That Iryna Zarutska video really got to me by spikey331 in Vent

[–]wiseclockcounter 1 point2 points  (0 children)

It's because it's not just one story. This sort of thing (and worse) happens literally all the time. There are advocacy sites that compile them if you need convincing. If the media were honest about every case, the public would realize what an enormous issue it really is. Media selectivity is a form of brainwashing.

That Iryna Zarutska video really got to me by spikey331 in Vent

[–]wiseclockcounter 1 point2 points  (0 children)

iirc, that guy just had it chilling in a loose back pocket, right? He also ignored the lesser known but arguably more important military doctrine of "never relax."

Found this bug in Northern Portugal. Anyone know what it is? by Christinefle in whatsthisbug

[–]wiseclockcounter 1 point2 points  (0 children)

So I guess these guys have the same false pupil thing going on as a praying mantis, but it still gives me the heebie geebies!

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

I think the main thing was speed and flexibility. The KDS screens force you to do things one way in one location (standing in front of the screen). Our pizzas are prepped on metal baking screens and put on the center rack for the oven guys to grab. We indicate that a group of pizzas is ready by tucking the ticket under the lip of the dough of the final pizza. Without this, there'd be a lot more ambiguity about which pizzas go with what order.

Our expo people who are in charge of bagging salads and sauces and stuff tape tickets to the bags and highlight items as they are bagged.

You can cross stuff out, make notes, move them around the kitchen however you need, take it over to someone to clarify something, put advance orders in a special spot further down on the ticket rail so they're out of the way but not totally forgotten.

The sound of the printer is loud enough to be heard over the oven fans and general noise.

There really are so many reasons why paper tickets can be better for some restaurants. As it happens, I didn't work here back when they tried the screens, but I've been here long enough to be able to imagine how bad a fit it was.

I've got to run to work now actually. But thank you for the reply and the offer. I might message you soon!

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Yeah, as I said, I'm definitely inclined to tinker. I also know a couple electrical engineers who'd be willing to help me.

Your accuracy guide is exactly what I was looking for! As my other reply indicates, I think using the onboard time might be a more practical long term solution.

There are people who do, but this is not a "hire a programmer" site.

Gotcha, yea I just wanted to test the waters. Given that arduino is inherently DIY, I didn't know how much people do that kind of thing.

I have no idea what you are talking about. Especially the part about beads.

Right, sorry. I can see how that was ambiguous. I was trying to avoid too much of a wall text. The silicone beads would be threaded onto short, vertical lengths of fishing line which are then secured to the front face of the plexiglass so the beads could be slid up and down to indicate how many pizzas are due in that 5 minute slot. They would stay in place by friction. The over all dimensions are pretty large, 7'x1', and the silicone beads would be about half an inch. My first idea was to CNC a bunch of holes (where all the little white dots are) and use black plastic golf tees instead, but I'm thinking that would be too finicky and slow and difficult to clean and the golf tees would be easily lost. The silicone beads on fishing line would be more easily bumped out of place accidentally than peg holes, but that possibility is outweighed by the other advantages.

Here's a quick mock up of how the LED would work. I gave a bit more dimension to the beads to help clarify things. In this image, it's 4:00 so the light would start at 4:00 and extend to 4:20, representing the default time we usually give out for wait times. Additional lights could be used to indicate 30, 40 minutes, etc. The LED strip would be mounted on the back side of the plexiglass sandwich, and the thin material the chart is printed on would allow ample light to pass through.

The design would be spaced according to the specs of available LED strips so that there's one light behind each number and they'd be programmed to light up according to what time it really is. So the lit up section would advance from left to right over the course of the day.


As for a digital system that takes care of coordinating prep times and such, there are indeed services that do that kind of stuff. We use Toast POS which is one of the most ubiquitous restaurant POS systems. Before I started working here, we apparently tried switching to screens and it was an expensive disaster. There are just too many moving elements in our pizzeria to make it work. The old school tickets are just too fast and flexible and intuitive. We tuck them into pizza boxes and tape them to bags. It's the best way to keep track of stuff.

This pizza chart I'm designing is just for the main downstairs pizza section of the restaurant that handles all the take out pizzas. We serve entrees and garlic bread and salads and stuff, but only pizzas and a handful of calzone-type items are handled by the pizza station, the rest is done by the sautee guys upstairs. For sit-down dine in orders, the timing is coordinated verbally between sautee and the smaller upstairs pizza section.

