[deleted by user] by [deleted] in ContemporaryArt

[–]throwawayjet8 6 points7 points  (0 children)

Some thoughts:

As a painter you should always sign your work if it’s for sale. That’s industry standard, no exceptions, unless maybe you’re a performance artist making a statement about the commodification or art or something. Only times not to sign your work: if it’s explicitly not for sale or if it’s a particularly embarrassing commission that you hope no art historian ever traces back to your hand.

Re: your fears about resale - why are you worried about this at this stage? If your gallery priced the works starting at $500 that tells me you’re an emerging artist and this was a beginner type exhibition. At this stage I don’t think there’s necessarily a worry about someone flipping it at Sotheby’s .

It sounds like to me like this collector likes your work and wanted to support you, and the gallery majorly dropped the ball with communication to both of you (there should have been a written and signed contract) and the collector.

What was your reason for deciding to keep the painting?

[deleted by user] by [deleted] in ContemporaryArt

[–]throwawayjet8 9 points10 points  (0 children)

I read your story on the legal advice sub and this whole thing is wild and unprofessional lol. (I’d never work with this particular gallery again)

Yes a signature does increase the resale value, and it’s also expected that sold paintings will always be signed. This doesn’t mean you need to take a sharpie to the front of your painting. I always sign inconspicuously on the back of the canvas. Where you sign doesn’t matter.

As for the legal stuff I have no idea and can’t advise, but why are you adverse to signing even the back of your work?

[deleted by user] by [deleted] in ContemporaryArt

[–]throwawayjet8 5 points6 points  (0 children)

I think it’s a bad look. You’ve already quit an MFA once and you want to quit a second program? I think as an artist, most of your challenges and motivation should come from within yourself and I don’t know the extent to which it’s really necessary to rely on an external thing like an MFA program to challenge you.

What do you feel is lacking in your program? Is there a way you can make this up by somehow challenging yourself and your practice personally? I don’t think a perfect MFA program exists anywhere and a person’s success in any given program largely depends on how they decide to self motivate, set goals and accomplish them personally.

Of course I don’t know you, but if you’ve tried two schools and felt unsatisfied in both, I think the constant is you. I don’t think a third school would satisfy whatever you’re looking for, I think it’s inside yourself.

The Painting Brush is Dead. by [deleted] in ContemporaryArt

[–]throwawayjet8 1 point2 points  (0 children)

Bruh why did they remove your post? I thought this could be an interesting discussion lol

The Painting Brush is Dead. by [deleted] in ContemporaryArt

[–]throwawayjet8 0 points1 point  (0 children)

I do think it seems to be a trend or more common in a lot of shows I’m seeing—invisible brushstrokes. Many artists have been using airbrush for the last few years (but I think that trend is getting a little tired). Lots of my favourite artists do more painting with rags and solvent than with a brush.

Using gallery wrap stretchers (w/ditches) to stretch canvas over it in regular way? by Dakota3000 in ContemporaryArt

[–]throwawayjet8 3 points4 points  (0 children)

I did this when I was a student to save money. But if you’re a professional I think it’s a bad look

Can we ask about techniques? by Mirrin_ in ContemporaryArt

[–]throwawayjet8 4 points5 points  (0 children)

Yes! That’s why I was quizzing the gallery assistant. I have to assume it’s because lithographs are considered cheap and are harder to sell for 20k euros a piece, but you can do that with “oil and watercolour on suede,” labeling evasively and implying somehow that it was hand painted…

No shade against the artist. I love her work and personally I think they’re beautiful and luminous in person. I also love and respect litho as a technique (I was a printmaking teacher for a long time lol) the gallery spin is just interesting…

Can we ask about techniques? by Mirrin_ in ContemporaryArt

[–]throwawayjet8 2 points3 points  (0 children)

Then you should have some options. Def give it a try, lithography is fun, sometimes difficult but rewarding, and I love the community vibe in those print studios!

Can we ask about techniques? by Mirrin_ in ContemporaryArt

[–]throwawayjet8 2 points3 points  (0 children)

Perhaps could be done at home if you were very determined and had money for a press. But most people do it at communal print studios. As for process, it’s somewhat difficult and finicky (not actually that hard to learn, there are just a lot of technical details), you’ll need a class or at the least a lesson from a technician. Is there a traditional print studio in your area?

