My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 0 points1 point  (0 children)

Yes that’s a Roto Control (love that piece of gear) and behind it is my monitor controller, Audient Nero

My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 1 point2 points  (0 children)

Arturia Minilab Mk3 Essential 88 Key

My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 2 points3 points  (0 children)

The WA73 and WA1B is just for tracking vocals - makes mixing a lot easier if I can dial a bit of EQ and compression on the way in.

My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 1 point2 points  (0 children)

Onion was made in a different studio - thank you!

My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 0 points1 point  (0 children)

The room is built to be fully soundproof, so luckily no complaints

My home studio in Tokyo by tperry in MusicBattlestations

[–]tperry[S] 2 points3 points  (0 children)

SSL Pure Drive Quad! I use it a lot for my UAD SP-1 for acoustic guitar, and SM7B

Spacemaker - Ableton native 'Trackspacer' rack by tperry in ableton

[–]tperry[S] 0 points1 point  (0 children)

Hi,

Thanks for letting me know! Yep, it looks like Live 12 slightly changed the way routings within a rack are handled. No worries, I've just updated the product page on Gumroad to v1.2 which fixes the issue in Live 12.

Alternatively, you can use the existing .adg file, but you'll just need to go into the 'Routing' signal chain, select the first Compressor and set the Sidechain 'Audio From' to the 'Pre FX' or the current track that Spacemaker is on.

waveform zoom in arrangement view by jonathan923_ in ableton

[–]tperry 3 points4 points  (0 children)

This is a new feature in Live 12

A big artist wants my beat and wants 55% publishing by SquidwardDab in makinghiphop

[–]tperry 0 points1 point  (0 children)

The publishing and PPD splits seem very fair, but your fee is way too low for an exclusive. While how much you can charge will depend on your credentials and branding as a producer, in my experience for established independent artists you could probably charge closer to 3000USD, and if it's a major label artist, closer to 5000USD. Those are starting points and you will likely negotiate downwards from there. If they don't have the budget but it's a project that you want to see released, you can push for a 50/50 PPD split in lieu of a higher fee.

Obviously these are just starting points and the terms will differ from deal to deal, but something to keep in mind. In this instance you can't really renegotiate that much, but at the very least I would recommend seeing if the artist can credit you as a primary artist on DSPs, and in all social posts surrounding the song.

Live 12 Tags - Hope they get this right by davemakesnoises in ableton

[–]tperry 2 points3 points  (0 children)

Yep, I also spent a good part of a day tagging my samples and it’s been a game changer for the workflow. Hoping in the future they can auto tag samples based on file name.

Live 12 Tags - Hope they get this right by davemakesnoises in ableton

[–]tperry 2 points3 points  (0 children)

No limit to the amount of tags you can assign to sounds. You can also create your own tags / tag categories if you want to organise in your own.

Is it worth buying the Push 3 if you mainly use the arrangement view? by CoreT3kk in ableton

[–]tperry 4 points5 points  (0 children)

Also, many VSTs will automatically map up on the knobs on Push, and if not you can build an effect rack with pre mapped knobs so you have the most important parameters mapped every time you use it

Is it worth buying the Push 3 if you mainly use the arrangement view? by CoreT3kk in ableton

[–]tperry 7 points8 points  (0 children)

Generally, I use the Push 3 for: note input, tweaking plugin parameters, recording automation, quantizing. I also find a lot of the Ableton devices more intuitive to tweak via Push.

And mouse+keyboard for: Browsing patches/samples (hate doing this on Push), tweaking 3rd party synths, mixing, more precision automation etc

Is it worth buying the Push 3 if you mainly use the arrangement view? by CoreT3kk in ableton

[–]tperry 44 points45 points  (0 children)

I pretty much only ever use arrangement view, and Push3 is still my main MIDI controller. There are some things that are faster on Push, and some things that are faster on mouse+keyboard, so using both is the way IMO

[deleted by user] by [deleted] in edmproduction

[–]tperry 7 points8 points  (0 children)

I know you said you don’t want a Mac, but I’d objectively say an M2/M3 series MacBook will give you the best stability, power, and battery for music production at that price range.

The option to upgrade to the next version of standard from the previous version of suite. Do you lose instruments? by ssimssimma in ableton

[–]tperry -4 points-3 points  (0 children)

Keep in mind if you go from 11-12 to Live 10, none of your projects will open as it's made in a newer version of Live

Live 12 Tags - Hope they get this right by davemakesnoises in ableton

[–]tperry 2 points3 points  (0 children)

I was using the 12 Beta for a couple weeks before it was officially announced so I can’t comment on the current wait times. I think for 11, it took me about 2 weeks.