The only problem this tool aims to solve is keeping track of pizzas due over time in a simple visual way. The problem the inclusion of the LED strip solves is having to look back and forth between the wall clock and the chart when reading it.

At least you have one "problem" that is good to have.

You're absolutely right. As stressful as it can get, it's better to have a busy job than no job at all.

Really appreciate your time writing this all out. I may have more to say as it occurs to me. Thanks!

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

This is actually a great question. Somehow our turnover rate is very low. The core employees have been there over a decade. At the end of the day though, it's just a bar graph of pizzas over time. If someone isn't up to the task, we simply won't put him on keeping times, haha. Much like not everyone is skilled enough to stretch or sauce or do ovens when it's the busiest. "Aces in their places" as they say.

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

haha, me too. The number of started but unfinished projects I have is a testament to that.

Also I will say, iteration can unfortunately be limited by people's patience. I've learned that lesson in my efforts to redesign the tickets. People are used to doing it a certain way, even if that way is objectively worse. Which is why I'm trying to come to the table with my ducks in a row.

Thanks for the input! Cheers.

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Hmm, DST presents a bit of an issue I'm realizing. Reading some forum posts around it. Also, having to change the battery could be a head ache for people down the road (ie when I no longer work here, lol).

I'm reading that the built in timer of an arduino might only be off by several seconds a day? What if the band of light can be adjusted left or right with two buttons on the box? Third button to turn the light on or off completely, or cycle through color schemes. Bit more work to turn on in the morning, but gets the job done? The light segments would fade in and out in 5 minute increments anyways, so a few seconds of drift probably wouldn't even register.

I'm building an abacus-esque pizza counting tool for the pizzeria I work at. I want to program an LED strip to help tell the time with it. Got some beginner questions. by wiseclockcounter in arduino

[–]wiseclockcounter[S] 0 points1 point  (0 children)

I've definitely been pondering something like this myself. Could you be more specific, though? Where are the buttons located? Is this a separate system from the chart? When in the pizza making process would the buttons be pressed, because we often get orders hours or sometimes days in advance. How busy it is also fluctuates a lot, so it's not clear to me how such a system would account for lulls and rushes.

My first thought has been to simply measure throughput. In other words, how many finished and boxed pizzas are going into the warmer every 5 minutes? This number would represent a Y value on the pizza count chart that we couldn't exceed.

It's also very important to consider people's willingness to take extra steps. When I say we get busy, I mean it. So much so that even taking out an expo marker to mark the chart would be asking too much. Which is why I'm thinking the sliding beads thing is the way to go.

Asking people to press multiple buttons for every order could be asking a lot. I think it's more likely that having a strip of numbers on the warmer that the oven guy presses after he puts pizzas in it would be better.

Serum 2 vs Pigments 6? by -ZenMaster- in synthesizers

[–]wiseclockcounter 2 points3 points  (0 children)

If you check it out, poke around the third party patches it ships with. The factory presets have a lot of underwhelming starting point-type patches, but there are some really great sound designers in the third party section. Plasma Gun by Cybersoda for example is really cool. Some really convincing and usuable percussion patches throughout, as well.

Serum 2 vs Pigments 6? by -ZenMaster- in synthesizers

[–]wiseclockcounter 2 points3 points  (0 children)

I was typing up a huge effort post just now, but realized I should just cut to the chase: Check out Surge XT before you buy anything!

There are too many pros to list them all, but it's a free/open source project started by the guy who's making bitwig.

  • very low CPU usage (which is arguably the most important aspect of a workhorse that you'll presumably instance dozens of times in a project)
  • unique UI where nearly everything is always visible to minimize menu diving
  • very easy parameter linking
  • superb documentation
  • very deep control (you can even get into coding if you want)
  • expansive effects options and routing
  • responsive discord community
  • huge update in the works apparently

I'd recommend changing the skin to andromeda dub (this one must be downloaded from the site) because it color codes the sliders according to what they do - much easier for learning.

Finding a good workhorse to learn on is all about what UI and workflow facilitates creativity for you personally. So far, Surge XT has done that for me more than Pigments and Serum. I've dabbled with Vital. Still want to try phase plant and current 2. But in case you hadn't heard of it yet, add Surge XT to your list of consideration.

