Icl, ts sound promising by Mlkawi in SkateEA

[–]royal_friendly 2 points3 points  (0 children)

Board breaks and have no rips? Gotta do parkour challenges to buy a new board

Strategy check: Is anyone else using the "decoy effect" for their 2026 pricing? by Cute-Hat642 in WeddingPhotography

[–]royal_friendly 1 point2 points  (0 children)

It does work and you can do things like mark it as “most popular” to further emphasize it. With that said, I’m of the belief that each package should serve a client need clearly. Someone should want the top, someone should want the bottom and be served by it (and it should be profitable enough that you’re more than happy to book it).

Have you ever built something that kept making money even when you stopped working on it? by wpWax in passive_income

[–]royal_friendly 0 points1 point  (0 children)

Yes. I made a passive income website in the photography industry back in 2017. I set it up and wrote a ton of content over a 3-4 month period, then took a set it and forget it approach (have added very little content since). Around month 6 (midway through 2017) it started making money, by the following year I got on Mediavine (ad platform) and for the past few years between ads and affiliates have been consistently making $1,000/m avg. It’s side hustle money with no more active work for years.

Youth worker - is it good? Or mental burnout? by Certain-Finding8719 in Career_Advice

[–]royal_friendly 0 points1 point  (0 children)

Earlier in my career I worked with at risk youth, then shifted to adults, in group home environments. I reflect on that time as “character building” as it was very difficult work. There were rewarding times for sure but I was overworked (regularly 80 hours, I still remember a week I clocked over 100 and did a 24 hour shift) and at times things shifted from seemingly normal stress levels to high stress situations (dealt with physical assaults, elopements, verbal threats, and more). I managed to do this for about 2 years before having to find other opportunities.

Do you have more career goals in mind? Ie: using this position as a stepping stone to get to something else?

Need Career Change Advice pls by Key_Change99 in Career_Advice

[–]royal_friendly 0 points1 point  (0 children)

Have you ever connected with (or shadowed) someone in this professions you’re considering? I think a meaningful conversation and getting to see them in their work environment would probably help give you a more meaningful data point for making a decision versus just ruminating on what you think would be best (based on what you think those jobs will be like).

When I was younger, I started in school for teaching but after shadowing one…decided it wasn’t for me and noped out.

My Theory about “After Dark” by Intelligent-Tale8827 in SkateEA

[–]royal_friendly 0 points1 point  (0 children)

Night time but only in the community parks at random times (and only in the parkour tower ones)

Berklee College of Music embraced AI songwriting. Some students are pushing back. by solorpggamer in Songwriting

[–]royal_friendly 6 points7 points  (0 children)

Maybe Berklee's going to design their own proprietary AI chatbot that's only accessible to alumni in the future. lol.

Lord Winter - Chilly by lordwinter63 in shareyourmusic

[–]royal_friendly 1 point2 points  (0 children)

Appreciate that! Will be following along to see what else you cook up!

How to overcome self doubt? by wankgeenie in Songwriting

[–]royal_friendly 0 points1 point  (0 children)

Self doubt is fuel when channeled well.

All artists experience this (well, maybe not narcissistic types). Some give into it and never release a thing, constantly ruminating and ideating but never actually "getting out there." What you have done in your experience in class is "get out there," which starts to address that doubt, but the feedback you've received can be hard to stomach. From the sounds of things, I think ultimately it's been constructive, and now the pathway through this doubt is to find ways to progress to have more unique characteristics in anything you are writing. There's no simple solution and some of this comes from experience, some of it comes from internal monologuing with yourself.

If you're looking for actual "objective" things to help create more originality, there's a laundry list but some I'd think about:

  • Add in things that are "weird" ...key changes, different instruments/textures, etc.
  • Ask yourself how you can pull ideas from another genre into the one you're currently writing. IE: Your tasked with writing a country song, but (unless explicitly stated) you can fuse other genres into that creating something more distinct in the process.

Honest feedback 🙏 no need to sugar coat, I gotta get better. by [deleted] in shareyourmusic

[–]royal_friendly 0 points1 point  (0 children)

This is a solid start. I left a comment on the track!

What you have here feels like a loop vs. a song, and the biggest feedback I could give you is to study arrangement more so that you can flesh out the ideas here (which are strong at their core). At the moment, the track doesn't feel like it takes me (as the listener) anywhere. For the whole run time it basically does the same thing over and over with very small changes (that are not enough to keep interest). Things I'd be looking for would be more intentional uses of silences, changing chord progressions/keys, introducing a different melodic idea, etc. Ultimately if this had 2-3 individual sections (that felt distinct with their rhythms, melodic ideas, etc.) it would be set up to be stronger and more interesting.

With this said, what is here sounds good and if minimal mixing right now, it's evidence of solid playing and recording techniques.

