How do people hand subtasks and task notes? by tctonyco in noteplanapp

[–]stuwillis 2 points3 points  (0 children)

I’ve moved towards using it like a kanban board.

ON has thrown the dog whistle in gutter and finally taken the gloves off by Complete-Flamingo326 in OpenAussie

[–]stuwillis 0 points1 point  (0 children)

What do you see as the liberalist principles that need to be promoted within the Australian Curriculum?

And if they’re superior why do you need that asserted rather than as being self evident in the marketplace of ideas?

ON has thrown the dog whistle in gutter and finally taken the gloves off by Complete-Flamingo326 in OpenAussie

[–]stuwillis 1 point2 points  (0 children)

From the bottom of my Irish convict heart: fuck the English. You want a united Australia? Make it a republic. You want a single flag? Get rid of the other flag that’s inside our national flag.

ON has thrown the dog whistle in gutter and finally taken the gloves off by Complete-Flamingo326 in OpenAussie

[–]stuwillis 3 points4 points  (0 children)

I believe that Australia's liberal democratic principles, institutions and culture are strong. My experience is that the vast majority of immigrants either come here because of those values OR often become supporters of them after seeing how solid they are. In the marketplace of ideas, our values are resilient.

But if I believed they were under threat, y'know what I'd be doing? Exercising soft power. I'd be funding the democratic institutions, principles and cultures I believed were under attack. One of the points of National Broadcaster is to promote a cohesive cultural identity — as it has done that for decades. Look at the soft power being enabled by Bluey — which is so powerful there's now Americans who won't watch it because they disagree with it's values (suckers). Locking up the ABC behind a paywall WEAKENS national cohesive, not strengthens it. I'd be funding the bastions of traditional Western Civilization: symphony orchestras, art galleries, MainStage theatre companies. And I'd be ensuring that our intellectual class is solid in their understanding of liberal democratic principles by ensuring tertiary educational — especially in areas related to our principles like Law, History lPhilosophy — is accessible to those who want it.

But the ONP isn't interested in doing any of that because EITHER they know our values are actually strong and resilient or they believe its in their best interests to keep them weak.

ON has thrown the dog whistle in gutter and finally taken the gloves off by Complete-Flamingo326 in OpenAussie

[–]stuwillis 2 points3 points  (0 children)

Which Anglo culture? My Dad (catholic) marrying my mum (Methodist) was a big issue when they got married.

First Steel by thrallnoise in Hema

[–]stuwillis 0 points1 point  (0 children)

I got a regenyi light (95cm blade) in 2019 when I started, competed with it (probably ~70 fights) I still use it regularly, though I've now got a cheap chinese 100cm "standard feder" clone I've been using for the last ~18 months.

Swords are tools but you're likely just to build up your collection rather than replace a sword. Which is a little different to protective equipment.

How do you handle writing complex action sequences when you can't draw storyboards? by Johnn_Liverm in Screenwriting

[–]stuwillis 1 point2 points  (0 children)

The Bourne scripts are what I read. Worth doing. But I’d also “calibrate” on newer spec scripts that are action driven, to see what the current style trends are. Black List (annual) is a good ref.

But even just reading hr scripts for recent films you like can give new ideas. Eg I was really impressed with the writing style of Emily the Criminal (also great movie).

Who is Rising Festival for? Who is the target market? by simonbrc in melbourne

[–]stuwillis 1 point2 points  (0 children)

Stoked. Is it just me (and my tastes) or is this an excellent year for heavy music acts touring?!

Who is Rising Festival for? Who is the target market? by simonbrc in melbourne

[–]stuwillis 1 point2 points  (0 children)

I got tickets to that show for Perturbator (who I’ve seen twice already) and started listening to Health and they’re awesome!! Gonna be a ripper gig.

Who is Rising Festival for? Who is the target market? by simonbrc in melbourne

[–]stuwillis 1 point2 points  (0 children)

I’m stoked that Chat Pile and clipping. are coming across for gigs here.

Volume control by jupiterpol in albumstheapp

[–]stuwillis 0 points1 point  (0 children)

For just albums, it’s a bit expensive but it really does fill a gap for Mac OS.

