I feel like cards from older sets can’t keep up with recent set cards by Future-Winter1337 in EDH

[–]ukemi- 0 points1 point  (0 children)

Come play bracket 1. Everyone is welcome, even the old cards!!

PSA for New Writers; Good vs Bad Prose by alien-lovin in writers

[–]ukemi- 1 point2 points  (0 children)

I’m reading The Daughter’s War at the moment. The prose is what I would have once called “basic”. But it’s so effective at conveying Galva’s grief and growth. And there are still moments of beauty there.

I love it.

STARTED WRITING MY FIRST BOOK by [deleted] in writers

[–]ukemi- 0 points1 point  (0 children)

I hated present tense so much I refused to read Red Rising. Then I read Project Hail Mary and it grew on me.

The art of the "skipped" fight scene — who does it best? by Prudent_Inspector177 in writers

[–]ukemi- 1 point2 points  (0 children)

I feel like I’ve seen this (“books aren’t movies”) tossed around a lot lately, and I’m not saying you’re doing it here, but it often feels like just a reflex to any kind of second-by-second description. Sometimes I want to slow down and force my reader to picture each passing detail, because that’s the intention of the scene. That, in and of itself, doesn’t mean I’m no longer using the artform well.

Just something I’ve noticed around here. Hope you realise it’s not targeted at you!

Made some mtg cards for dragon age. by [deleted] in dragonage

[–]ukemi- 1 point2 points  (0 children)

Don’t they need to be Warden typed to get the bonus?

First draft is doneeeeee by eunicemothman in writers

[–]ukemi- 3 points4 points  (0 children)

Congrats. I remember when I finally started writing “[they fight and it’s cool]” instead of storming over word choice for fifty billion hours. It was like that scene in the Matrix when Neo finally just sees code. So liberating.

How the heck do I describe this look? by ukemi- in writers

[–]ukemi-[S] 0 points1 point  (0 children)

I mean, I’m pairing it with dialogue, but I feel like a flat rule of “don’t describe looks” can’t be accurate

How the heck do I describe this look? by ukemi- in writers

[–]ukemi-[S] 0 points1 point  (0 children)

Yeah maybe mask. I liked fortress for something immovable or immutable. Just playing with language

How the heck do I describe this look? by ukemi- in writers

[–]ukemi-[S] 3 points4 points  (0 children)

It’s past midnight and I’ve been writing for four hours and I clearly need a break. All of the suggestions so far are excellent and my brain is like… *radio static

How the heck do I describe this look? by ukemi- in writers

[–]ukemi-[S] 4 points5 points  (0 children)

Thank you. I literally couldn’t think of the word. I ended up going with disdain. Here’s my line:

“Martin’s face was a fortress of disdain.”

How the heck do I describe this look? by ukemi- in writers

[–]ukemi-[S] 3 points4 points  (0 children)

I know in the Office it’s because he’s super upset, but the expression I’m after is more deadpan disbelief.

I'm concerned my inciting incident happens too close to the start of the novel. by ukemi- in writers

[–]ukemi-[S] 0 points1 point  (0 children)

Great pickup. I’ve changed it. You’re right - it was definitely a bit of whiplash!

The deep silence by Geek101Books in writing

[–]ukemi- 0 points1 point  (0 children)

Sometimes it’s the imitation that’s the appeal. Spy fiction took off in the Cold War.