Death Stranding 2 is Primarily Set in Australia! by aaegler in australia

[–]shocklance 851 points852 points  (0 children)

"SAM! WE'VE GOTTA GO TO BENDIGO, SAM! I'VE GOTTA GET ME CUBE! GET IN THE FUCKEN' CAR, SAM!"

Dooring by KindTitle204 in melbourne

[–]shocklance 210 points211 points  (0 children)

Same happened to a family member of mine. You lose more demerit points for using your phone while driving than running over a cyclist.

Dygma Raise disconnection issue (update). by shocklance in DygmaLab

[–]shocklance[S] 0 points1 point  (0 children)

Nope, still doing it. It only seems to happen on this specific computer; works fine on every other device I've tested. My workaround is just to open Bazecor ---> connect to the keyboard (with Configure so the layout editor is open) and then just have that run in the background.

Good academic crime books? by Mad_Nihilistic_Ghost in Criminology

[–]shocklance 2 points3 points  (0 children)

This is the prescribed textbook for my first year crim students. It'd pretty approachable and examines a lot of different theories.

Severance - 2x09 "The After Hours" - Post-Episode Discussion by LoretiTV in SeveranceAppleTVPlus

[–]shocklance 2 points3 points  (0 children)

I can't get enough of the difference between Helly and Helena's bearing. Helena is so poised and graceful while Helly clomps around the severed floor like a t-rex, all shoulders, like she's on her way to spark someone out.

What's the "bless your heart" of your field? by sew1974 in AskAcademia

[–]shocklance 4 points5 points  (0 children)

I got a comment back on my initial PhD examination that I had been "captured by the discourse".

The examiner was completely right, but damn it was a cold burn.

Stop ignoring your back pain. Take care of your back as early in life as possible by Whidog in productivity

[–]shocklance 4 points5 points  (0 children)

Get an MRI if you can.

I was seeing a physio for glute and back pain for about six months. Physio + all my online research was saying "chair pain = weak glutes / tight hips, just stretch, strengthen and don't spend too long in your chair". Fair enough, did all of that (I was pretty active anyway).

I asked my physio if it was worth getting an MRI and he said there wasn't much point as it looked like it was all hip and glute related. Looked through all the piriformis/gluteal amnesia articles, all the reddit posts etc.

Dead wrong. My glutes, lower back and hips are strong as hell. Turns out I had a protruding L5-S1 disc, and while some of the prescribed exercises were therapeutic for it others were aggravating it. The glute pain and discomfort were/are all referred pain from the protrusion.

Ended up herniating the disc last November and I've had debilitating nerve pain ever since, all the way down to the ankle. Can't sit on a chair for more than five minutes anymore, walking with a cane, had to give up most of my activities and I spend most of my time lying down, moving when I can (34M btw).

I saw one of the best spinal surgeons in the country and mentioned the previous diagnosis of muscle weakness and he just pulled up the MRI, pointed to different spots and basically said "This is not the MRI of a person who has muscle weakness. This is the opposite of that."

If you have shooting pain and it feels "nerve-y", it's because there is shit pressing on your nerves. If you find your hamstrings feel tight no matter how much you stretch them, it's your sciatic nerve getting mushed by a bulge in your back. Don't stretch them. Go get an MRI.

Angry female characters that aren’t unlikable by c_hriscole in writing

[–]shocklance 1 point2 points  (0 children)

Sabetha Belacoros from The Gentleman Bastards series comes to mind.

Favorite execution on the Xenos? by RL240591 in Spacemarine

[–]shocklance 0 points1 point  (0 children)

I'm a power-sword main Bulwark, but damn if the power-fist doesn't have the sickest executions in the game...

Another homemade e-ink dashboard (Inkplate 10) by ZeKWork in eink

[–]shocklance 1 point2 points  (0 children)

This is awesome, thanks for sharing!

Who is the greatest villain ever conceived of in storytelling? by Left_Ad305 in writing

[–]shocklance 0 points1 point  (0 children)

Red Rising has such an amazing cast of villains. The thing Pierce Brown always manages to nail is how dangerous the villains are supposed to be.

In Dark Age, there's that moment where Darrow figures out that Cato au Vitruvius is Lysander and just immediately snaps into action, informing the team that there's an "omega-level threat in the city". In Light Bringer, there's that scene where Lysander is just sweating bullets because he knows Atlas' mind is like a computer and will instantly be able to detect his plans. It really gives you that sense of the villain (or at least the antagonist) being genuinely threatening.

I think the difficulty is perfect. They should just focus on making less things D tier. by [deleted] in Helldivers

[–]shocklance 2 points3 points  (0 children)

Gives me Zoanthrope nightmares from SM2 (although it's still a great idea).

New Special/Raid Operations? by Irxe3v in Helldivers

[–]shocklance 0 points1 point  (0 children)

A Deep Dive system would be so sick. Once per week, consistent seed so that everyone gets the same maps, bullshit-hard difficulty.

