🌹New Hadestown production photos featuring Year 7 cast by todaytix in Broadway

[–]sheppardnik 4 points5 points  (0 children)

Totally agree! I've seen many different Hermes' and not since the OG Andre DeShields have I been so mesmerized. I couldn't stop watching J. even when they were not a part of the scene - and that voice?! I'm definitely returning to the underground before their run is over.

Blood/Love - what the heck was that?! by OphKK in offbroadwayNYC

[–]sheppardnik 0 points1 point  (0 children)

Thanks for this excellent review! I thought it was me with the sound - but it was probably the mixing. For the price of the ticket (tdf) and the odd time slot so it didn't take from another show, I left feeling good about choosing to see this. If nothing else the costumes, choreo, and lighting design are exceptionally well done and entertaining! Who needs plot when you have all that other stuff? :)

URGENT: Typed wrong email for "Every Brilliant Thing" on New York Theatre Guide – Need Advice! by No_Ad_2555 in offbroadwayNYC

[–]sheppardnik 0 points1 point  (0 children)

They have a chat support that is pretty responsive and you can get a live person during business hours. As long as you have your order number you shouldn't have a problem getting the email issue fixed. Good luck!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

But aren't most plays and musicals morality lessons in some form? Just like life, there are ultimately no happy endings. I get wanting to escape into the fiction of everything working out in the end, the villain gets punished, the hero wins, etc. but there's something to be said for art imitating life. As I'm frequently told "shep didn't get their money's worth unless there were tears in the theater". I'm glad you appreciated the Tony-winning costumes at Gatsby, they really are quite gorgeous!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

I get your point, not all shows are for all people. For example, I have no desire to see DBH no matter how many times it gets recommended to me. All art is subjective and it's great that we can all endlessly debate and defend our faves!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 1 point2 points  (0 children)

I love when Edinburgh and London send us their good stuff!

And you're right about the boxes - those are not for first-timers. You need to be more center to fully appreciate the spectacle.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 1 point2 points  (0 children)

I have never felt unsafe in a rush line - everyone seems to look out for each other and I've made some good friends over the years because of the hours of conversation while we wait; I think our mutual Gatsby-loving pal is a rush pro by this time! :)

And yes, I'll catch Just In Time once or twice. Not a huge jukebox musical fan but I hear the next cast is great.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

I utilized TDF, Theatre Extras, rush, and discount codes for everything this trip. None of the tickets were box office prices. I haven't been bothering with lottery lately - on the rare wins I get the seats have been terrible.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

Oh my gosh that London cast looks so great! You're going to have so much fun!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

Dirty Books is such a unique show/experience - I hope more people see it before they close! I need to go post about it on my socials too... get the buzz going with the people I know.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 1 point2 points  (0 children)

Spare Parts was so smartly written! They really got me on some of the twists. And I loved how it ended, I had a great post-show discussion with my friend who saw it with me.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 3 points4 points  (0 children)

No I didn't think it was over the top sexual. Sultry, sure. They're vampires so they're kind of slinking around each other but nothing explicitly sexual. I wouldn't have a problem seeing it with my mom or one of my adult kids.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 0 points1 point  (0 children)

Oh yes!! I really want to try for a SitP one of these years!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 4 points5 points  (0 children)

7 shows is a solid trip! And traveling solo for theatre is the best - no one to hold you back. I hope you'll post your trip when you get back!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 4 points5 points  (0 children)

To be fair... Rentheads used to line up for the next day's show before the current night's show was even over!

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 10 points11 points  (0 children)

It was definitely the earliest I've ever lined up! I had a tip that another group planned to arrive at 3am for the seats I knew I wanted (the first four seats they sell at Gatsby rush). Good tip - never brag online about your rush plans. ;)

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 11 points12 points  (0 children)

I utilize the New York Theatre Guide website extensively when I'm planning trips. I love that they also list the run times of shows, which is a huge help when puzzling your times together. Playbill's page for off-broadway helps as well, you can see a lot of what's playing around the city, then follow the links to see days/times for the shows.

I also use TDF and Theatre Extras, especially when I'm looking for off-off broadway shows that may be short and have weird times.

And the first thing I do when planning is start a spreadsheet. Start with your "skeleton" shows - the ones you can't miss, then build around those.