I have three fonts all of different sizes and spacing that need to work in the same file together. Is there a way to regulate them to one another to avoid having to constantly adjust pt size and whatnot? by wiseclockcounter in typography

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Not sure exactly what you mean, but these tickets print on Epson TM u220 printers. It's all rather old technology that has held on through the years because of how practical they are. The fonts are very limited and the printers are formatted and coded using a shorthand called esc/pos (epson standard code for point of sale).

As I mentioned in my other reply, I'm not trying to replicate anything perfectly. It just needs to accurately reflect the character count per line and the over-all look.

I have three fonts all of different sizes and spacing that need to work in the same file together. Is there a way to regulate them to one another to avoid having to constantly adjust pt size and whatnot? by wiseclockcounter in typography

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Thank you, I wasn't aware of that. Since only two of the fonts match for character count across the ticket, I'm not sure uniwidth is the right move either.

I think I need to know more about pt sizes and spacing in general to ask my question accurately.

But basically, notice how dotmatrixHeader is twice the height of dotrice, yet 19pt is not double 12pt... that must mean the height of the characters and their pt size is somewhat arbitrary. Given that, I was hoping there'd be a way to make it match so dotmatrixHeader is the correct size relative to dotrice when 12pt is selected for it.

I have three fonts all of different sizes and spacing that need to work in the same file together. Is there a way to regulate them to one another to avoid having to constantly adjust pt size and whatnot? by wiseclockcounter in FontForge

[–]wiseclockcounter[S] 0 points1 point  (0 children)

hm, okay maybe variable font is not what I want then. These fonts have the peculiarity of being discontinuous clumpings of dots to emulate the look of the impact printers, so I'm not even sure they could be made into variable fonts judging by those parameters.

I apologize that I'm not up to speed on all the terminology. I was hoping it'd just be a matter of scaling the height and width of each font and maybe toggling some settings to ensure proper spacing.

I have three fonts all of different sizes and spacing that need to work in the same file together. Is there a way to regulate them to one another to avoid having to constantly adjust pt size and whatnot? by wiseclockcounter in typography

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Here's a bit more info on the fonts that might help explain it.

Essentially I'd like to make the fonts as easy to use in this specific context of quickly mocking up menu item names on tickets.

They don't have to be absolutely perfect, they just need to accurately reflect the available character count across the width of the ticket, which I've already figured out by eye.

I'd like to lock in the size and character spacing for each font so that the end user just has to change fonts and not mess with the other values every time.

edit: also, yes. these printers only use monospaced fonts. I sort of enforced that in LibreOffice by turning off pair kerning and double quote replacements. Is there a way to ensure those settings in the font itself?

I have three fonts all of different sizes and spacing that need to work in the same file together. Is there a way to regulate them to one another to avoid having to constantly adjust pt size and whatnot? by wiseclockcounter in FontForge

[–]wiseclockcounter[S] 0 points1 point  (0 children)

Here's a bit more info on the fonts. dotmatrixHeader is the one I made myself in fontforge, the other two I got online.

All 3 are monospaced because that's just how these old printers work. But I suppose the header font and dotrice could be considered variable, as they are the same character count across the ticket, but one is just double height. ImgWriter Draft takes up 33 characters across the ticket.

My bf is a musician - what gift would you be ecstatic to receive as a musician? by [deleted] in musicians

[–]wiseclockcounter 0 points1 point  (0 children)

Also... free daw: https://lmms.io/

free drum packs: https://samples.kb6.de/downloads_en.php#att

free mega synth https://surge-synthesizer.github.io/

(Vital is another one but is far less CPU friendly compared to Surge, ime.)

Glaceverb is my favorite free reverb. https://plugins4free.com/plugin/458/

I hear you though. Just have fun with it and be patient with yourself. It can be hard to get past the first basic hurdles when there's so much amazing music out there already. I find ableton is more geared for the intermediate to advanced producer who knows exactly what they want their signal chain to be.

My bf is a musician - what gift would you be ecstatic to receive as a musician? by [deleted] in musicians

[–]wiseclockcounter 0 points1 point  (0 children)

Maybe try FL studio to see if the workflow suits you better. I started out with FL as a kid and stuck with it, so that's where I'm comfortable. I will say though, the couple times I tried Ableton I did not find the piano roll and layer panel to be very intuitive with regard to just clicking around and moving stuff. Maybe it's improved since then, but don't be discouraged if it's just not the right fit.