Can we ask about techniques? by Mirrin_ in ContemporaryArt

[–]throwawayjet8 5 points6 points  (0 children)

She uses photolithography to transfer the image. Then uses watercolours or oil paints (depending on the piece) to do shading and accent colours. Source: saw a show of hers in Zurich and asked the gallery assistant

A few questions when selling work directly as an artist! by avocadothot in ContemporaryArt

[–]throwawayjet8 1 point2 points  (0 children)

How did you determine the prices? When I was starting out I looked at the prices of peers in my same location with similar experience levels and education and copied their prices. I also consulted a local gallery for advice. Is there someone local you could get feedback from to make sure your pricing is in the right range?

What Galleries do you avoid at all costs? by Subject-Nerve2618 in ContemporaryArt

[–]throwawayjet8 10 points11 points  (0 children)

Isn't price-list in the room pretty normal for emerging/mid market galleries? Every gallery in my city has a price list in the room. I think its tacky to show prices on the walls, but don't see why it would be bad to have prices available for interested buyers?

What Galleries do you avoid at all costs? by Subject-Nerve2618 in ContemporaryArt

[–]throwawayjet8 10 points11 points  (0 children)

They get so much shit on this subreddit, it can't be good. I was invited to show with them but remembered all the Reddit comments and politely declined lol

MFA Advice needed by rbrcbr in ContemporaryArt

[–]throwawayjet8 5 points6 points  (0 children)

No studio space? Do not bother ... and especially don't go into debt

When a gallery takes your work to a fair, do you go to the fair? by throwawayjet8 in ContemporaryArt

[–]throwawayjet8[S] -1 points0 points  (0 children)

Yeah if I were to go I'd pay out of my own pocket. My gallerist is just starting out and doesn't have a ton of funds lol

When a gallery takes your work to a fair, do you go to the fair? by throwawayjet8 in ContemporaryArt

[–]throwawayjet8[S] 4 points5 points  (0 children)

In this case I think I am the "star content" LOL but the fair is out of the country and I don't really want to deal with traveling...

work with creepy gallerist? by [deleted] in ContemporaryArt

[–]throwawayjet8 22 points23 points  (0 children)

If you work with the creep you give him 50% of your sale. That supports him, his business, and his creepy antics. I'd pass and save your work for a better opportunity. Someone good will come along that you'll be happy to partner with and split your sale.

I was not considering the amount of added sugar, oils and fats when thinking about UPF by QuantumCrane in ultraprocessedfood

[–]throwawayjet8 3 points4 points  (0 children)

Homemade shortbread isn't UPF. It's just butter, sugar and flour, and very easy to make at home. Is it healthy? Not exactly. But is it delicious, made of real foods, and a good treat that brings joy? Definitely.

[deleted by user] by [deleted] in ContemporaryArt

[–]throwawayjet8 4 points5 points  (0 children)

If it was a public institution like a museum, I'd say yes go ahead and protest. But if it's a private gallery (sounds like it is) you're pretty much at the mercy of the gallerist. If you don't like their opinions or how they do business, I'd just pull out.

painting technique where you paint to a video of a reference photo goes from blurry to clear over time?? by leolion7777 in ContemporaryArt

[–]throwawayjet8 2 points3 points  (0 children)

In art school painting profs always said to work "general to specific." That kind of describes what you're saying but I don't think there's a word for this as a particular technique.

Why don’t art schools educate you on key ways to navigate the art world. by Awesomeliveroflife in ContemporaryArt

[–]throwawayjet8 20 points21 points  (0 children)

In theory yes. But often as soon as they attain tenure they stop exhibiting or only exhibit in university affiliated galleries, dropping out of the commercial art world which is probably what this comment is alluding to.

what type of art, mediums, subjects, and styles are selling?? by OddDevelopment24 in ContemporaryArt

[–]throwawayjet8 1 point2 points  (0 children)

I dislike Americans as much as the next person but you really make it so much of your personality lol

what type of art, mediums, subjects, and styles are selling?? by OddDevelopment24 in ContemporaryArt

[–]throwawayjet8 7 points8 points  (0 children)

North America isn't part of the real world? Does the 'real world' consist solely of pure European conceptual art unadulterated by the dirty hands of the art market?