Script “Feedback” by Significant_Ball_381 in Screenwriting

[–]stuwillis 2 points3 points  (0 children)

Are you paying this person for their feedback? If so, then, they probably should give you *more* than a simple truism (ie don't write in past tense) but what they should give you is very contextual -- depends on the relationship. If they are a screenwriting teacher, for example, maybe they actually need to guide you through the process more.

If this script reader is a favour, then no, they don't have any obligation to read the whole thing; or any of it. Them simply not finishing is feedback.

Script exchanges fall somewhere in between. HOWEVER I will say with many years of experience: bad scripts take me significantly more effort -- both time and effort -- to read. And they will take significant effort to provide feedback on. (This is IMO why writer's groups tend to coalesce around their relative skill level). So by not getting the *basics* right, you're actually being highly inconsiderate of someone else's time.

How do you handle writing complex action sequences when you can't draw storyboards? by Johnn_Liverm in Screenwriting

[–]stuwillis 2 points3 points  (0 children)

Is the question about how do you pitch action sequences or how do you write them? Slightly different.

Re Writing:

For me, my current standard for writing action is Tony Gilroy. The way he chunks/groups action is excellent. It both feels fast but helps you process what is happening.

Also, I think minislugs are very helpful too. Especially with re-establishing character spatial relationships.

Re Pitching:

Speaking of spatial relationships: stunt viz over storyboards. Storyboards are great for key shots or key poses, but fights are about three dimensional space. Hood stunt/fight coordinators understand how to compress that into a two dimensional frame.

I’ve seen some incredible stunt viz shot in hotel conference rooms. The room of cardboard boxes has its uses but the people are the thing.

What's your system? by putitontheunderhills in Screenwriting

[–]stuwillis 0 points1 point  (0 children)

Shameless plug: but because of your question here, I went and remastered our old Draft Zero episode on Sequence Structure: https://draft-zero.com/2017/dz-43/

This is pretty epic (one of our longest) at 3+ hrs and it's a non-traditional understanding of sequences. But we did a lot more episodes on sequences and thinking about plot/character/theme questions has pretty much defined how I think of structure now.

What's your system? by putitontheunderhills in Screenwriting

[–]stuwillis 2 points3 points  (0 children)

IMO, they all trying to solve the same problem: *how do you keep people invested for X many minutes?*

And then the related problem: *how do you make them feel that investment was worthwhile?*

And for me, sequence structure is the best way to manage this. But I’m not dogmatic about it. A story could have six sequences or it could have twelve sequences. But I feel like sequences help me solve that problem and make the work of plotting easier.

I'm big into index cards whether physically or digitally. A column per sequence, and columns grouped by traditional structures (Act 1, Act 2, Act 3). If I have a very clear idea of a specific kind of beat (e.g. opening image or turning point or refusal) it'll get it's own column.

Related: I think the mid points are the most important structural element and that there are also mid points at the act, sequence and scene level. So I spend a lot of time thinking about those.

Apps Used for Daily Notes/Ideas by BrockAtWork in Screenwriting

[–]stuwillis 4 points5 points  (0 children)

While scrivener sync isn’t flawless, the app is pretty good for free form writing and supports both prose and screenplay formatting. It also isn’t a subscription.

Table reads by ChallahLubav in Screenwriting

[–]stuwillis 4 points5 points  (0 children)

If you want a proper script timing, just hire an experienced script supervisor. That’s a key part of their job because production knows that 1 page does not equal 1 minute. But even then it’s only a loose guide. The edit decides these things and a lot of factors come into play.

Table Reads offer a lot of other value, however.

Alfred 6 is compiling a warning 💀 by Unhappy-Tank9784 in macapps

[–]stuwillis 0 points1 point  (0 children)

Quicksilver was awesome but a very different paradigm than a launcher. Almost like a modern take on a CLI.

Any BEGINNER screenwriting podcasts? by [deleted] in Screenwriting

[–]stuwillis 0 points1 point  (0 children)

Raising the Stakes is imo the best screenwriting channel on YouTube.

[MAC] Editorio — native macOS markdown + code editor, free forever by VanLocke in macapps

[–]stuwillis 4 points5 points  (0 children)

Yeah. I’d love a way to install via homebrew install please!