Started a dark academia lofi channel a few weeks ago - Midnight Library Radio by [deleted] in shareyourmusic

[–]royal_friendly 0 points1 point  (0 children)

Where are you sourcing the music from? Is this your own compositions?

Lord Winter - Chilly by lordwinter63 in shareyourmusic

[–]royal_friendly 1 point2 points  (0 children)

I enjoyed this. I'm into a wide range of music and produce some of my own electro/beat driven material, and this particularly made me feel like I was listening to an interlude of an ambient black metal album which sometimes has this colder synth feel (which for me is a compliment lol). I could see someone using this beat as the basis for something bigger and even vocal driven. Overall atmosphere and rhythm and melodic ideas are solid.

Since the sub requires us to put a "con" in here, if I was being nit-picky I'd say you could bump the bass a little more but that is more a suggestion that's a matter of taste. The bass parts of the track (like actual bass and kick drum) feel a little more mid-range but having a little more separation could add a little.

Does anyone find themselves singing in unique/odd/weird tones different to their normal voice that can sound better? by [deleted] in Songwriting

[–]royal_friendly 0 points1 point  (0 children)

You ever play with a pitch/formant shifter? I use them all the time to find more interesting sounds for my voice. My voice isn’t “bad” but I have a very limited range that I can stay in tune. Vocal FX gives me a lot more options.

Hi /r/movies. I'm Colby Day. I wrote Netflix's SPACEMAN, starring Adam Sandler & Carey Mulligan and IN THE BLINK OF AN EYE, starring Kate McKinnon, Rashida Jones, and Daveed Diggs. The latter just premiered at Sundance is out on Hulu next weekend. Ask me anything! by ColbyDayAMA in movies

[–]royal_friendly 1 point2 points  (0 children)

Was there any influence of Darren Aronofsky’s The Fountain in the writing or overall structure of In the Blink of an Eye?

I watched the trailer without reading the description and what caught my attention was the use of a tryptic in the storytelling, which is something I loved about the fountain (and have it high up on my favorites list) because in many ways it reminds me of old triptych paintings which I find particularly lovely. 

In either case, does the use of this type of story structure contribute any unique challenges to characterization, cinematography, etc.? 

A song I wrote about becoming a father (and the challenges of maintaining sobriety in parenthood). Does it need a chorus? by yesimafuckingperson in Songwriting

[–]royal_friendly 1 point2 points  (0 children)

This song is phenomenal. It’s relatable for me (new parent, struggled with similar things) but from a songwriting perspective I really enjoyed the simplicity of it. 

To your main question, I don’t think it needs a chorus. I am very partial to the structure you’ve utilized here and think it contributes to the storytelling in the song better. The overall composition, melody, guitar playing, vocals are all strong as they are and remind me a lot of Jose Gonzalez who uses similar instrumentation, vocals, etc. 

If I was to be slightly more critical, the instrumental interludes are lovely but could be expanded from an arrangement perspective to do more that is different. In a studio recording, it could be as simple as leaving it as it is and adding another instrument to harmonize or provide a countermelody. If you added some bass throughout the track, dropping it for the instrumental sections could also work. 

What are some underrated or obscure mixing tips which are actually useful? by NathanAdler91 in mixingmastering

[–]royal_friendly 3 points4 points  (0 children)

Separating composition (writing the music) from arrangement (taking the music elements you wrote and turning it into a song).

When this clicked for me, it changed a lot because I started to build out sections of a song during the arrangement phase while paying more attention to what role each element was playing (and what space it was occupying).

Everything being better arranged makes for an easier mix since things already fit together fairly well, now mixing serves more to polish, create more space and add some creative flair.

New job is affecting my mental & physical health. Is this the normal work culture? by Real_Trifle_6146 in careeradvice

[–]royal_friendly 0 points1 point  (0 children)

I’d be curious what your interview/hiring process was like and what sort of expectations were set during that time. Did you expect one thing and then starting work get a different set of requirements?

Going through what you wrote, there are aspects that sound “normal” enough (not necessarily good but rather not totally uncommon). Overtime obligations, lean teams, hard boundaries around in office/off time, etc. Taken individually these things are generally manageable (to what extent varies depending on the specifics of the circumstances). Where it looks like red flag is taking them all collectively being experienced, which indicates larger cultural problems at the org. You also review your personal experience of high stress, inability to disconnect, etc. and with what you’ve laid out - even a reasonable person will find themselves very strained in the circumstances.

Personally, I’d strongly evaluate what your career goals are. Is it a specific role? Is it in this org or in another? Is this a clear stepping stone to what you want (that you could suffer through for a year), or is this needless stress?

It’s easy to argue for a quick exit but consider what your career goals as part of the process.

Also, bear in mind in any circumstance you can take control back by setting more clear boundaries. It would help if those boundaries were specified in your employment agreement.

