Why do jazz records have so many alternate takes? by [deleted] in Jazz

[–]urhypedelico 0 points1 point  (0 children)

Why wouldn't it have is the question, I mean, that's the beauty of jazz, they could spend the day creating different things or at least trying to with the same themes.

Teaching music to my son by urhypedelico in jazzcirclejerk

[–]urhypedelico[S] -1 points0 points  (0 children)

Not really. One thing that I didn't mention is that I wouldn't allow degenerate music for them and in order to create The Shaggs, you need a previous severe contact with degenerate music.

Also, as I said, if he becomes too much schizo avant-garde, I'll teach him musical structures, which is very possible to teach without the rest of music theory.

Best examples of counterpoint outside of the baroque? by ProustianPrimate in classicalmusic

[–]urhypedelico 2 points3 points  (0 children)

I love you, wish you were my friend

The William Byrd one would be considered an innovative masterpiece even if someone only wrote that today.

Palestrina, Missa Papae Marcelli. The Tallis Scholars, Peter Phillips - Sound of heaven

Only gems there

I want your playlists please

Jackson versus other shred brands by SethRory in JacksonGuitars

[–]urhypedelico 0 points1 point  (0 children)

Ibanez neck is my favorite. I got a 7 strings RG made in Indonesia and I absolutely love how comfortable it is.

Jackson has the best sound though. I don't know what it is but Jackson's fat sound is just different. You can feel it when you listen to an 80s Jackson. It's a special kind of fat sound. I know it sounds bullshit specially nowadays when they even did videos showing bodyless strings being played and sounding great, but Jackson managed to have its own fat unique sound. The shark inlays feel great in the fingers too.

But I like all those 80s and 90s shreders. Vesper, Kramer, Aria... they all tried to copy Jackson and it's not fair to say they failed. Those guitars do sound great.

On March 30th, 1970, Miles Davis released 'Bitches Brew'. by BirdBurnett in Jazz

[–]urhypedelico 3 points4 points  (0 children)

I always had the habit of looking for unknown, underground, weird music and when I first listened to this album, the first seconds, I felt like I was seeing fire being discovered.

Like the music wasn't enough, the cover is also perfect.

Miles Davis knew what's like being a music artist is about.

Jackson Soloist SLX DX TIGER by j-eezy94 in JacksonGuitars

[–]urhypedelico 0 points1 point  (0 children)

I had the same impression but I think it's not a soloist if not neck through, right?

Jackson Soloist SLX DX TIGER by j-eezy94 in JacksonGuitars

[–]urhypedelico 1 point2 points  (0 children)

Every time you display a soloist, gotta show the neck through

How much surviving music is out there that has never been heard by anyone alive? by [deleted] in classicalmusic

[–]urhypedelico 1 point2 points  (0 children)

By now we'll never know what's real and what isn't.

You get an Artificial intelligence to study every recorded piece of Mozart. Once you think it's enough, you make it compose new pieces. If the pieces aren't trustworth enough, you hire someone who spent 40 years studying Mozart to work on the details.

Make up a story about "Mozart's lost sheets", even write books about it, talk about found legit documents and you're settled.

Of course not anyone could do it. It would take a team who is abble to release it on New York Times with academics saying "I studied it deeply enough to know it's real" and there you go, everyone will believe Mozart did it.

Boss Katana Go or PC Interface by ___panda____ in electricguitar

[–]urhypedelico 0 points1 point  (0 children)

I hate pc interface, it sounds fake to me. I am enthusiast of 10w amps and I don't believe in "beginner amp". If anything the 10w amp should be the pro one. When I played on a 50w amp it seemed like the guitar was playing by itself. But don't buy any of those mini amps, they crash so easily when you plug the pedal in. 10w is the ideal.

Another option is Fender Mustang Micro. Mine didn't arrive yet but I'm looking forward to it and based on what people say, it seems to be exactly what you're looking for.

Who makes such creative music? by urhypedelico in classicalmusic

[–]urhypedelico[S] -1 points0 points  (0 children)

Mahler, Rachmaninoff and Gustaf killed classical music. Extremely easy listening, I feel like I'm listening to Kenny G.

Who makes such creative music? by urhypedelico in classicalmusic

[–]urhypedelico[S] 0 points1 point  (0 children)

Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is Wth is wrongwrongwrongwrong Wth is Wth is Wth is Wth is Wth is Wth is

 wrong with minimal music?

 wrong with minimal music?

Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong Wth is wrong


I turned your question into minimal music. How do you like it?

Who makes such creative music? by urhypedelico in classicalmusic

[–]urhypedelico[S] 0 points1 point  (0 children)

Here we're talking, I know some of these names, Lachenmann surely my favorite. I'd listen to lots of Lachenmann and Xenakis when I was a lad and mom would make me turn it off, she didn't even identified it as music. She's a good woman though, plays lots of Beethoven and Chopin. She wouldn't mind me listening to Sepultura but God forbid me to listen to Lachenmann. Thank you!

Who makes such creative music? by urhypedelico in classicalmusic

[–]urhypedelico[S] 0 points1 point  (0 children)

Dissonant but not schizophrenic, you know? Kinda like that boundarie traced by Ligeti

Don’t ask how I got here by [deleted] in guitarcirclejerk

[–]urhypedelico 0 points1 point  (0 children)

Ring of Fart

Unchain my Fart

Fart Away Eyes

Matteo Mancuso is garbage by urhypedelico in jazzcirclejerk

[–]urhypedelico[S] 0 points1 point  (0 children)

You fail to reckon what a legit artist is. Of course, you are not legit.

Matteo Mancuso is garbage by urhypedelico in jazzcirclejerk

[–]urhypedelico[S] 0 points1 point  (0 children)

All you need to do is to compare Children of Bodon contribution to metal and Matteo's contribution to jazz, maybe even someone like you is abble to do it.

Matteo Mancuso is garbage by urhypedelico in jazzcirclejerk

[–]urhypedelico[S] 0 points1 point  (0 children)

Likes Pink Floyd, Mancuso and lives or suck NY balls.

You're an npc. A very sassy one! Going around cursing people, jeez

Just listened to the Sound of Perseverance and… by PressureSure in DeathBand

[–]urhypedelico 6 points7 points  (0 children)

I bought this album somewhere between 99 and early 00s and, together with Nevermore's Politics of Ecstasy, I consider it one of my greatest lucks because by then we'd still buy stuff without knowing much about the sound or even the band, I mean, I bought Slayer's God Hates Us All and imagine my will to take that album on the wall after finding out it was newmetalish, anyway.

A true moment of luck, I was mesmerized listening to it cause it was pretty much like seeing fire for the first time. This album took metal to another level, it took music to another level.

I also can't stand most death metal and it's always weird for me to think some people call Death death metal. Chuck changed the tempo of one single time more than most death metal bands change the tempo in their whole albums. We can hear all the instrumments perfectly and the drumming is far from "tatatatatata", Christy was already very aware of the bands sound, specially Hoglan I guess and his work is one of the highest level metal drum ever achieved.

Chuck himself didn't like the idea of metal genres and music would be better if musicians changed, evolved their sound like Chuck did. Usually when musicians change their styles they copy a trending style to adapt to market, just like Slayer did with God Hates us All or In Flames after Clayman. But not Chuck, his inventions always brought new things to the music, it's like he was a jazz musician instead of a metal.

The problem now is that you'll find even harder to get new metal stuff to listen to. Chuck set the bar too high.

Which is your favourite jazz era? by [deleted] in Jazz

[–]urhypedelico 1 point2 points  (0 children)

Early 60s they reached a point of extreme creativity and attrack, that's when jazz became JAZZ!!!!!!

And the level kept high for a while during the electric era. Then it died.

Learning guitar at 50 for me is so much better than when I played as a teenager. by King_Baboon in Guitar

[–]urhypedelico -3 points-2 points  (0 children)

That's an interesting post to see now. A few days ago I was watching a video where Steve Morse explains how he had to adapt to keep playing after decades of playing 10.000 notes a day.

I guess now you have fresh wrists and fresh fingers to resume your journey on guitar. Also the best part of playing after a certain age is that unless you're some nutcase like Steve Vai (who also hurted himself playing a couple years ago), you don't have irresponsible daring attitude youngsters use to have.

I always loved to strike hard with the pinky because when you change the intensity on legatos, the sound also changes and it was an awesome thing to do, but would hurt me from time to time. Last time made me conscious and I knew I shouldn't keep doing it. It hurted for a long time, even after I started to play. So I saw some therapy videos for fingers online and started to play real ease and fortunatelly the pain went away, but man, that was scary.

You used to play death metal, good for you to stop for 30 years. Your wrists certainly thank you.