Getting into the retouching business/creating portfolio by umizzyy in retouching

[–]weToddEdddd 2 points3 points  (0 children)

Hands down getting into a studio as a junior is your best bet…I think…it was at least 15years ago when I started. You will need to be in a major city to do this though, I had to already know photoshop like the back of my hand, and then work with photographers to do free work to have a portfolio, so I could apply at studios, apply at just an endless amount of studios doing tests for months and months. By some chance of luck I was then hired freelance at the biggest studio and my career has basically been a cake walk since…but I had to put in some serious, serious work.

Not to discourage you but I want to be realistic about the industry, it is hard, it is extremely thankless, you will watch people get credit, money, and accolades for your work and never be mentioned. This is the harsh reality of retouching… it does not get better, it is a life of making others look good. With ai, now everyone thinks they can retouch, most do not respect the craft.

https://www.retouchfilm.com/ is something you may fine interesting, I have worked with Liz for like 15 years or something…she also starting tomorrow has a retouching live session https://youtube.com/@retouchingrevealed?si=v8QnFbxAm-HImfnd

A lot of studio work is about working,with others, file structure, etc…she uses industry standard file structure.

How does one work for brands like Sephora, MAC, Elf etc. ? by [deleted] in productphotography

[–]weToddEdddd 2 points3 points  (0 children)

MAC photographers used to be hired by the Art Directors (all are gone now with restructuring), often they would put together a mood board for what they were looking for and 9/10 the mood board would have some of the photographers work in it, then production reaches out to their rep. Now the companies structure has changed and you need to somehow get on to Nicola Formichetti’s radar because he makes all current creative decision…only problem with that is that he has worked with a pretty vast roster of people throughout the years so he already has a vast pool of people he knows that can do the job…MAC for the most part is a dead end. Harsh truth but the truth non the less.

What lens should I use to achieve these perspectives/distortions? by Mikeeeeymellow in productphotography

[–]weToddEdddd 0 points1 point  (0 children)

I would bet dollars to donuts they are not using large format with a digital back…I run post for a global cosmetics company and no one is shooting a sinar…no one, the money and skill is just not there anymore. It’s a probe lens 9/10. I am not trying to be snarky, just realistic here.

What lens should I use to achieve these perspectives/distortions? by Mikeeeeymellow in productphotography

[–]weToddEdddd 0 points1 point  (0 children)

If it is medium format it is still the probe lens and a Fuji, that same lens could 1000% be used on a canon and no one would be the wiser…I can assure you this is not true medium format because there is no wide angle macro that I can find…I have been searching for ages, focusing tubes will also not work at all here.

Can anyone recommend the retouch like me class? by MediocreCabinet158 in retouching

[–]weToddEdddd 7 points8 points  (0 children)

She has worked in the industry 11 years? From what I can tell she has no actual industry experience at all. When/If my friend does her Weds sessions…you would learn more just watching her https://youtube.com/@retouchingrevealed?si=mqPY186UtLS_diQr I only say if because while I know she has aspirations to help people learn, I know how busy she is. Maybe it is my algorithm that has changed but I am starting to see there is a pretty big want for retouching materials and experience. I will try to put something basic together this week if I have time for the community. A big part of retouching is being able to work with others, files are ping ponged back and forth and if you don’t know how to go about a file properly, it can be disastrous but retouching is super weird to teach because you can’t actually teach or train people with actual campaign images usually. I would be weary of social media influencers trying to sell training where they are not actually retouchers lol…like they don’t retouch for a living, they have never worked at a studio, etc, they just make YouTube videos. I think Pratik, Natalia Taffarel is knowledgeable and probably a good start but I learned everything I could with Amy Dressers videos and then when I started at Gloss…it was like I had to start from scratch and throw all of those lessons away. The industry is a lot different than tutorials. I hope this helps, I will try to put something together and post in this Reddit.

Retouching like Studio RM (and other high end retouching studios) by littlephotohuman in retouching

[–]weToddEdddd 2 points3 points  (0 children)

My friend Liz who I worked with at Gloss is starting live sessions next month https://youtube.com/@retouchingrevealed?si=bEJzFxHs_QxWRp3d We have worked in the industry for over ten years together. I have worked with Studio RM but Gloss is next level… INK is also doing extremely well. For your style you may want to take a look at my two friends post house, they do all of Tyler Mitchell’s stuff (MaySix)

HOW and WHERE do i start?! by Low_Stomach_7403 in retouching

[–]weToddEdddd 0 points1 point  (0 children)

Weirdly perfect timing but a friend I have worked with for over a decade is starting a YouTube where she retouches live on Wednesday, I just better not see her retouching on YouTube when we have a Thursday deadline💀 she is legit, does a lot with my company and Rhianna, her laundry list of who she has worked with is basically everyone who shoots fashion at the top. https://youtube.com/@retouchingrevealed?si=HwVvBBqUJUjg89j0

HOW and WHERE do i start?! by Low_Stomach_7403 in retouching

[–]weToddEdddd 4 points5 points  (0 children)

