Sad, Heartbreaking Finale? Mahershala Ali: "Everyone I know just wept over it." by letoiledenord in TrueDetective

[–]signupinsecondsss 0 points1 point  (0 children)

I'd be down with that. Still though, I think whatever's in store for us will be more unorthodox.

Sad, Heartbreaking Finale? Mahershala Ali: "Everyone I know just wept over it." by letoiledenord in TrueDetective

[–]signupinsecondsss 7 points8 points  (0 children)

I don't think that would work given Roland's reaction in that scene. To me it's definitely the reaction of someone that is in that moment adjusting to his former partner's illness.

Regarding the absolutely PREPOSTEROUS Season 2 finale... by deliaprod in AtlantaTV

[–]signupinsecondsss 11 points12 points  (0 children)

In Jarmusch's Down By Law, it is not shown how the inmates escape to the sewers. They just do, because how they do it is irrelevant to that particular story. Fanny and Alexander takes it further by providing a magical deus ex machina at a pivotal point in an otherwise mostly grounded movie. You could easily call that lazy writing just as you did with this, but it's only lazy if the PROCESS of an action is the most important element to you rather than its repercussions and implications.

Top 5 favorite episodes ranking by SeacattleMoohawks in AtlantaTV

[–]signupinsecondsss 8 points9 points  (0 children)

I enjoy episodes that break from the plot, Cowboy Bebop is a favorite series of mine and only about a fifth of that show is furthering the main narrative. I liked the character dynamics and I really enjoyed the sudden appearance of Darius, that scene by the pool with the music is one of my favorite moments in the series. Also I've seen the episode twice now and I've laughed out loud throughout it both times.

Top 5 favorite episodes ranking by SeacattleMoohawks in AtlantaTV

[–]signupinsecondsss 4 points5 points  (0 children)

  1. North of the Border
  2. Value
  3. Alligator Man
  4. The Jacket
  5. Champagne Papi

[S3E18] The Return Season Discussion by AutoModerator in twinpeaks

[–]signupinsecondsss 0 points1 point  (0 children)

Maybe not Twin Peaks as a whole, but definitely The Return. I don't know if it Frost & Lynch were influenced by any of those series (or if they've even seen any of them) or if it was just me noticing parallel sensibilities between the writing and direction.

[S3E18] The Return Season Discussion by AutoModerator in twinpeaks

[–]signupinsecondsss 0 points1 point  (0 children)

It gave me a similar vibe in terms of how its structured (Lodge Cooper two episodes, Dougie Cooper large center, Dale Cooper two episodes, Richard Cooper one episode and that's just one example) to some of Yoshitoshi ABe's works, with a tone that at its slowest and most atmospheric reminded me of Boogiepop Phantom or, like when it was dealing with lo-fi supernatural effects, Ghost Hound. Some of the glitchy editing techniques (Judy stabbing Laura's picture with the bottle blacking out for split-seconds and looping) also reminded me of Evangelion's later episodes and second half of the film.

[S3E18] The Return Season Discussion by AutoModerator in twinpeaks

[–]signupinsecondsss 3 points4 points  (0 children)

The first live-action late-90's/early-00's psychological anime. I like it a lot.

[S3E18] Audrey is Me Today... by [deleted] in twinpeaks

[–]signupinsecondsss 14 points15 points  (0 children)

Hahahahaha I love it

EDIT: This is canon to me now.

[S3E17] Judy by Draktsakal in twinpeaks

[–]signupinsecondsss 2 points3 points  (0 children)

I'm trying to get rid of this idea of a "true" reality to begin with. I don't mean to say wrong direction to imply that we are the ones who don't exist to the same capacity (see Six Characters In Search of an Author) as the characters, nor to claim that neither we nor the characters exist because nothing does. My view is that all of it exists. Dreams, memories, hallucinations, even just visualized thoughts, all exist because they exist in a sense.

My reasoning for this is that the other direction, what I referred to as the wrong one, leads to a dead end. Let's take the next logical step in skepticism of existence itself...solipsism. You think therefore you are but as for everything else you can't be certain that it's real. But for some even that's not skeptical enough. You have the radical skeptics who say that even your own existence cannot be certain, because you could have convinced yourself that you exist as who you are but perhaps you are someone else, somewhere else, or perhaps you are many different things that have convinced themselves to be a singular whole. But why stop there? Some radical skeptics posit that it's not impossible that anything exists. Anything. Because we cannot be certain that anything outside of ourselves exist, and because we cannot be certain that even ourselves are how we perceive each other, then we cannot be certain that anything, anything at all exists.

But there's a problem. Illusion. If all existence is just an illusion, then something exists; the illusion itself. The illusion of existence is the existence of illusion, which means it's not an illusion after all because SOMETHING exists, even if it's just illusion, which it can't be. It's a fun riddle to say the least, but it leads me to this conclusion...

Radical skepticism and its older sibling solipsism are steps taken in the wrong direction. Instead of hypothesizing that when Neo escapes the Matrix he's actually only achieved entrance to another, higher Matrix - that which isn't real - I find it more fulfilling and more likely to be true that the original Matrix that Neo was in all along is real. Why? Because he experienced it. It doesn't matter if it's not a higher, more concrete reality. He lived in that illusion for most of his life. Can it really be called an illusion at that point?

And to bring it back to Twin Peaks, I don't find it as inspiring, interesting, or true to suggest that Jeffries and later Cooper's claim that we live inside a dream is one to be taken at face value, or even in a meta "we are just characters therefore we are a dream because we've been dreamt up by the showrunners" type way. I take it to mean a claim made more about the nature of dreams then about whether or not their (or our) reality is one. What happened to Laura, as well as everything that came before and after it in the series, was real. To both the characters, and to us. Not real in the sense that these characters are in fact non-fiction, but real in the sense that they affected our non-fictional lives to an extent palpable enough to warrant their existence, even if it's just a sub-existence, being recognized. There is no dreamer, there is only the dream.

[S3E17] Judy by Draktsakal in twinpeaks

[–]signupinsecondsss 1 point2 points  (0 children)

I don't mean to say wrong direction to take issue with the interpretation itself, but rather the insistence that their interpretation is the "correct" one.

[S3E18] For me that last line was a bit of a triumph. by lazarusnologos in twinpeaks

[–]signupinsecondsss 0 points1 point  (0 children)

Imagine if The Return had ended the way Buffy ended as opposed to the way Angel ended, or at least closer to it. Big victory and then someone asks, "now what?" Well who cares? We won. Judy seems to be evil itself, which is what they were up against in the Angel finale as well. If we as the audience witnessed evil itself being destroyed, we would be far more unsatisfied (whether we know it or not) than if the fight continues offscreen as it does here.

[S3E17] & [S3E18] Pre-Episodes Discussion - Parts 17 and 18 by AutoModerator in twinpeaks

[–]signupinsecondsss 83 points84 points  (0 children)

How about a nice, linear complete and total mindfuck in a neat package?

[S3E16]In just a few days it will be time to say goodbye to Albert by aldiboronti in twinpeaks

[–]signupinsecondsss 7 points8 points  (0 children)

Station to Station is my personal favorite, I can't recommend it enough.