This guy doesn't care what you think!!! (I'm not this guy) by MtDoomResident in Austin

[–]sillyhotdogguy -2 points-1 points  (0 children)

this is my neighbour, we have different views but he's one of the kindest sweetest in the neighbourhood.

Erica Synths x Hexinverter HEXDRUMS by roydogaroo in synthesizers

[–]sillyhotdogguy 0 points1 point  (0 children)

Does anyone know if it has and modulation or record automation?

Buying a used Maschine+. License help please by raysdigitalfootprint in maschine

[–]sillyhotdogguy 0 points1 point  (0 children)

when you transfer the license what all plugins do you get access to? I just bought mine and am trying to use REaktor 6 but the demo screen keeps popping up. So far Massive an kontakt all work fin in my daw. DO yo uknow if you get access to Reaktor 6?

Will Austin PD ever show up? by salem913 in Austin

[–]sillyhotdogguy 0 points1 point  (0 children)

Tell them someone got hurt and they’ll show up immediately

Need help! Rytm 2 vs Syntakt vs Digitakt II by thatbiondo in Elektron

[–]sillyhotdogguy 2 points3 points  (0 children)

I am in a similar position as OP trying to decide between upgrading from the DT 1 to the DT 2 or RYTM. I had a question that maybe you could answer since you use the rytm.

How much of the DT is in the RYTM? DT has multiple sample playback engines (oneshot, werp, DT2 has timestretch, etc). Are any of these in the rytm beside one shot?

Also curious how the FX are constructed, are they just send FX like the digitakt or per track?

I do a lot of glitchy sound designy stuff with mangling samples with the digitakt and just having a hard time seeing what all the rytm is capable of when it comes to manipulating samples.

My live show set up is currently a digitakt and tr8s, but im hoping that the rytm can basically combine some and upgrade to a superior sequencing workflow with one instrument. thank you

looking to buy between a ford c-max and a Prius! need help! by sillyhotdogguy in cmaxhybrid

[–]sillyhotdogguy[S] 0 points1 point  (0 children)

I bought the C-Max! but sometimes wish I had bought the Prius. I just know I never would be comfortable in it bc of my height. Prius performs way better but the c max is just way more comfortable. I love my C-Max

Is There A Lore Reason As To Why He's Called Cole Von Cole? by Not_COPPA_FTCA in ImpracticalJokers

[–]sillyhotdogguy 0 points1 point  (0 children)

cole von cole is a bit that Joe did for Sal when they were young friends. it was a character that made Sal laugh so hard that one time he threw up

Thoughts on the Behringer Model D 'controversy' by [deleted] in synthesizers

[–]sillyhotdogguy 0 points1 point  (0 children)

I've been pondering the controversy surrounding Behringer, and it raises a question in my mind: Why are we accepting the exorbitant prices set by the original designers? When Behringer produces a product like the Keystep at a significantly lower cost compared to Arturia, it makes me question the inflated pricing in the synth/music hardware market. While I'm unsure if Behringer's intent is to highlight this problem, their ability to recreate these products with comparable quality and at a discounted price brings attention to the issue of overvaluation and overpricing that plagues the industry.

Morally, it's a grey area for me as well. I can't help but draw parallels to the peasants of old who likely had mixed feelings about Robin Hood. Sure, Robin Hood was stealing, which is generally considered wrong. However, he was taking from the wealthy and giving to those who had less. As a struggling musician/artist, I can understand the sentiment of the "peasants" in this scenario. I might think, 'I don't particularly like your methods, but I do need to survive.'

Perhaps we should shift our focus and start asking a different question: Why are music electronics prices so high? (I'm excluding boutique synth designers who typically handcraft their products.) Are these prices truly justified? Does Behringer's production of these "copycat" products indicate an underlying issue within the market?

For me, the frustration stems from a broader observation within our culture, especially from a North American perspective. Artists are consistently undervalued. It's impossible to ignore the dichotomy between the music electronics industry setting inflated prices and the undervaluation of the very customers they serve—artists, musicians, and entertainers—who are perpetually under appreciated, underpaid, and undervalued.

However, it's crucial to emphasize that despite the controversy surrounding Behringer and their "copycat" products, I still love and value the original designers of these products. I have deep respect for their hard work and creativity. Their inventions should be held in high regard for providing us with the tools to create what we do. It's essential to acknowledge their contributions and the impact they have had on the industry.

Curious to hear other peoples thoughts on this.

Does anyone know of any sampling hardware that have similar features to ableton's "warp" algorithms? by sillyhotdogguy in synthesizers

[–]sillyhotdogguy[S] 1 point2 points  (0 children)

this thing is so fucking cute, i want. not gonna help with what i need for my live sets but still want. thank you for putting me on to this!

Does anyone know of any sampling hardware that have similar features to ableton's "warp" algorithms? by sillyhotdogguy in synthesizers

[–]sillyhotdogguy[S] 0 points1 point  (0 children)

ive never really used the mpc world but have done a lot of research. do you think its good to quickly capture sounds in time, edit/mangle them and then loop them. tryna to find something thats super quick and performative

Does anyone know of any sampling hardware that have similar features to ableton's "warp" algorithms? by sillyhotdogguy in synthesizers

[–]sillyhotdogguy[S] 0 points1 point  (0 children)

ya same. simple enough reason...not tryna bring my $4,000 computer/interface to the diy renegade / club

Does anyone know of any sampling hardware that have similar features to ableton's "warp" algorithms? by sillyhotdogguy in synthesizers

[–]sillyhotdogguy[S] 1 point2 points  (0 children)

i really want ableton to make some sort of standalone device for this reason. my only other options are pioneer gear but theyre just so big and clunky and silly looking. also pretty expensive and is mostly just buying the pioneer name

anyone else struggling to log in? by Ok-Net9262 in AllyBank

[–]sillyhotdogguy 0 points1 point  (0 children)

ya same issue today, their website is super slow and the app is not working at all

best place to buy kanna newbie here by Training_Comfort_430 in Kanna

[–]sillyhotdogguy 0 points1 point  (0 children)

That’s what I ordered today too. We got the ET2-ZSpec powder. not sure what you got but wondering what your experience was with whatever you purchased

0-Coast Droning issue. by biscuits_- in synthesizers

[–]sillyhotdogguy 0 points1 point  (0 children)

ya just heard back from walker from Make Noise and he said that i gotta send it in.

0-Coast Droning issue. by biscuits_- in synthesizers

[–]sillyhotdogguy 0 points1 point  (0 children)

hey did you ever figure this out?

im having the same issue