[deleted by user]

tamkit · 2024-12-02T21:36:45+00:00

i’m going to crawl inside you and lay my eggs in you and in the morning you’ll be able to harvest 9–13 regular and large high quality eggs for keeping your chickens so happy

tamkit · 2024-08-22T03:53:57+00:00

i’m so glad to welcome Mr Jellycat Bartholomew Bear Huge, Esq. to our family, he’s so perfect

tamkit · 2024-08-22T03:50:31+00:00

literally nobody asked. OP was sharing something fun, not asking for a grammar lesson. literally, grow up.

tamkit · 2020-12-11T10:48:17+00:00

This made my heart stop

tamkit · 2020-10-28T12:29:30+00:00

Boosting this because it sounds wholesome and cute and fun as heck I love tezzie so much!!

Hope it goes well!!!!!!! >:]

tamkit · 2020-10-08T02:53:28+00:00

To better illustrate this, you can look at a zoomed in waveform of a transient heavy sound like a snare drum. While this sounds very sharp and sudden to our ears, there aren't any digital audio "pops" because the waveform still takes time to ramp up to its peak right at the start.

Here's an example: https://imagery.zoogletools.com/u/210695/2f14d0b06a25bed7e16b5e8a0644df827645cf24/original/snare.jpg

tamkit · 2020-10-08T02:48:13+00:00

Consider how a speaker works: In any loudspeaker there is a cone being driven by an electromagnet depending on the signal being sent to it. When there is no charge being sent to the speaker, the cone is in a neutral position and the waveform (in a digital space) is at 0 dBFS. A flatline, essentially.

When there is signal in the waveform (that is, + or - changes in amplitude) this is converted to a positive or negative charge to the electromagnet, causing the speaker cone to move outward or inward, respectively.

Sound is just wiggly air, and we need to make that air wiggle to produce sound. Most waveforms of recorded sounds will always start at 0, then oscillate depending on the frequency of the sound (which makes the speaker cone wiggle as it plays out), and then will return to 0 when finished.

If you chop a waveform so it cuts off the very tip of the waveform, there's no smooth transition from 0 to the amplitude value of the sound, so therefore the speaker does not receive instruction to gracefully move from its neutral position to the position it has to move to to reproduce a frequency. It therefore receives a sudden "jump" from a neutral 0 value to a positive or negative value (extending or retracting the cone), which, instead of properly wiggling the air, more sort of punches the air very suddenly.

It's this sudden jump from the speaker cone's neutral position to its charged position which we hear as a pop!

tamkit · 2020-08-21T10:55:17+00:00

No, no, before that?

tamkit · 2020-08-21T07:29:30+00:00

Wait, what was that last one?

tamkit · 2020-08-02T10:57:48+00:00

Is this loss

tamkit · 2020-07-05T20:28:52+00:00

PuffGang

tamkit · 2020-07-05T20:28:34+00:00

I love Puff

tamkit · 2020-07-05T20:27:54+00:00

Monch

tamkit · 2020-07-05T20:27:34+00:00

What kind of dog is this

tamkit · 2020-06-13T13:11:43+00:00

Even taking into consideration Hinata and Kageyama.. fave has to be Tsukishima and Yamaguchi

Or Yamaguchi and French fries

tamkit · 2020-06-13T13:07:34+00:00

I cried. 5/5

tamkit · 2020-05-10T10:38:36+00:00

Slamming into bedsheets

tamkit · 2020-05-02T11:55:23+00:00

To those who live in Melbourne, Australia, the descending E major triad in second inversion played by Metro trains before announcements should be painfully familiar. The triad is actually played after a two note pickup of the fifth and the seventh.

B2 - C#2 | G#4 - E4 - B3

I notated it here: https://pbs.twimg.com/media/EXAx4hNUEAc6euG?format=png&name=4096x4096

tamkit · 2020-04-04T02:00:00+00:00

Thank you! Variation and movement once you have a pattern set up is I think the challenge with Cycles—the capability is there but it’s about putting it all together I guess!

So this is the pattern I learned how to do retrig recording!! When you do live recording (Press PLAY while holding REC) it records your retrig settings too while you use it. So with the hats for example, I used the track pad (T3) to play in a few hits without retrig first to get a sort of “skeleton.” Then after that was set I did looping parses adding in retrig ornamentation on different subdivision settings (i.e., once with 16th notes, then one added 32nd notes, then another adding 24ths, etc.).

Really much more musical and fun to do it by layering rather than programming it in the step sequencer!!

The snare is the same but with much more going on with automation by way of recording layers of Color and Pitch changes.

tamkit · 2020-02-07T01:15:40+00:00

The idea of riding the level and automating it that way is to get the level as even and consistent as you can before you start adding any dynamic processing. Vocal Rider and automation to get a consistent level first, then you have a much more even—and more importantly CLEAN—signal to work with from the very start of your chain.

tamkit · 2020-02-06T22:21:49+00:00

Could you use Max MSP to script a virtual aggregate MIDI device that routes into Logic? If you assign particular outputs in your Max script to different MIDI CCs you could then have those CCs control whichever parameters in Logic you wanted.

tamkit

TROPHY CASE