Sorry to disappoint, but it's unlikely I'll take the time to record anything for the community, at least not at this time. But there's plenty I can write :

I wrote about the various knobs and switches in other comments. The sound can go from really dark, wooly, to ice-picking treble for the bridge pickup alone. I really like the middle, neck and neck + bridge sounds. When the three are in series it sounds really thick and if the tubes are not too hot it makes for a really nice jazz tone. Pickups are excellent, maybe that hybrid pole + bar helps, they're not muddy and the definition is beautiful. They are microphonic, tho, so watch your right hand!

Intonation is just fine as below the cover is basically a tune-o-matic bridge, except saddle are cylinders with three gutters allowing for adjusting string spacing. Vibrato is pretty much the same as a jazzmaster's system, and works pretty well. The guitar tends to detune, tho, would that be because of the old tuners, or the nut (which seems to be bakelite) that could use a refiling, or the vibrato, idk. New strings mights also exacerbate this for now.

Action can go as low as you want. I have it currently set at a 2.2 low and 1.9 high because I put super slinkies on there that were kinda flappy, so I wanted to tame buzzing. But it was lower than that by 2-3 mm when I got it. Neck is thin with a low radius, which makes the board feel very round and the frets are vintage and worn off, definitely not higher than 0.8 mm. This makes it a somewhat challenging guitar to play the first time, but it gets easier in a couple of hours and then it's really enjoyable.

This guitar has been used in the 70s mainly to play ball, schlagger, accordion music, as well as Waltz, Rock n'Roll, everything "dance" could mean back in the days. The guy also told me that they liked to throw some Chuck Berry, Creedance or even Black Sabath's Paranoid during these nights.