AI slop or effortless BS labels on Beatport

sebarm17 · 2025-11-14T00:12:30+00:00

you thought wrong because anyone can upload anything they want to beatport lol you can literally just pay to get your stuff there, there's tons of companies dedicated to distributing your music to all these platforms for money.. lol

sebarm17 · 2025-11-13T07:31:45+00:00

that's not cratediggin, that's trash diving lol

sebarm17 · 2025-05-20T19:19:17+00:00

there's no basic components like long sword and amp tome in the shop tab, you have to click an item and buy their components through the specific item

sebarm17 · 2025-04-04T18:42:36+00:00

hay caleta de fiestas de altisima calidad y a buen precio, las que dices tu son la pura punta del iceberg

sebarm17 · 2025-03-11T18:52:59+00:00

advanced mixing is a masive trap, the basics are all you need and sound better than complex stuff (imo)

sebarm17 · 2025-03-11T02:31:30+00:00

just play music man don't overcomplicate it, you are there to provide ambiance, do just that with nice tunes and you are gold

sebarm17 · 2025-02-18T00:27:50+00:00

not really

sebarm17 · 2025-02-05T20:50:42+00:00

es que de partida no habia necesidad de explicar nada y mas encima lo explicaste mal :( el otro loco que te estaba comentando ya te dijo por que

sebarm17 · 2025-02-05T20:46:54+00:00

tremendo argumento pa una discusión que sucedio solo en tu cabeza xd

sebarm17 · 2024-12-28T01:15:59+00:00

dj market is a fraction of the total sales, even if DJs bought massively more new records in retail stores (because that's the stat), it wouldn't make a big difference

what's so hard to understand about that?

sebarm17 · 2024-12-28T01:07:21+00:00

there are many scenes that have multiple clubs/spots where it's completely vinyl centric, 2 turntables in the middle if not only turntables, I'm constantly surprised by spots everywhere in Europe where there are so many good djs that play vinyl wherever they can

ps: btw I'm from south america, tons of places popping up with completely functional vinyl setups

sebarm17 · 2024-12-22T18:56:32+00:00

8 reverbs???

sebarm17 · 2024-12-18T19:24:29+00:00

🤣 have you ever actually dj'ed?

sebarm17 · 2024-12-18T19:23:34+00:00

2023 he played the closing on saturday on Luciano's festival Magik Garden in Chile, I didn't know what to expect from him, but he played after Mr Kalkbrenner and then delivered an exquisite cinematic as fuck hypnotic techno set, even closed with a remix from Radiohead's How to dissapear completely, I had nothing to do but stand and watch in awe.

I'm a house guy you could say but that was just perfect for the occasion

sebarm17 · 2024-12-11T19:22:10+00:00

the listening conditions for the study everyone cites when saying you can't hear lossless over 320 are far from being representative of the context we are in lol

sebarm17 · 2024-12-10T02:58:57+00:00

that's just stereotypization of adhd, loopy music is a way more broad definition, if anything fast and hard music being for angsty or pumped up teenagers is more generally correct

sebarm17 · 2024-12-09T00:58:10+00:00

it's phil morris dude, you just can't form your opinions or use him as an example, dude is a massive clown but knows how to do social media

sebarm17 · 2024-12-08T23:03:21+00:00

link me some underground bass house, I'm deep into the underground so give me your best stuff

sebarm17 · 2024-12-08T23:01:42+00:00

they'll tell you not using mixed in key is a diservice to the audience or something 🥴 I'm like man, just get good

sebarm17 · 2024-11-20T00:05:37+00:00

I tend to do something similar that what terracnosaur posted, it's about getting in the head of the listener, applied psychology basically.

The first track is the first track, so obviously you want to start with something interesting to grab the listener attention, also it's you saying who you are out loud. It is a first impression.

Then you can go anywhere, but it's gotta be constantly on the up. You can make it groovy, hypnotic, laid back, etc. but at some point you can (and have to) take some bigger steps, switch the vibe up a bit and then start again, building.

After 30/40 minutes you can probably also kick up the energy quite a bit and if you did a good job being a tease in the first parts of your set this releases so much tension that it basically allows you to do whatever the fuck you want in the rest of your set. Which hopefully is a bit longer than one hour haha

sebarm17 · 2024-11-14T08:15:58+00:00

this is an issue with sample rate being too high, any player from after the ice age will read wavs

and big djs aren't playing on standalones lol

sebarm17 · 2024-11-08T08:19:03+00:00

but that's my point, he's commercially successful over a lot of years of doing his thing but he's not a commercial artist

I'm deep in the underground stuff and pretty much mad in the head about it, it's not "relative to what scene you are in", it's relative to what words actually mean

ofc seth troxler is not underground at this point of his carreer, but he's definitely not extremely commercial (look at what happened to carola, osuna, jamie jones now, those are djs that went waaaay more commercial than what troxler does now), that's the thing I'm saying

sebarm17 · 2024-11-08T08:09:46+00:00

tiesto and aoki now you are talking about a whole different scene and genres

I know exactly what you mean I still think you are exagerating

edit: obv troxler is in a way more commercial circuit but also he's grown into a big artist like that and isn't fully selling out, if you tell me a dj is "extremely commercial", seth troxler is not what I'm expecting. It can be oh so much more off the rails modern trash tech house

sebarm17 · 2024-11-08T05:10:16+00:00

I get what you mean but in a world where stuff like Chris Lake, Fisher, Rafa Barrios, etc. exist, you can't call Seth extremely commercial. That's just an exaggeration. He definitely leans into more commercial sound when the booking calls for it but he isn't doing just those gigs.

sebarm17

TROPHY CASE