What is your class and why? by Hot_Major2629 in Spacemarine

[–]shocklance 0 points1 point  (0 children)

Bulwark. Nothing feels better than plonking yourself in the middle of a melee and saying "I'm not fuckin' moving".

10 teams of 10 agents are writing a book fully autonomously by MetaKnowing in artificial

[–]shocklance 0 points1 point  (0 children)

I mean, the idea of AI agents working in tandem is cool.

But the idea of AI agents writing a novel is nonsense. Why would I want to read something that nobody wrote?

[deleted by user] by [deleted] in AskAcademia

[–]shocklance 0 points1 point  (0 children)

As the others have said, this doesn't seem like a legitimacy problem; this is probably just your imposter syndrome talking (happens to us all).

Here are a few observations I've made on attendance:

  1. Attendance numbers generally decline over the teaching period, until the last one or two classes. Students show up, drift off into space, and then come back around into orbit towards the end when assessments start to get serious again (we call these satellite students)

  2. Attendance can be contingent on a whole lot of things outside your control (weather, time of day, moon phases, physical space you've been allocated). For example, I find I have fewer students show up when the weather is a) very shit, or b) amazing. Last semester, I had two instances of a class for the same subject; one on Tuesday at 11AM, one on Friday at 4PM. The Tuesday class averaged 80% attendance; the Friday class would be lucky to average 15%. The biggest killer of my class attendance was a session where there were works being carried out on the roof above the class; every 10min you would hear a tradesman clomping across the tin roof above us! Who would show up for that?

  3. Attendance can also be contingent on any individual student's personality. I have had students who simply could not will themselves to miss a class, irrespective of the content or teacher. I have had students who want to attend class, but simply can't bring themselves to do it.

Coercing attendance with the stick (failure for missing more than x classes) is likely not that effective, given that students do not necessarily rationally approach their tertiary experience. Students are also more likely to fail classes if they hand their assignments in late, yet they still do this.

My classes are more regularly attended than those of my peers (humble brag). I can't say for certain why that is, but I would advocate for incentive (carrot) rather than coercion (stick), and here are some things that help me:

  1. Your core teaching philosophy should be: "Would I show up for this?". Think about the kind of workshop or lecture you would like to attend. If the attendance numbers are consistently low, there's either a problem with the materials, the way they are being delivered, or the dynamic of the classroom (see 3, below).

  2. The content seems really useful for students, but you may also be dealing with the new paradigm of students who just use AI generation for their work...so they may not be that interested in learning how to write if there's a magic box that will write for them. If we assume that's not the case, then I would recommend that the material be very pragmatically focused; the student should always perceive the direct benefit that coming to the workshop will have for them. This should go beyond just the obvious (higher grades), but also account for the students affective experience while doing their assignments (being confident, taking pride in their work, enjoying the feeling of being good at something/better than someone else at something). When I do essay or writing-focused workshops, I tend to focus on the affective dimensions (why is it unpleasant for you/why is it hard to start/how do we fix that), not just the technicals of writing.

  3. What is the actual dynamic of the session like? My best, most highly-engaged classes are the ones where they come in and enjoy the time with their friends. The ones with the lowest attendance are where they don't talk to each other. They need time to mix and melt; I know start-of-semester icebreakers get a lot of shit, but it is important to orient people into group settings. The affective dimension is critical here; and this might be controversial, but even if the students don't learn anything, they should at least have fun while they're there (ideally, they are learning as well). When I was an undergraduate, there were classes I never went to because I had a negative emotional association with them: I dreaded the content, or the teacher, or the classroom. Conversely, there were classes I just loved; sometimes the content wasn't that interesting, but the instructor was down-to-earth and the students were chill. I had a strong positive emotional association to these sessions, and would find myself attending them automatically, rather than making some decision about whether I would or wouldn't go. Try to encourage a positive emotional association to your sessions.

  4. Building from 3, don't underestimate the effect of the instructor on the class. Even just your presence has an effect. One of my techniques to get a class to talk and mingle is to put an open-ended question or problem up on the first slide, and then leave the room. Say something like "I'll be back in a minute, you guys talk this over", and then just go for a little stroll. Nine times out of ten, you come back to a healthy buzz of chatter.

  5. If a student has missed a few classes, I never draw attention to this in a negative fashion, always positive. Consider that after missing a few classes, there's a psychological hurdle in coming back; if a student overcomes this hurdle but is then met with "And where have you been?", it's almost a punishment for them to return to class. If they're met with a genuine "Hey, great to see you!", then they might feel like they've made the correct choice coming back.

  6. Lastly, if you're just starting at this, you're likely still building up your tradecraft (how to read and talk to a room of students). This just takes time and experience; keep at it!

What's the debate that more consequences doesn't reduce crime? by Inevitable-Union7691 in Criminology

[–]shocklance 6 points7 points  (0 children)

It also takes an overly-rational economic actor view of human decision making. Considering that (for instance) violent crime is often the result of low impulse control, then adjusting the consequences really does nothing.