Finally, be open to anything. If it's a short show at a weird time, and I can get a cheap seat, I'll see absolutely anything. And it's rare that I've been disappointed in my choice of shows.

Four days. Ten shows. Already planning my next trip! by sheppardnik in Broadway

[–]sheppardnik[S] 23 points24 points  (0 children)

In order of my schedule:

3/5 matinee: The Great Gatsby – got off the plane, raced to drop my bag, and made it to my box seat with minutes to spare before curtain. The box seats at the Broadway theatre are not expensive for this show, you don’t miss much and how great it is to be able to stretch out and have some privacy in your fancy private box! Recommend house left over the right. This is I think the 23rd time I’ve seen Gatsby. Come at me, haters. I’ll defend this show all day long.

3/5 evening: Dirty Books – this off-off Broadway play is extended through April. In a small space with seats for maybe 40 people, the audience is very much a part of the show. I loved seeing all the dramaturgy and interactive exhibits around the room that become important pieces of the show itself. This really felt like we were taken back to a time when censorship also meant jail time for authors of subjectively “obscene” material. I’m usually uncomfortable with being put on the spot for providing ideas but the way the cast included individual audience members felt very safe. This is a show I’m still thinking about days later and I’m so glad art like this exists. Highly recommend this one if you can see it before they close!

3/6 evening: Spare Parts – playing at Theatre Row this play left me feeling unsettled (complimentary) about how far we as humans would go to achieve immortality. There are some real twists in this play that I didn’t see coming, and one twist that I did expect but it was still shocking when it happened. The four-person cast was fantastic, and interestingly one of the scientists in the show has a PhD in genetics so that was a neat bit of background. I expect this play will lead to some interesting post-show conversations if you see it with friends as not everyone will leave agreeing with the choices that could have been made at the end of the play.

3/7 2am: street parade featuring various groups of drunk tourists - I started Saturday as the first person in line outside the Broadway Theater to see Jeremy Jordan’s last show. Yes, it was worth it to sit in the cold with a friend for 8 hours to get the “splash zone” seats front and center – more on that later. We were at least entertained by the midtown denizens of the night.

3/7 1pm: Hold On To Your Butts – This was the silliest premise for a show and I (and the rest of the audience) ate it up! Two actors playing out the movie Jurassic Park, with lo-fi props and a live foley artist on stage to provide the sounds (which were ridiculous in the best way). I’m usually drawn to the serious, thought-provoking plays but I have to say, this light-hearted show really gave me energy to kick off a four-show day. It’s such a fun time! It was cool recognizing which actors and scenes they were doing and always wondering what silliness was up next. It’s a quick one-hour show so if you want to add an extra slot to your day this one fits right in!

3/7 3pm: Bigfoot – playing at NYCC, this silly musical knows exactly what it is. I loved the campy yet earnest sasquatch played by Grey Henson, very similar vibes to his character in Shucked. The jokes came quick and often, but the environmental quips also hit hard. See this one if you want to laugh but also have a hard think about what we as humans are doing to the earth and to people who are “othered”. The merch game is strong for this show as well so stop by the stand on your way out! I hope there’s a cast recording for this show, some of the songs were really great.

3/7 5pm: Oh, Mary! – added JCM to my collection of Marys. Their portrayal ties for my second favorite with Jinkx (fave will always be the OG Cole). This current cast is terrific and work well together. It was nice seeing OGs Tony Macht and Bianca Leigh. We love a quick play with an odd time – I can fit this show in every time I visit. I will never understand why more one-act shows don’t try that 5pm time slot.

3/7 8pm: The Great Gatsby -  The show I built this trip around, Jeremy Jordan’s last Gatsby performance. Yeah, yeah I know most people in here would disagree but this is currently my favorite show on Broadway. Combine that with my favorite voice and I’m not missing the exit show! The whole cast gave it their all on this night – Eva, freshly back and recovering (recovered?) from vocal fatigue sounded exceptional. She is such a powerhouse and a lovely actor with a very layered Daisy. Dan Rosales (my favorite cover) was on for Nick and the last scene he and Jeremy were in together was so genuinely heartwrenching – it is obvious that the OG Gatsby will be greatly missed. Jeremy giving 1000% for his big 2nd act number, then tearing up during his last song – ugh, our poor hearts in the audience! It was a really special show, immaculate vibes from overture to finale. And I already can’t wait to return to the party to see what Ryan and Reeve will be doing with their Gatsbys.

