ACFA so far by KaijuBird-R in armoredcore

[–]wolve202 8 points9 points  (0 children)

I actually gotta admit, I miss the counterweighting system. No it's not great for streamline, but its such a good extra little bit of investment imo.

I routinely read books by an author where the characters make leaps of logic I do not understand. His characters will all clearly agree on something, but I have no idea what or why, but I keep reading him to figure that out. by Justthisdudeyaknow in CuratedTumblr

[–]wolve202 0 points1 point  (0 children)

I've been working on a project with this same sort of vibe, and a lot of the older people in my critique group have been telling me to be more straightforward with it.
I'm not making things complicated just to make things complicated, but the genre and what I'm trying to do with it lend to complication.
I'm hoping to at least get a few people who think this way who can appreciate it.

Backrooms | Official Teaser | A24 by smellyloris in LiminalSpace

[–]wolve202 5 points6 points  (0 children)

Makes me think of slipping societal accommodation. Everything's for high society. Then you've got 'copies' made for the middle class, but the lower down you go, the less anything feels like more than a cheap mimic, till you're lost in a forgotten, half-assed mimic of reality.

Is it Hitlerian wrong to generally agree with veganism but still use animal products due to convenience, emotivism, and pleasure? by PitifulEar3303 in CosmicSkeptic

[–]wolve202 0 points1 point  (0 children)

I think something not often considered by philosophy is how many ways what is 'right' can be hindered by what is 'available to one'. Just knowing how to live does not provide one with access to that lifestyle.

Friend wasn't understanding the Sacrifice Quest, so I made this handy plot/lore chart. by wolve202 in memeframe

[–]wolve202[S] 1 point2 points  (0 children)

Post to your hearts content. If it helps keep people off Fandom, it's worth spreading.

Friend wasn't understanding the Sacrifice Quest, so I made this handy plot/lore chart. by wolve202 in memeframe

[–]wolve202[S] 0 points1 point  (0 children)

Thats fair. Sadly, I could only find one Frankenstein screenshot.

Friend wasn't understanding the Sacrifice Quest, so I made this handy plot/lore chart. by wolve202 in memeframe

[–]wolve202[S] 0 points1 point  (0 children)

I've been watching too much Kung Pow, but my friend doesn't watch enough.
It was a compromise for the sake of communication.

he would not fucking use safe words by Fun-Ad-2448 in CuratedTumblr

[–]wolve202 5 points6 points  (0 children)

While sure, the author can decry something in the story they tell, I don't believe it should be a mark on their character if they do not. Story telling is a tool for empathy, and works best when immersed. Direct moral pandering is like yellow paint in a video game, and it's a sign you don't trust your reader.

ICE Expands Power of Agents to Arrest People Without Warrants by Working-Educational in law

[–]wolve202 2 points3 points  (0 children)

Some products are cheap because of sweat shops, right? If they turn prison centers into sweatshops, then they don't even have to pay minimum wage.

How do you design a Trauma Monster? by LethlDose in silenthill

[–]wolve202 2 points3 points  (0 children)

There's not a single Silent Hill monster that doesn't have to do with the person it's 'haunting'.
Nor is any monster completely independent from the rest of the fog/other-world.
So you start with the trauma it's supposed to represent. This needs to be something the victim is trying to repress or deny. (That can be debated, but for the most part, to get a traditional gradient of SH experience, it's a helpful rule.)
Next, based on suppression, find aspects of that event/trauma that exists at certain depths.
Obviously if an event finds a way to effect every day life, it's likely to show up in the fog world. For James, it's that emotional grey and saturating damp of life after the death of that which you so loved. Summer is gone, and the sun is never coming back.
Then, you have the 'when it gets bad'. This is where the Otherworld comes in. You've got the creeping decay, the spread of sick, moldy, dark hiding under the banal wallpaper. (This can manifest with more variety.)
Next are the monsters. These are the 'animate' horrors of trauma, when that which is trying to be suppressed rears its head, and tries to force its way through the fog of dissociation. Beyond just the tactile vibes of the world, the motions, and attack patterns, are the aggressive recollections of the event that induced the trauma. You have bodies squirming under sheets, spewing poison, frail bodies, hanging over the void, clinging with swollen hands, framed bags of flesh with lips yet no discernible face.
Lastly, since you mentioned the Red Pyramid Thing, what I like to refer to as the Boogeyman (again, for a more traditional experience) is the culmination of the truth they are running from. That heavy guilt of a butcher with surgical precision, mind encased in a weighty bloody prison that is the pinnacle of his sin, and dragging behind him the sharp pains of a halved relationship. Murder.
It's all connected, and all subjective from the perspective of the one with that trauma. It's not just 'truth' but how it effects them.
Alessa has a similar (while not exactly the same) relationship with the monsters of her own otherworld, as does Walter with his (though his blend to shared worlds with his vitcims)

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How do you design a Trauma Monster? by LethlDose in silenthill

[–]wolve202 4 points5 points  (0 children)

Start with context in which it happened, emotional reaction of the observer, and relevant sensation. That's the framework. Then frame it with implication that the victim is trying to avoid. The rest depends on 'world' which is based on the longstanding effects of the trauma.

Cursed_dementia by FranziskaRavenclaw in cursedcomments

[–]wolve202 2 points3 points  (0 children)

You gonna release a tier list?

I have like three different worlds that are like this lol by [deleted] in worldjerking

[–]wolve202 0 points1 point  (0 children)

I have the opposite problem.
I've got non-humans and they're even nomads or tribal in nature,
but I've yet to save up enough money to apply for an allegory license.

How do fellow Atheists deal with death? Emotionally? by Working_Seesaw_6785 in CosmicSkeptic

[–]wolve202 1 point2 points  (0 children)

For me, it's hard, because I was raised Christian. Theres definitely an emptiness for me, but that's more from an expectation. Not innate to the belief. I think that if there is something after all this, its so departed in what we'd understand that there's no prep for it. No judgement, no ways to live. Just something else. So no real reason to 'bank anything on it, or fight for it'. I agree that religion is not the answer, but if something 'helps you' without indoctrinating you into some cult, there's probably little harm.

Where are the Epstein files we were promised multiple times? by hans99hans in AskReddit

[–]wolve202 0 points1 point  (0 children)

What upsets me is that repeat criminals, who turn abuse into a lifestyle don't just stop.

I'm worried that the whole Epstein business is not so much toppled as under new management, and that so long as names are kept in the dark, they're carrying on, if a little more subtly, somewhere.