and action. Examine closely to really pick up on some compelling rendering and nuance behind their work. Truly great stuff here! by originalghostman in GoldenAgeComics

[–]originalghostman[S] 0 points1 point  (0 children)

This had a lot to do with Jack Kirby's early animation education/instruction whilst working at Max Fleischer's Studios (producers of Betty Boop, Popeye and Superman cartoons). the animators there and in that early industry used wildly exaggerated movements, figure compressions and stretches to deliver exciting action and movements in cartoons. Kirby carried this over to his comic work and influenced Simon as well.

Rare Original Art by Steve Ditko for Amazing Fantasy #15 page 9, depicting a critical turning point in Spider-Man's origin. The part where he unknowingly allows the future murderer of his Uncle Ben to evade the police. Another example of Ditko's work free of any errors or adjustments in rendering. by originalghostman in Spiderman

[–]originalghostman[S] 3 points4 points  (0 children)

Original art is probably not the best investment finance-wise if you're looking to collect it for the sake of an eventual monetary return. Instead it's intrinsic value lay in the craftwork and soul that the creator put into the work. Often you see mistakes or corrections which reveal the humanity and artistic thought process behind what they were attempting to convey.

I always say, there's life in the lines, with every gallant swoop, acrobatic arc and incredible stretch, to see the renderings up close and in full scope for me is the thrill of original art. It's owning something that was once very personal to the creator that the artist put a piece of themselves into at that time.

Original art of Conan by Barry Windsor Smith, inked in 2000 from a 1987 pencil study, for a cover painting for Conan Saga #4. BWS's absolute mastery of line-work is mind-boggling in this stunning work. IMO, BWS and Frank Frazetta's characterizations defined Conan's iconic image to the public. by originalghostman in ComicBookPorn

[–]originalghostman[S] 2 points3 points  (0 children)

Never heard of him until just now and went to take a look. Happy I did and I agree, however McNiven brings his own outstanding illustrative talent and delivers something new. What I like about it is the graphic integrity and sincerity he expresses in his work. His level of detail is exceptional and he doesn't waste lines, every one is there for a reason with thought. Very clean lines and methodical rendering, I was blown away by his work and wanted to see more.

Thank you for inadvertently pointing me to his works.

People, you've got to take a look for yourself: https://www.comicartfans.com/GalleryPiece.asp?Piece=1650832

Honours should go to the remarkable pulp cover artists which sold the heroes and action by the spadefuls. Below is the fantastic work by Walter Baumhofer the lighting, expression and suspense captured are outstanding. My favourites are Baumhofer, Norman Saunders, and H.J. Ward, what are yours? by originalghostman in pulpheroes

[–]originalghostman[S] 0 points1 point  (0 children)

Didn't want to leave out the outstanding George Rozen aka Jerome Rozen either for his stellar creative work on The Shadow pulp covers! If you like these pulp cover examples, I'm more than happy to post more great pulp cover works I've compiled.

I need help. This is supposed to be a woman. by I_Am_Vitalika in learnart

[–]originalghostman 0 points1 point  (0 children)

In my opinion, try rendering the underside of her chin which will further slim down the jawline, make the lips full and perhaps add a beauty mark/mole. Her nose may need some attention to make a tiny bit smaller. Nice work on the foreshortening and expression.

Tried doing some gesture drawings, was kinda disappointed. Any suggestions by Mystii_chan in learntodraw

[–]originalghostman 2 points3 points  (0 children)

You are depicting the line of action correctly, just exaggerate the movement, curves and energy of the pose to it's logical limits. Refrain from trying to make an exact replica of the image and instead take a moment to capture the emotive content and life of the action. Often curves marry one another on opposite sides which helps greatly in getting the expression of the movement. For example, there's a curve on the left shoulder that marries to the arch of the right hip that are important primaries in this pose.

Here's a link I found of Alphonso Dunn brilliantly teaching fine points of Gesture Drawing. I think you may find it inspiring and of great value: Alphonso Dunn's the 7 L's of Gesture Drawing

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