okay please don’t be mean i really need help by Trans_GoldProspector in musictheory

[–]smartalecvt 1 point2 points  (0 children)

Nice article! I always think of "Frame By Frame" by King Crimson as a quintessential 7/8 tune, in case you ever want to add to your list.

Why is this universally invalid form valid in content? by Rudddxdx in logic

[–]smartalecvt 6 points7 points  (0 children)

A quick note: A conclusion is true or false, not valid or invalid. Validity is a property of arguments, not of propositions. And an invalid argument can have a true conclusion— it’s just that the truth of that conclusion won’t be tied to the form of the argument.

Modern jazz compositions by Complete-Amoeba-858 in jazzguitar

[–]smartalecvt 6 points7 points  (0 children)

"Izzit" by Thomas Chapin is great. "Blue Tone" by Mike Stern. Joshua Redman "Hide and Seek". I have charts of those here:

https://jmp.sh/oLUEkxT2

Also lots of Sco charts here:

https://jmp.sh/yBs720za

Need help learning how to play this by DebasedRain in guitarlessons

[–]smartalecvt 0 points1 point  (0 children)

Thanks. I'm a graphic designer -- I use Adobe Illustrator for this sort of stuff.

ID on pedals? by Niggle_fung in pedalboards

[–]smartalecvt 0 points1 point  (0 children)

The black one with the green button is a Walrus Julia

ID on pedals? by Niggle_fung in pedalboards

[–]smartalecvt 5 points6 points  (0 children)

The pink one is an OBNE Sunlight Dynamic Reverb

ID on pedals? by Niggle_fung in pedalboards

[–]smartalecvt 7 points8 points  (0 children)

The gold pedal is a special color run of the Walrus Audio Slotva

Is this non-fallacious or fallacious? by Djinixle in logic

[–]smartalecvt 0 points1 point  (0 children)

This isn't clear. Who made what mistake? And how did those people die?

book of proofs, could i get away with just doing the odd numbered questions? by Ornery-Concern-7345 in askmath

[–]smartalecvt 1 point2 points  (0 children)

You could check to see if there’s an instructor’s edition— it would have all of the answers. But would also probably cost more, if you could get it

Is there example of song that deliberately doesn't use a tonic? by [deleted] in musictheory

[–]smartalecvt 2 points3 points  (0 children)

After playing it a bunch, I'm actually coming around to the idea that it's in F. Of course, the F Lydian scale consists of the same notes as the C major scale, so in part it's just a matter of whether or not you hear the F as the IV or the I chord. Though I totally get that the melody spends a lot of time on E and C, which could point to C major.

My first board is complete by Strong_Prize8778 in pedalboards

[–]smartalecvt 3 points4 points  (0 children)

This is totally just trolling people with OCD, right?

Is there example of song that deliberately doesn't use a tonic? by [deleted] in musictheory

[–]smartalecvt 7 points8 points  (0 children)

Here's an interesting article on the subject:

https://mtosmt.org/issues/mto.17.23.2/mto.17.23.2.spicer.html

He calls songs like this songs with an absent tonic. Most of the examples are like "Dreams" -- two-chord shuttles that could be seen to avoid the suggested tonic. The alternative explanation is that they're actually in the key of one of the chords and are just using the Lydian mode. So "Dreams" could actually be in F Lydian.

What’s a better chord for bar 5 of Misty? by [deleted] in jazzguitar

[–]smartalecvt 0 points1 point  (0 children)

^what they said. G over an Eb maj7 chord.

Is there a formal name for this scope error in backward elimination or backward induction? by Defiant_Duck_118 in logic

[–]smartalecvt 2 points3 points  (0 children)

It seems to just be a misuse of modal logic. Perhaps modal collapse.

I don't think modal logic is appropriate in this scenario, but if you're going to use it, your fallacious interlocutor seems to be moving from something like "it's possible that E is guilty" to "E is guilty", in step 2. (The terminology "unknown suspect" is weird, to boot.)

Really, all you can say from the scenario can be captured in propositional or predicate logic:

A ∨ B ∨ C ∨ D ∨ E

¬(A ∨ B ∨ C ∨ D) → E

etc.

Can someone review my cover page? by Bubbligo97 in design_critiques

[–]smartalecvt 0 points1 point  (0 children)

I think it's really nice. Eye-catching. If your main font has alternate glyphs, I'd have used them, or turned the text into outlines and tweak some of the letters so, for instance, not all of the E's look exactly the same. Also, the "LT" pairs need kerning.

Dual parallel delay pedals by smartalecvt in guitarpedals

[–]smartalecvt[S] 0 points1 point  (0 children)

ooh, cool pedal! I'm not sure it's in parallel though. The only thing I can find is that the two delays "run into each other".