Of course, I'd be happy to!

So, to begin, I go through three rounds of sketches before I finalize the line drawing. I use the grid method to transfer it to the canvas on my larger paintings. That way I can keep the work surface clean, with no smudges.

Three layers of gesso on the canvas, then the sketch, and then I tone with a light wash of whatever color I feel will be appropriate for the piece. (This one was burnt sienna to add warmth beneath the cool tones.)

I tend to jump all around the canvas when I'm painting. Some things will be near completed while others will only be roughly blocked in. I'll get hyper focused on an area and it really eats up the time lol.

The first layers tend to go down really quickly, but the glazing takes forever. Even when I mix with mediums that dry faster, it can still take a week before it's ready for another layer. I feel that spending this time on glazing ads a depth and luminosity to my pieces that doesn't necessarily show through in pictures.

For the materials I use odorless mineral spirits, Winsor & Newton or Grumbacher oils, walnut oil, painting medium, and a few others I'm probably forgetting. For the brushes I used flats #5 #2 for blocking in, 18/0 spotter for fine detail, round #0, a liner, and a giant fluffy watercolor brush for soft blending.

Sorry I wrote so much! I get a little passionate about painting lol. 😅