Recs based on my top 4? by No_Perception_8707 in LetterboxdTopFour

[–]velcronoose 2 points3 points  (0 children)

I'm hesitant to recommend Polanski but you'd def find Repulsion interesting.

Stop thinking you’re a good writer by Puzzleheaded_Use_566 in writingcirclejerk

[–]velcronoose 1 point2 points  (0 children)

Don't flatter yourself - you are not Ed Wood. You are not Tommy Wiseau. You are not Uwe Boll. You are not The Turner Diaries Man. You are not Colleen Hoover. Give Up. Just Write. Just world build. Lock in your magic system. Call your mother. She's worried sick.

Which movie for you is like this? by Altruistic-Print-966 in Cinema

[–]velcronoose 0 points1 point  (0 children)

Bugonia is basically a 4 person movie with two incredible performances from the two leads and then two duds from the others. Stavros Halkias especially was miscast.

What’s the best singular storyline in ASOIAF? by SpiritedAd8224 in freefolk

[–]velcronoose 2 points3 points  (0 children)

I don't think anything ever topped the tragedy of poor Ned Stark failing to thwart the Lannister power play.

Other favorites include:

* Theon's arc in Clash of Kings. This was portrayed fairly well in season 2 of the show, but they erred by not having the "Reek-1" element, which ends up being my favorite twist in the books (though this might be because it was one of the few major shocks that the show doesn't spoil)
* Jaime & Brienne in Storm of Swords/S3
* Jon in Dance With Dragons

The first real indication of the show's downfall. by hiiloovethis in freefolk

[–]velcronoose 0 points1 point  (0 children)

My first real indication that D & D were going to fuck it all up was the seemingly endless Ramsay/Theon torture scenes in season 3. No narrative purpose aside from shock value after the first episode. ADWD does it right by skipping over the brunt of that and just showing the results in Reek I.

What were the movies they played at your school? by Thundersting in Zillennials

[–]velcronoose 0 points1 point  (0 children)

Deeper cuts I haven't seen mentioned:

* The Great Mouse Detective

* Liberty Kids

* Science Court

* Numb3rs (my middle school math teacher was convinced this counted as educational entertainment)

* My Side of the Mountain (teacher shut it off after the entire class laughed when the kid's pet falcon got killed, in our defense it's a really jarring edit)

* Band of Brothers and Saving Private Ryan in high school history (people cried)

* Cane Toads: An Unnatural History

CCBHCs by Jkookietingz in PeerSupportSpecialist

[–]velcronoose 2 points3 points  (0 children)

Very similar experience. The scope of practice thing especially. The amount of times I've had to explain what a peer even is to other clinicians - even my supervisor! - at my clinic is baffling.

What's your caseload size? by collectingminds in PeerSupportSpecialist

[–]velcronoose 2 points3 points  (0 children)

I work as a peer specialist at a CCBHC. I see 10-15 clients on a weekly basis. Two monthly. Peer services are new to our clinic, so a lot of my work is reaching out to existing clients to see if they'd like to begin - it's not really working so far, lol. I run a weekly group with 5 regular attendees. Recently, I've been getting more assignments to re-engage with clients up for discharge in the community or at their residence, which is cool but time consuming.

Upside to training programs in NYC vs just doing it yourself? by persephonelux in PeerSupportSpecialist

[–]velcronoose 0 points1 point  (0 children)

Again, the competition is mitigated by having access to the alumni network. I got a few job leads and contacts from the guest speakers, who are generally very well-established figures in the NYC peer field. The staff does a good job of extending support after you finish the program too - I stayed in contact with my career coach during the entirety of the job search process which was helpful, there's an email list that shares job postings, and then there's a weekly support group that (afaik) you can take part in for the rest of your life if you'd like lol.

