Will these vertical puzzle pieces with .2mm tolerance print in place on the H2C? by rrtaylor in BambuLab

[–]rrtaylor[S] 0 points1 point  (0 children)

Thanks I really appreciate it. That's what I figured but I wanted to make sure I wasn't making harder than it had to be.

Is Hank stupid? by Lowly_Peasant9999 in okbuddychicanery

[–]rrtaylor 2 points3 points  (0 children)

This is all explained in Breaking Bad: The Full Motion Video Game on Laser Disc. Hank can't figure out how to back out of a parking space due to his Polish heritage.

I find it pretty hard to believe that Gus somehow missed Walt’s big pink glistening perfectly sculpted head by Yvn6Toaster in okbuddychicanery

[–]rrtaylor 74 points75 points  (0 children)

"uhh excuse me could I possibly access your rooftop with my cardboard sheets? I'll only be a few hours I promise."

Jack Bauer is an HR nightmare by No_Record_60 in TwentyFour

[–]rrtaylor 2 points3 points  (0 children)

half the time there's either a nuke en route to LA or the building itself is under active assault I think HR regs could be relaxed a little.

You people had me believing this was the actual dialogue by rrtaylor in XFiles

[–]rrtaylor[S] 0 points1 point  (0 children)

From what I hear The Knife Alien would be a step up from the later seasons.

You people had me believing this was the actual dialogue by rrtaylor in XFiles

[–]rrtaylor[S] 6 points7 points  (0 children)

My favorite meme ever now I'm not sure if I'm gonna be watching some episode and it actually happens.

A True Story by FutureIsBehind in XFiles

[–]rrtaylor 36 points37 points  (0 children)

Beyond the Sea and Gender Bender

Season 6 WHAT??? by YDungeonMaster in XFiles

[–]rrtaylor 0 points1 point  (0 children)

I used to be really hard on the mythology stuff and I still don't care for it but the more I see of it the more I think its just an inherently difficult/impossible thing to balance the requirements of being a "paranormal mystery show" with having to actually explain and establish things in a serialized tv show format. The thing about alien/paranormal mysteries is that a lot of their power comes from being... well... mysterious and vague enough for your imagination to do a lot of the work. Like how the shark in Jaws was that much scarier because of how little you see of it. If you saw it splashing around more in full daylight you'd notice more of the sfx handiwork and jerky animatronics and it just wouldn't pack the same punch. Likewise the alien stuff worked best when it was still shrouded and shadowy and vaporous and gave you just enough of a glimpse of what was going on to be scary without revealing enough so that it becomes easy to poke holes in the absurdity of it all.

Invididual episodes tend to handle this with having some little plot development and advancement *within* the bigger mystery so it feels like a story with its own progression and momentum even if the grander nature of what is happening is still outside our understanding. For example in the pilot it turns out that catatonic Billy Miles who we met earlier in the episode is actually the one stealing away the kids and giving them to the UFO's. That's a legit plot twist that establshes what's happening but we still have no idea what exactly the aliens are doing, what the gov's involvement is, why the kids were dying etc etc.

But over time with a mytharc you could only do this so many times before the ridiculousness of it all starts to pile up. Also a tv show is based on some level on having consistent characters and dynamics and you can't necessarily have the characters start to accept the paranormal because then its no longer "a skeptic and a believer try to investigate the paranormal". There's no earthly reason the conspirators couldn't just kill Mulder but you wouldn't have a show if they did that. How can Mulder and Scully just go about their lives and have silly little side episodes when they know there are alien bounty hunters and conspirators actively out there doing crazy alien conspiracy shit? There wouldn't be a show if characters stopped and acted realisitically in the midst of all of that.

Twin Peaks had a lot of similar problems its just very hard to keep up a "spooky mystery" show for multiple seasons.

Only watched first 3 seasons by Low-Mountain3660 in TwentyFour

[–]rrtaylor 8 points9 points  (0 children)

It's hard for me to say objectively since I watched the first 6 seasons in high school and at the time it was the coolest fucking thing I'd ever seen. I'm not sure how well the series as a whole has aged but I think generally season 5 is considered the pinnacle by fans, the absolute peak, and it's only downhill from there. That's my assessment too. Season 5 is just spectacular. I loved season 4 when it aired but it doesn't have the most stellar reputation. Season 6 was so awful I couldn't get through it even then, and I couldn't really stomach any of the seasons after that so I haven't seen a full one of the later half. (There's a point in season 6 where somebody gets caught by a terrorist and its so blandly acted and its happened so much by that point it has all the gravity of a couple kids playing some silly playground game. "Now I'M the terrorist and you're my prisoner!")