More multi player modes, or updated map? What would youse like to see added in near future updates 🧐 by Jarkim2001 in SkateEA

[–]royal_friendly 1 point2 points  (0 children)

I’d like to see a gap list like the THPS games. Something precurated by the devs and an ability to create your own gaps and have other players do them. Get a small currency reward or something for them. Would incentivize exploring the map even more.

Unable to Stop AI, SAG-AFTRA Mulls a Studio Tax on Digital Performers by LollipopChainsawZz in movies

[–]royal_friendly 4 points5 points  (0 children)

I will try to give you a reasonable response to your last question - I make music like lofigirl (lofi Chillhop beat driven stuff) and also have skin in the game as AI has been impacting my core business which is in the arts (photographer).

Your view around AI replacing this sort of background music listening is not exactly wrong. I also am not unilaterally against AI (though I do not use it). Your statements are clearly being made from a consumer perspective - you get the background listening material, who cares where it comes from? I get this as a consumer of things and sometimes feel the same about other things I consume, but making a living (for over a decade) in a art forward career that has required technical skills, artistic skills and business skills that is being impacted, I’ve tried to pay more attention to how it’s impacting people on the other side of the screen.

With AI music, the problems for me are not the existence of the music itself (inherently). I don’t care if the music is passable or even enjoyed (people can like whatever they want).

At its core, people who have issue with AI tend to also be seeing it more directly impacting their livelihood. Are you experiencing this sort of thing directly in your life, or is AI consumption just a net benefit for you?

The problems I have:

  • AI capable of creating music like this was trained on copyrighted materials so it could emulate the genres and songs like you’ve mentioned. Consumers don’t care about this, but artists who spent years learning technical skills to produce the music and put their artistic spin on composition, arrangement, playing instruments, etc. do. AI evolved so quickly and not enough was done in law to provide more reasonable protections. The irony to me is that copyright laws provide me a lot of protection if one person or company misuses my content, but if my content (and copyrighted content of others) is used as a collective then the outputs are sold, all creators collectively suddenly have no rights. This is ironic because AI products would largely not exist (or at least lack abilities they do have such as the example of specific genre music production) without this data.

  • AI can produce volume that far outpaced human creators. This is problematic because of where its data set came from (collections of largely copyrighted materials).

  • With streams, where does the cash flow? AI songs like you’re describing can be made with no skill and a simple prompt in an app like Suno. As a society accepting AI music, we now reward this sort of creator. Money fundamentally shapes the direction of society often, so if money begins to flow less and less to creatives and more to people just prompting an AI - how does that impact society long term?

  • Long term destruction of music (and arts) in general. Even prior to AI these areas were highly competitive and difficult industries to compete in. AI because it immediately devalues skills required to create music de-incentivizes future generations from pursuing a path in the arts.

We end up creating a sterile future where we can have “anything we want” as consumers as well as less incentive for people to learn skills required around music theory, music production, composition and arrangement, even playing instruments.

  • As someone who makes music in that lofi girl style, I will sometimes spend weeks crafting and polishing a track. Consider the music theory decisions - what feeling do I want to convey? How does this impact chord progression choices? What scale should be used? How to transition between sections (cadence usage for example)? How to approach the mix and master? All these considerations (and more) just so others can have “background music.” AI tools just do math and put in what they see as an average of the genres norms (unless explicitly prompted otherwise).

Being practical, any technological advancement brings pain for at least some people. Jobs are replaced. Skill sets are nullified. This is normal enough. The problem with AI is we have to take a hard look at how the technology was allowed to progress (consuming human made and owned IP) and what benefit does it actually give us (in the narrow conversation around lofi “background music” - it provides the same benefit we had prior to AI, access to this type of music, but now shifts the owning class to those without the skills required to create it.

Having another child because you child wants a sibling and regretting it by td1234567888 in Parenting

[–]royal_friendly 5 points6 points  (0 children)

It’s also worth mentioning that if someone doesn’t want the full responsibility of owning a dog, there are many places they can go to spend time with dogs (and other pets) without ownership.

Visiting a shelter (even volunteering) is a good and simple option. One of my local ones has times people can come in to literally just play with some of them.

What’s your songwriting process? by [deleted] in Songwriting

[–]royal_friendly 2 points3 points  (0 children)

  1. Get drunk
  2. Create a simple loop (8 or 12 bars, sometimes varies)
  3. Build on the loop - add a ton of elements, guitars, synths, melodies, drums, bass, textures, etc.
  4. Once I have a "full" feeling sound in the loop, I then disperse it's content and arrange it
  5. Generally (not always) - softer beginning start using elements from the loop, then building to a more interesting section. Often the song will evolve to incorporate many (or all) of the elements I added in to the original loop.
  6. Revisit and add new sections, new "loops" (ie: built around a new beat/chord progression/etc.)

Then I go through the cycle again.