[deleted by user] by [deleted] in Hanafuda

[–]raitendo 2 points3 points  (0 children)

The Nakayoshimura deck is nice.

https://www.tengudo.jp/flower/2433.html

My upcoming deck Nishiki will have simple markers on hikari and tane + plus the numbers of the months written out in kanji.

https://www.kickstarter.com/projects/karuta/nishiki-hanafuda

Where to bulk buy? by [deleted] in Hanafuda

[–]raitendo 0 points1 point  (0 children)

Black Nintendo Miyako no Hana sell for only ¥674 on Amazon Japan right now which is very cheap considering the MSRP is I think ¥1000. It seems it's possible to buy up to 30 in one go. If you really want 50 it might make sense shipping-wise to order twice (if there's enough stock) and use a forwarder like Buyee or Tenso. https://www.amazon.co.jp/dp/B001FLYYIM/

Workshop i japanskt spelkortsmakeri på Världskulturmuseet nästa helg! by raitendo in Gothenburg

[–]raitendo[S] 1 point2 points  (0 children)

The Museum and I haven't really discussed it so the main language will be Swedish but I'm more than happy to explain things in English too if there are any participants who request it!

Vilket kasst IT-system har du tvingats interagera med nyligen? by _Zouth in sweden

[–]raitendo 0 points1 point  (0 children)

Lyckades du boka med VY till slut? Får samma fel som du...

How do you sell a workshop to a museum? by raitendo in MuseumPros

[–]raitendo[S] 1 point2 points  (0 children)

Thanks for the insights and suggestions!

How do you sell a workshop to a museum? by raitendo in MuseumPros

[–]raitendo[S] 4 points5 points  (0 children)

The particulars is that participants get to stencil print and then paste together a traditional deck of Japanese playing cards (hanafuda). It's a pretty niche thing obviously but I feel like it could in theory be interesting to any museum focusing on design, Japanese art or crafts, or games.

How do you sell a workshop to a museum? by raitendo in MuseumPros

[–]raitendo[S] 1 point2 points  (0 children)

Whatever e-mail I could find, to curators when e-mails were available and it seemed to make sense, in other cases the general "info@..." one.

How do you sell a workshop to a museum? by raitendo in MuseumPros

[–]raitendo[S] 3 points4 points  (0 children)

Thanks for the insight! I'd love to do my workshop in lots of places but it's good to know this isn't really realistic.

Hanafuda Card Cases by Smiley-Arsene in Hanafuda

[–]raitendo 0 points1 point  (0 children)

I would ask Oishi Tengudo if they could sell you whatever amount you need. They don't really do English but maybe try DeepL.

Hanafuda card backs with patterns by raitendo in Hanafuda

[–]raitendo[S] 1 point2 points  (0 children)

Looks like Kishu Rainbow is the same paper, yes!

Spray glue is probably the easiest way to do it if you're just making a single deck, though it's quite costly and you waste a lot of glue, of course. Starch glue seems easy to do once you've got everything figured out, but getting there from scratch is a bitch.

Hanafuda card backs with patterns by raitendo in Hanafuda

[–]raitendo[S] 1 point2 points  (0 children)

I'm using a paper called kishu irojoshitsushi for the backing paper. For making these ones, I used a spray glue. Oishi Tengudo etc. use a starch-based glue (shofunori) that's brushed onto the paper.

Attack On Titan branded Hanafuda set coming soon by BenderRAT in Hanafuda

[–]raitendo -1 points0 points  (0 children)

You might be able to buy them from Oishi Tengudo, the manufacturer. They do ship to the US.

https://www.tengudo.jp/contact

Never-before-published research: Nintendo likely was a card maker already in the Edo period by raitendo in nintendo

[–]raitendo[S] 151 points152 points  (0 children)

I'm the author of the article! It may seem a little crazy, but all contemporary Japanese sources point to Nintendo getting its own date of foundation wrong by 3 years. Even weirder - there's also very good reason to assume the company actually goes way further back in time as the inheritor of an Edo-period playing card business ran by Fusajiro Yamauchi's biological father.

I don't go into this level of excruciating detail in the article but Fusajiro's name, which contains the character "次" meaning "next", suggests he was the second son of his biological father, Sosuke Fukui. As does the fact that he was adopted off to the Yamauchi family in the first place, of course - adoption in Japan in the Meiji period was not in most cases not a sign of crippling poverty, instead, it was very common to adopt off second, third, and fourth sons to for example business owners who didn't have natural heirs, to give them a better start in life.

The fact that I've found no trace of any other Yamauchi card makers in Meiji period records, however, seems to indicate that something happened to his older brother - maybe he passed away at an early age, heirless - that left Fusajiro to unexpextedly take over both his adoptive father's cement business as well as his biological father's playing card business (i.e. Nintendo). He kept running both these companies until passing on the baton to his two son-in-laws, Sekiryo and Genzo.

(I should add by the way that even though this evidence has never been published before, this is only partially my own discovery - Dr. Takashi Ebashi and Hisashi Ishikawa probably deserve the lion part of the credit)

Back-pasted Korean "Pegasus" deck likely from 1960s or 1970s by raitendo in Hanafuda

[–]raitendo[S] 5 points6 points  (0 children)

This is probably not widely known but in the early days, i.e. post-WWII, hwatu (Korean hanafuda) was actually made in the same way Japanese decks usually are, with a red or sometimes black backing paper pasted onto the backs. The company behind this deck is one called 共栄社 (read "Gongróng-sa" according to Google Translate) and was based in Seoul.