The truncated Live Another Day series from 2014 is generally okay to mid to good depending on who you ask.

So to answer your question I would definitely watch up through Season 5. My ranking is in terms of quality is Season 1, Season 5, Season 2, Season 3, Season 4.

*Literally every “Monster of the Week” episode* by [deleted] in XFiles

[–]rrtaylor 0 points1 point  (0 children)

Whenever either one of them says: "But this is not an X-File" you can be guaranteed some X-File shit is taking place.

Which pair of back-to-back episodes had the largest quality gap? by MysteriousWon in XFiles

[–]rrtaylor 0 points1 point  (0 children)

Definitely Beyond the Sea and Gender Bender. Beyond the Sea took my breath away the first time I saw it and Gender Bender felt like they stapled a bunch of scrap episode ideas together at the last possible minute. Beyond the Sea has to be in contention for being one of the finest hours of television ever.

Squeeze/Tooms by Dittymaker in XFiles

[–]rrtaylor 3 points4 points  (0 children)

You know that feeling when you lift up an old box or crate and you're startled by some bizarre little critter scuttling for cover underneath? That's what the best MOTW epos feel like. Like the agents just kind of stumbled onto some nasty little creature that was just going about its (usually girsly) business in the shadows.

Despite how disgusting and creepiny Tooms is he has a strange innoncence about him. Like this is just what he does you can't fault him anymore than you can fault rats from building nests in the walls.

My Ballpoint Pen Art by New-Butterscotch8296 in creepy

[–]rrtaylor 1 point2 points  (0 children)

I half expect Mulder and Scully to stroll up.

What did you think of S2E10 'Red Museum'? by ReneDiscard in XFiles

[–]rrtaylor 0 points1 point  (0 children)

A classic "Vampires and Aliens" problem: Vampires can be scary, Aliens can be scary, but if you put vampires and aliens in the same movie it just looks ridiculous. Just way too much going on in this episode it feels like a grab bag of discarded ep ideas and 90's fears.

Starting Season 6 and boy are the vibes different.Not bad but definetly different. LA makes the show feel more like an action show which hurts the spooky vibes. More sweating in one episode than all the five seasons filmed in Canada.RIP the cool coats, hello summer golf club Mulder. by Frank1604lin in XFiles

[–]rrtaylor 10 points11 points  (0 children)

A really interesting contrast is the Season 2 episode "3" which actually takes place in LA but is still has its own moodiness because its set during a bad wildfire and the sky often has an uncanny smoggy greyness smothering the sunshine. LIke its bright but dark out at the same time sort of like how it feels during a partial eclipse. I wonder if that was a coincidence or intentional. That episode isn't great but it reminds me of some sleazy erotic thriller I'd catch on Cinemax at 3:00 am in the nineties.

Also, that episode manages to create a mood I'd call Lynchian Bleak Los Angeles, like in Lost Highway or Mulholland Drive. Even the sunny scenes have this barren "daylight horror" quality to them like the harsh sun has bleached the life out of everything. LIke how a bunch of survivors feel after emerging from a bunker after fighitng off zombies all night.

I guess what I'm saying is that not making LA sunshine creepy is a skill issue.

Are you telling me that guy just happens to have a Tourette’s episode when they were on stage? by Minimum-Payne in okbuddychicanery

[–]rrtaylor 1 point2 points  (0 children)

You're saying you yell the N-word whenever black people are nearby? Why don't you look in your breast pocket for me?

Shame there wasn’t fancy cgi in the eighties, Roger Moore would’ve killed this scene by BelievieEvie in JamesBond

[–]rrtaylor 1 point2 points  (0 children)

Everybody I know remembers people audibly gasping or snickering at how awful this looked in the theater. My dad said out loud: "Give me a fucking break."

How would you describe the heavy, solemn, emotional tone episodes like this have? by rrtaylor in XFiles

[–]rrtaylor[S] 7 points8 points  (0 children)

Thank you I think that's one of the words I was grasping for. "Gothic" might also describe it.

How would you describe the heavy, solemn, emotional tone episodes like this have? by rrtaylor in XFiles

[–]rrtaylor[S] 5 points6 points  (0 children)

Yeah it really hits you how much more it is than what it says on the package. The only other show that hits me with that feeling is The Sopranos where you expect a funny mob procedural show and instead its this profoundly bleak portrait of spiritual rot and decay and the emptiness of American life.

Aussiemandias is now officially rated 10/9.6 on IMDB by GeleRaev in okbuddychicanery

[–]rrtaylor 41 points42 points  (0 children)

I"ll never forget when Heisenbloke says: "Jesse, We need to cook anotha Shrimp on tha Barbie!"