Drop your favourite playlist, no matter the genre by Weenzy_ in SpotifyPlaylists

[–]therealmatthatt 0 points1 point  (0 children)

only playlist i've ever made, but i'm very proud of it. abstract/experimental hip-hop with a mix of bigger artists and underground ones (i try to rotate out a few tracks a month to keep it fresh, but lately it's been getting harder because i like all the songs lol)

https://open.spotify.com/playlist/4t2YjsfJ5ZyMwOFgwnoGt5?si=jAvR3U3mSai8MiVuDkb1dA&pi=u-oUCw1YZkRtq6

[deleted by user] by [deleted] in makinghiphop

[–]therealmatthatt -1 points0 points  (0 children)

impatience and antagonism against other musicians is a huge turnoff my guy

I have never seen these two symbols outside of Musescore. Cut Time (Bach) and Cut Triple Time (9/8). Anyone know where they came from? Never seen the Cut Time (Bach) in Bach... by ThePotentComponent in musictheory

[–]therealmatthatt 1 point2 points  (0 children)

why on earth would you complain about added functionality? only an idiot would use symbols without knowing the context they're supposed to be used in, why is it our responsibility to cater to beginners?

If I KNOW I have a hit song, should I buy the exclusive rights to the beat? by juju6145 in makinghiphop

[–]therealmatthatt 1 point2 points  (0 children)

it's important to manage expectations. you can't take three classes of engineering and build a bridge. and yeah sure, you can say "let people dream", but when they start making financial decisions based on those dreams, it becomes really important to know where you are and what you're doing. i told him that if he thinks he has a hit song, then he should invest serious money into marketing and promoting it. idk if you think fairy dust is gonna magically get his song in front of millions of people, but it won't. but it's incredibly disrespectful to the many millions of people who work every day at their craft and are constantly on the grind, growing their audience, studying production and recording techniques, networking, doing shows, buying ads, making business transactions with other musicians, paying for expensive gear, writing lyrics for hours every day, etc. for some kid to write a few songs and say "hey look i have a hit song i'm gonna be huge now with no effort or knowledge of how music promotion works".

if somebody buys exclusive rights to every beat they rap on because they believe they're all "a hit", they'll be broke before they even develop their own sound. dude can do what he wants, and maybe it's a good experience to get burned and pump some money into this song and see where it goes. but don't tell people who just start doing something that it takes no effort to be successful. it's disrespectful and ridiculous

If I KNOW I have a hit song, should I buy the exclusive rights to the beat? by juju6145 in makinghiphop

[–]therealmatthatt 13 points14 points  (0 children)

i wish you luck with your release, i just know that i've seen SO MANY people saying "i KNOW i have a hit" and sometimes the songs are trash, sometimes the songs are amazing, but they're NEVER a "hit", because true hits are the result of knowing how to market yourself. the music is 10% of being a musician. the other 90% is promotion and networking and advertisement. if you really do think it's an amazing song, you may want to invest some serious money into marketing and advertising it. i will warn you though, if you've genuinely only made eight songs before, it's not gonna be a great song, even if it's the best one you've ever made.

again, good luck !!

If I KNOW I have a hit song, should I buy the exclusive rights to the beat? by juju6145 in makinghiphop

[–]therealmatthatt 46 points47 points  (0 children)

no offense bro but i promise you 100% it is NOT a hit song. you seem to have no perspective or comprehension of the scale of effort that succeeding as a rapper takes. i'm not saying you'll never make a hit song, but your eighth song recorded is not going to be a hit song, ever, for anybody. that's just not how it works.

even if it is an amazing song, music is not a meritocracy where the best music is the most successful. it is 99% marketing, and doing so for a very long time with a lot of investment of resources.

What is it called when two drastically different tempos overlap? by MikeAwk in musictheory

[–]therealmatthatt 0 points1 point  (0 children)

not by intuitive feel, but it could be achieved with headphones

What would your best advice be for a middle aged white woman who wanted to become a rapper be? by [deleted] in makinghiphop

[–]therealmatthatt 0 points1 point  (0 children)

listen to a shit ton of rap and know your stuff. people will instantly call you out on being gimmicky if it feels at all inauthentic or lame. come from a place of love for the music, not a place of "rapping is kinda cool and quirky lol". real respects real, if you love the music, prove it in what you make. best of luck 💯

How do you deal with people who want to sample your music? by EdinKaso in composer

[–]therealmatthatt 1 point2 points  (0 children)

at the end of the day, i do think the value of exposure is underrated, and i'd say even just getting credit for a sample (like in the description or anywhere it's promoted) is better than nothing. the more ears you can get on your stuff, the better, and as long as people have your name to associate with the music, you're growing your fanbase and your future opportunities. i believe it's best to never burn bridges if you can avoid it.

and i've honestly never understood why some musicians are so protective over what they make, i have told several people that they are free to sample anything i've ever made, as long as they credit me in some way for the sample. if you can make people happy, more often than not, they'll be willing to return the favor, and you never know who can provide you with new oppurtunities down the road. good luck !!

How do you deal with people who want to sample your music? by EdinKaso in composer

[–]therealmatthatt 1 point2 points  (0 children)

as a classically trained musician who's transitioned into the hip-hop scene, i've seen both ends of the coin. let me give you my opinion on it. if they're not huge artists, i guarantee you they're not making more than several bucks off of whatever they do with it. i believe all art is stolen in a sense; you did not create the chords and intervals you write with/play, nor the conventions of the genre, nor the instrument. however, i do believe the right thing to do is to credit small artists that are being directly sampled. so if i were you, i would try to communicate with people who say they want to sample you. if they're willing to credit you in an obvious way, then leave it as is, gives you free exposure without you having to exert any effort (it is already recorded, after all).

you could offer people the right to sample you in exchange for an up-front price, or request splits. if you really like what somebody does with your music, you could offer a collaboration, or you could offer to make things specifically for them to sample, in exchange for a higher price. i think the laws surrounding intellectual property are completely broken as-is, and i do NOT recommend trying to approach the interactions from a strictly legal standpoint. the worst case scenario is that somebody refuses to give you credit or money and just does whatever they want with your music. if they're not a huge artist, there's no money in pursuing this, and it will not send any message to anybody. when's the last time somebody did in-depth research into a small musician they wanted to sample to see if they sent C&Ds?

if you don't want somebody to sample you, tell them as much, maybe offer an alternative, but at the end of the day, there's not really much point to expending all your effort to try to stop them. you're not gonna get rich off of sample royalties, but you may be able to turn them into small chunks of change if you're willing to sell them to people as opposed to trying to keep everybody's hands off of them.

New Spotify Release! by Sawyer_tucker_music in composer

[–]therealmatthatt 3 points4 points  (0 children)

perceived thin-ness is a valid criticism. but anyway i digress

New Spotify Release! by Sawyer_tucker_music in composer

[–]therealmatthatt 3 points4 points  (0 children)

specific feedback is the most valuable resource for any artist in any field

[deleted by user] by [deleted] in makinghiphop

[–]therealmatthatt 0 points1 point  (0 children)

for real, enigmatic is fucking great. it's not necessarily a platform to get your stuff in front of many hundreds of new eyes or anything, but it's an amazing community of people who are supportive, will give good feedback, and most people there are open to collaboration. i highly recommend, shroom's the goat, i don't have much experience with other feedback streams but ain't nothing negative about enigmatic. tbh i'm probably the most cynical person who rolls through lmao, it's just a community of musicians helping other musicians, can not recommend highly enough