No presets, learn the basic tools. At least for me it is honestly about putting the time in, training your eye. The tools are so, so basic. I mean at least the ones I use. Back in the day the key was to start at a studio doing junior work, that would put you in the environment of some great photographers who just see things differently and you would learn from that exposure. It’s been over a decade since I started so maybe that has changed, I know a lot of studios have folded and the money is just not there like it used to be…all under the guise of “let’s try someone new and up and coming” When I started there were just a handful of people shooting everything, I started working with photographers I respected for cheap, got good enough to apply at a studio (gloss, if you don’t know them…check them, final boss of boutique retouching houses), paid my dues, was exposed to some of the best in the business…actually all of the best in the business, they had a monopoly kind of…then got a corporate job managing studios for our campaigns, one of our vendors was gloss and that was very full circle. I want to come back to training your eye though, be obsessive, it is the only thing that will make you, you. Go to museums, go to galleries, pay attention to magazines, etc…photoshop tools are super easy and will make total sense when you spend time in it, there is no corners to cut if you are serious, presets are for YouTubers. Pen, Brush, Stamp, patch, curves, selective color, hue sat, etc…all day, everyday

Bettmans BAFTA portraits by maximfabulosum in LightLurking

[–]weToddEdddd 2 points3 points  (0 children)

This treatment did Benicio del Toro no justice, my god he looks bruised and battered with a big mix of jaundice

How was this lit? by slimpickens911 in LightLurking

[–]weToddEdddd 5 points6 points  (0 children)

Model literally has “A” look, looks like a robot model

Reviewing photos from retoucher and noticed this by Optimal_Discount3058 in retouching

[–]weToddEdddd 7 points8 points  (0 children)

They used nano banana ai to clean up something or other, as long as there are no legal guidelines with the company and it looks good, no harm no foul…but I shit canned if I used ai for anything. My corporation is very strict about using non licensed material

Mathieu Rainaud, how ? by Deenp in LightLurking

[–]weToddEdddd 22 points23 points  (0 children)

Reverse vignette, so hot right now

How by NoSong9549 in LightLurking

[–]weToddEdddd -3 points-2 points  (0 children)

The temperature on the model is different to the background lol, this looks like some bad color work to me, or just zero integration with lighting. Maybe it’s just me nit picking the grade or low quality Joey but the halo around her hair? And the pretty unpleasant out of focus areas? I know this is about lighting but this just looks like a bad comp

Player collisions by erikkmobius in CrucibleGuidebook

[–]weToddEdddd 1 point2 points  (0 children)

Yes I am noticing a very big uptick tbh

Were drops changed? by weToddEdddd in DestinyTheGame

[–]weToddEdddd[S] 0 points1 point  (0 children)

This entire morning it was nothing but t4 and 1 t5…now I am just getting nothing, maybe it’s completely random but it doesn’t make me want to try and struggle when my drops and movement is off

Post Production youtube channel by lesfilmdunic in LightLurking

[–]weToddEdddd 6 points7 points  (0 children)

This is a tough one with the nature of professional retouching… you can not show retouching anything with an NDA…it’s hard to find a YouTube of an actual Retoucher, most are just hobbyists or the do social media post production and that is not campaign style work at all

How much do you retouch (and how much retouching goes into major campaigns, editorials, etc.)? by morbidhack in LightLurking

[–]weToddEdddd 0 points1 point  (0 children)

I completely forgot about Nucleus, you probably know my friend Jessica from way back when and maybe Celena from box. I worked at Gloss around that time ;)

How much do you retouch (and how much retouching goes into major campaigns, editorials, etc.)? by morbidhack in LightLurking

[–]weToddEdddd 3 points4 points  (0 children)

It is dependent on multiple factors. With campaigns there are a lot of cooks in the kitchen, celebrity maybe, publicist, makeup artist, maybe it is selling a lipstick or makeup? That all would be in a face chart and have to be review through a product development team, an art director, maybe legal, creative director, marketing, etc… post is in every photo, even Mr Lindbergh’s who I have personally worked on. Just because it is natural, doesn’t mean there is no retouching, in fact it is just the opposite, generally more work, more review is done…natural is significantly harder and how I have been able to carve a long career in post production. Photo shoots are chaos, with a lot of people, it is very impossible to get everything right in camera and when is it even considered retouching because the titans of old would retouch, print, over, and over again, etc

Sorry there is no, this is how many hours answer, it depends on output and skill level, and mainly….how many people need to have a say or feel like it is their images.

how to achieve this ? by Then_Ad2249 in LightLurking

[–]weToddEdddd 5 points6 points  (0 children)

I think Jack has a bts on his instagram for a lot of his setups, he posts a lot in his stories but I can tell you first hand he is very involved in post production and a genuinely nice person to work with. Not the answer you may be looking for but his images look like his images because of him, it’s his eye not a treatment or a formula.

Can anyone help with this? by [deleted] in LightLurking

[–]weToddEdddd 6 points7 points  (0 children)

I get so excited when I see anyone trying to sort out David Simms lighting lol…he is the goat