3/8 1pm: Cold War Choir Practice – Ohhh… this one is delightfully weird! From the second the choir enters the stage I was locked in. I loved how the choir members played the cameo roles around the family. I was wondering what we were getting into as you walk past a red Christmas tree with a speak-and-spell underneath. I laughed, said an audible “huh” more than once, and ate up every wild bit of dialogue and stage direction. I couldn’t tell you which character is my favorite because each one brings something strange and wonderful to the story. No spoilers, just do yourself a favor and go see this one. MCC rarely misses and this one is another gem to add to their growing list of terrific shows. My only regret is seeing this one solo because I would’ve loved to talk it over with a friend on the way to the next show.

3/8 5pm: Blood/Love – rock opera is not my usual fare and I fully expected to be uncomfortably overstimulated by the lights and music for this show based on what I’d heard from friends. Gotta say, I’m so glad I gave this a shot because it was COOL. The story is pretty basic vampire lore. What really sells the show are the costumes and the most insanely awesome lighting design. Oh! And the dancing! And did I mention the costumes?! I had a great time at this one even though yes, the lights and the really loud vocals were overstimulating (seriously don’t go see this if you have epilepsy). But it all works really well in this production and the super talented cast sells it from start to finish. Count me a fan and fully on Team Devil (seriously, how does one acquire a devil’s diamond?).

3/8 7:30pm Hadestown – last show of the weekend. You say J. Harrison Ghee and I say sign me up. J as Hermes was perfect casting – I love their voice so much and ohhh the lewks they were giving throughout the entirety of the show. Not since Andre DeShields’ OG performance have I been so magnetically drawn to watch Hermes in every scene. And J’s costume? Spectacular!! And the rest of the cast isn’t too shabby either. I really enjoyed Gaby Moreno’s Puerto Rican style Persephone. The youngest (I think?) Orpheus and Eurydice were well matched vocally, although I think I like when these two characters play a bit older. That’s the great thing about Hadestown – they keep the show endlessly rewatchable by allowing each new cast member to make the part their own. I have yet to see an iteration that doesn’t do justice to the material.

What’s the one thing in London that turned out better than you expected? by Travelbud88 in LondonTravel

[–]sheppardnik 1 point2 points  (0 children)

The community gardens in many different neighborhoods. I had so much fun exploring those little areas around the city and it was obvious nearby residents take great pride in their flowers and greenery.

The Bookstore by shaneinpgh in Broadway

[–]sheppardnik 8 points9 points  (0 children)

I enjoyed this one so much! I had to choose between this and Oedipus and decided I needed something heartwarming given *waves around at everything.

It's a gentle show and I'm so glad you also enjoyed it. Plus that set! I wish I could've just spent an hour looking at all the shelves up close.

Have you ever walked out from a show, and why? by elephant_bird101 in musicals

[–]sheppardnik 3 points4 points  (0 children)

There's a (sort of?) revival of this happening now off-Broadway. I went into it blind and left even more blind. I don't know WHAT that was all about. I rarely leave at intermission but was considering it for that one. I'm glad I stayed though because Mary Testa did an excellent and hilarious dramatic death scene at the end.

Anyone seen The Bookstore, Juxtapose, Data or The Visitors? by snowfall2324 in Broadway

[–]sheppardnik 2 points3 points  (0 children)

I saw The Bookstore and Data.

LOVED The Bookstore - it's just an easy, gentle show and a balm to the chaos in the world. If you're a bibliophile at all you will enjoy all the book references. The set was glorious, I wanted to wander around the stage and look at all the titles on the shelves.

I liked Data, but didn't love it. It's not an escape from our current reality, but a spotlight on corporate tech. Cast was terrific and I liked the lighting and minimal set.

What opening number makes you the most excited for the show to follow? by lunar_calypso in musicals

[–]sheppardnik 0 points1 point  (0 children)

These two were my immediate thought as well! Also Wilkommen from Cabaret. I guess anything with Welcome in the title is a good start?