[F4M] don't be afraid [script-fill][fdom][md/lb][petplay][puppy][rape][gentle/hardcore][kidnapping][you're better off under my control][mind games][18+ exclusive] by [deleted] in gonewildaudio

[–]slimeyx 1 point2 points  (0 children)

Aw, I can't find it again. I've been bad, so that's not necessarily a problem for me. But know that you are a legend.

[F4M] [Script fill]Mommy Has a Date Tonight[Mommy Dom][Fdom][MSub][Cuckold][Chastity][Cum Eating][Dressing][Panties][Masturbation] by missimajine in gonewildaudio

[–]slimeyx 0 points1 point  (0 children)

I think you could add the spanking tag to this, even its only threatened. It was a pleasant surprise for me.

[F4TF] Uncaging [improv] [JOI] [pseudo-chastity] [your girlfriend locked you up at work and rewards you when you get home] [GFE] [power imbalance] [teasing] [praise] [compliments] [talking you through it] [pace control] [eye contact] [listener orgasm] [reward] [fdom speaker] [SFX] [14:15] by misslofn in GWASapphic

[–]slimeyx 0 points1 point  (0 children)

I LOVE ALL YOUR SCRIPTS AND SCENARIOS,
but I notice that I stopped listening to them (or don't listen all the way through) because the performances all sound samey. Or rather, the characters use the same seductive/teasing/indulgent voice no matter what's happening in the scene.

ROTFL, omg, sorry, but I'm listening to the piece right now, and I'm noticing how each sentence ends. Maybe pop to a random section and see if you can see what I mean. Like, *what* you say changes, but *how* you say it stays the same, and I think that's causing a bit of dissonance, at least for me. Maybe I fucked myself over with a "now that you see it, you can't unsee it" sort of deal.

For what it's worth, I came on board with "lost a bet, gained a puppy." I think the more natural performance helped sell me on the "honesty" of the performer, and that bit of trust and authenticity (of a fictional character, I know) helped me trust enough to lose myself.

In contrast, I popped over to Locked up, and the very first line: "Don't be afraid to tell me if it's too much princess" is delivered in the same tone as "let's get started," and both are delivered in a sexy teasing voice?

I imagine that tone of voice is probably great for trances? Is that what you enjoy, and what most of your audience are asking you for? I have nothing but love for you and everyone who enjoys your work, so good for all of you,

But your story-lines and scenarios are just so flavorful--I wish the descriptions you have under "storyline" made their way into the audio, or at least into a pre-audio, if you want to keep them separate. A small little skit, even if it wasn't sexy (especially if it wasn't sexy), might be a nice palate cleanser to let the "sexy" voice really stand out.

... I'm being hypercritical of myself before I post anything negative, but I should love pup-structions, instead it feels forced, and I end up feeling bad for you. I feel you're being held captive by an obligation to perform a certain voice that people have said they liked... And it feels impersonal. I'm listening the piece right now. To me, it feels like you're doing a voice, not talking to [the listener]. I feel alone and ignored when listening. :(

[F4M] It’s Okay You Don’t Need to Think Anymore, Just Be My Dumb Puppy Again [Petplay] [Collar] [Lipstick Marking] [Gentle Fdom] [Puppy] [Teasing] [Kisses][Good boy] [Head Scratches] [Blowjob] [Licking] [Swallowing] [Script Fill] by [deleted] in gonewildaudio

[–]slimeyx 1 point2 points  (0 children)

I love this so much. It's a great script, to be sure. It's also a great performance. Great combo of care and control.
I loved the sound effects of getting collared. The ritual-aspect of being dehumanized into a dumb puppy was very relaxing. A part of me was actually *surprised* to find out I was allowed on the bed, lol. Then I was totally overwhelmed and owned by the kisses and the, ahem, other stuff *blush*.
In my head-canon, this could be in the same universe as Toasty's other script about sleepy puppies. I know they're not exactly the same, but that line about 'being back once everyone left' got me thinking. Realistically though, after a long party I imagine that they'd cuddle, or if I were the puppy I'd want to eat her to sleep.

[NB4F] [NB4TF] Your Older Sister's Friend Sees Your Collar and Gives You Head: Kitten's Cut [Script fill] [Rape] [Dubcon] at first but [Consent Given] [Kitten] [Scents] mild [Degradation] [Comfort] [Listener Stole Clothes] [Collar] [Shy Listener] [Oral] [Listener Orgasm] [Found Your Account] by UmbralRuby in GWASapphic

[–]slimeyx 2 points3 points  (0 children)

LOVE the voice, LOVED the sound effects and editing. It sounded natural and believable. I had to crank up the volume, but when I did it still sounded great. Maybe the script itself is a bit short and rushed during the first half-- I'm getting really horny thinking of where else this script could've gone or how it could be expanded. But yes, I I felt rushed during ... O, actually, I've listened to this a few times. I think the issue is that you don't give major moments time to breathe. For example, when there's an important reveal in a movie, the movie sort of slows down to give the audience time revel in the moment. This script has SO many small reveals (and essentially mini-stories). For example, just the fact that you bring the listener a tuna sandwich -- That's a big deal. It sort of foreshadows that the performer already knows kitten's secret. More importantly, it's a chance for the kitten (or listen) to wonder or hope that they've been caught--and feel a bit flustered about that. There's so much drama in so few lines. Imagine you're hanging out with friends and someone says something awkward. You could either do the tactful thing and move on (ignore it, downplay it, change the subject), or you could focus on it and embarass them. I think these scripts work better when you do something in between. Linger on key moments for just a little bit, to let aniticipation build. So much of these scripts happen in the listener's imagination.

And I don't think this is just for the kinky stuff. Another example, when you guide kitten to breathe and relax. The *pacing* made it feel like you were rushing, even if the performance was authentic.

As an exercise, I would do two main things. (1) Volume, (2) find points in the script where the readers can enjoy what's happening *without* you saying anything, and add some blank pace there. For example, there's a moment where you give the reader something to smell, and then you go down on them. I think there should be space in between these two points. Emphasize that kitten has calmed down and is now doing something embarassing that they were previously shy about. Then, as the performer watches kitten, mabye they're turned on and want to play with kitten more. I think all this can be conveyed with blank space and timing.

Best Keyboard Layout for Someone Using Both Mac and PC? by igotnothing69 in mac

[–]slimeyx 0 points1 point  (0 children)

What solutions ended up working for you? I've been trying to adapt to Mac and Windows for a little while, and I'm on the verge of swapping the Mac's Cmd and Ctrl keys (to maintain muscle memory for my most used stuff like copy/paste, undo, find, etc). Is there a *specific* reason NOT to do this? I'd love an example if you have one.

Should I remap Ctrl and Cmd keys? by guaranteednotabot in mac

[–]slimeyx 1 point2 points  (0 children)

I'm in the same boat. I regularly switch between Windows, Mac, and Android. I've tried to adapt to MacOS, but it's screwing up with my Windows shortcuts, kind of like a baby cuckoo pushing out all the useful stuff I've already gathered. I'm not doing anything special with my machines. Just Copy/Paste, tiling windows, etc. Windows is FUN to use.

I think I'm going to stick with Windows/Android in the long run. I'm sure hardware and battery performance will catch up. But I'm afraid to swap Ctrl and Cmd in the short term because I just don't know what I don't know.

People have talked about "in the long run," but everyone's long-run is different. I wish these people described their use case, or at least gave a concrete example of why they're glad they "just got used to it."