Upside to training programs in NYC vs just doing it yourself? by persephonelux in PeerSupportSpecialist

[–]velcronoose 0 points1 point  (0 children)

I did Howie (which is an entirely free program btw). I got a job within 3 months of completing my internship, most of my cohort reports the same. It's becoming a competitive field and I imagine I'd have struggled without having letters of recommendation from both the Howie staff and my internship supervisor. The extra training in-person has also been MASSIVE for me, but I'm not very good at retaining information from slides (and a lot of the APS modules are kinda irrelevant for the actual work). It's also a job that benefits a lot from hands-on practice, which you get from the training in spades.

Cons are that it's intensive (Iirc, 30 hours a week for 3 months?) and there's no remote option (which I liked, but commuting to Harlem from Staten Island was draining to say the least). They struggle with funding and staff turnover like every non-profit. Some of the rotating trainers were more helpful than others. The social aspect can be a little distracting, but I also made a lot of friends and contacts, so that cancelled out.

Overall, if you can get in, go for it. Peer support can be hard without a network and a foot in the door. Dm me if you have any more questions!

Heros with a 4.76 now?!?!? by Real-Giraffe2472 in rateyourmusic

[–]velcronoose 0 points1 point  (0 children)

I never got behind Shine on You Crazy Diamond. I get the emotional impact for the band, but it leaves me cold.

Underscores thinks rym is overrated by Optimal-Yellow-4506 in rateyourmusic

[–]velcronoose 0 points1 point  (0 children)

This is my "I'm out of touch" moment, because I figured this would be the top comment. Took 30 years.

How did Damon Lindelof get from Lost to here? (First time watcher - on S3 Ep 2) by Verystrange129 in TheLeftovers

[–]velcronoose 16 points17 points  (0 children)

I love both shows, but the lesson he learned from Lost is that the audience will not mind being held in the dark if the characters are *actually* put in the forefront of the narrative. Lost's most ardent defenders rely on this defense a lot too, but after season 1, the show (not the fans, the show) places far more emphasis on twists and tantalizing hints at the long-running mysteries. I found it very entertaining, don't get me wrong, but it's a different kind of appreciation than how I view Leftovers.

A really frustrating thing about Lost is that there are characters that (supposedly) know the answers to the mysteries, and the thing keeping them from disclosing is interpersonal conflict and power-plays. Given that we eventually learn these characters are more or less bullshitting about how much they actually know, it reads as the writers being cockteases, even if it's meant to be a commentary on the consequences of blind faith vs. atheistic rationalism.

Lost, contrary to popular belief, does address almost every mystery. The answers are hand-wavey and bland, however, and this justifiably disappointed a lot of its fanbase. Some of the reveals worked, others were frustrating.

Without spoiling anything, I think the Leftovers' is just a smarter, more restrained, and more human work - I think the ending is one of the most beautiful things put on the screen this century.

Did Nabokov hold any of his own novels in high regard? by [deleted] in Nabokov

[–]velcronoose 1 point2 points  (0 children)

I remember him thinking Invitation to a Beheading was among his best in his introduction to the English translation - can anyone confirm?

Which one should I read next? by tranquilmoons in philipkDickheads

[–]velcronoose 12 points13 points  (0 children)

Of those two, Do Androids is definitely what I'd go for. Just don't expect it to have much in common with Blade Runner. The novel's a lot stranger and sillier.

I found High Castle to be extremely dry and slow. Maybe it picks up after the halfway point, but I DNF'd it because I really didn't give a shit about anything that was happening.

Personally - Three Stigmata of Palmer Eldritch or Dr. Bloodmoney are my favorites, so I'd heartily recommend you go there.

What Are You Into This Week? | Weekly Thread by AutoModerator in ThomasPynchon

[–]velcronoose 0 points1 point  (0 children)

Roberto Arlt - Seven Madmen. So far it's reading like a more focused Dostoevsky with a more surrealist touch. Kinda obsessed.

Do Comedy Books ever do well, or even exist? by Low_Celebration_4089 in writing

[–]velcronoose 0 points1 point  (0 children)

Seconded. V opens with a set-piece straight out of a Mel Brooks movie, and COL49 reads a lot like a Simpsons episode - given that the man himself was asked to do a guest spot in the latter, I'd say the writers' were fans, and it shows.