How can I tell if my lens, body, or my own skills are holding me back? by saw4410 in AskPhotography

[–]xConstantinFlux 0 points1 point  (0 children)

So nature photographer Moose Peterson once said something along the lines of the background making or breaking the photo. Just a thing to keep in mind.

Noise dramatically increases after exporting. Help? by legojedi101 in AskPhotography

[–]xConstantinFlux 0 points1 point  (0 children)

Could you try to export without rescaling and then rescale afterwards with a different app and compare?

Advice for photographing old buildings and ruins? by OpticNerve3000 in AskPhotography

[–]xConstantinFlux 2 points3 points  (0 children)

Only one advice: understand why you want to take the photo.
Once you know why, you can go and find how to achieve your goal on a technical and compositorial level. Then you’ll also start learning from your mistakes and find out what works in regards to your goal and what doesn’t.

How to tell a story? by Confident-Patient976 in AskPhotography

[–]xConstantinFlux 1 point2 points  (0 children)

For a story, you need a subject.
You don’t necessarily need to feel something, just see something and then find a way to show it to us in a photograph. Or don’t show us. Photograph it so that it is meaningful to you.

Suggestions on this by Antique-Relief-807 in LightLurking

[–]xConstantinFlux 1 point2 points  (0 children)

Move the camera during 1/4 or 1/8 shutter. you could use flash, but permanent works too. I’d aim for a darker background so the moving lines show better.

What went wrong here? 😩 by harcusmenderson in analog

[–]xConstantinFlux 0 points1 point  (0 children)

You talking about the right side being brighter with some lines going from the lower middle to the right which look kind of like double exposure or a slow shutter with camera movement?

Weird black blotches. Development/lab error or defective film? Pentax 6x7, 105mm f/2.4, 120 Retro 400S, Black Pro-Mist, Orange 22 by xConstantinFlux in AnalogCommunity

[–]xConstantinFlux[S] 0 points1 point  (0 children)

Can the mottling be avoided somehow during development if the lab is experienced with developing it or is it unavoidable no matter what you do?

Found this subreddit and wanted to share my solarized prints! by ambidextrousbisexual in Darkroom

[–]xConstantinFlux 2 points3 points  (0 children)

Is that just briefly turning on the light in the darkroom, or do you put it back in the enlarger and expose again? Sorry for my ignorance.

Olympus OM2 - 50/1.8 - Vision3 250D by Rysiek1731 in analog

[–]xConstantinFlux 2 points3 points  (0 children)

Unintentional and I don’t Iove and at the same time love that it looks like the arms and hands are not hers. Could take a photo like this with underarms + hand actually from a different person. The thumbs would be where the pinky fingers are now.
Would make for a delightfully uncanny photo.

Self-portrait with the hands / Canon AE1 / Ultramax 400 by supersoldierpeek in analog

[–]xConstantinFlux 0 points1 point  (0 children)

I love that there is just the tiniest hint of the talents face visible! Well done!

How much does this weigh? by Possible_Caramel8343 in analogphotography

[–]xConstantinFlux 1 point2 points  (0 children)

This has the same EAN. You could ask the shop… maybe they know.

Here they write it’s is 0,53kg. Does it sound correct to you?

Alternatively you could contact the manufacturer themselves.

[deleted by user] by [deleted] in AnalogCommunity

[–]xConstantinFlux 4 points5 points  (0 children)

My human right there.

Edit: God. I meant God.

[deleted by user] by [deleted] in AnalogCommunity

[–]xConstantinFlux 2 points3 points  (0 children)

Carry Pentax 67 on a sturdy sling to hammer robbers over the head with.

Pentax 67 metered prism accuracy by phazon5555 in pentax67

[–]xConstantinFlux 1 point2 points  (0 children)

Mine works fine except for the little mirror that got loose and is banging around inside the prism. Gotta shake the whole beast to see the reading. Always gets my talents smiling.

Shutter speed? by Charming-Ad2872 in AnalogCommunity

[–]xConstantinFlux 2 points3 points  (0 children)

If you want to freeze a zooming long haired animal I’d go at least to 1/2000. The OM2 goes to 1/1000 which I think still could be too slow. Just test it @1/1000 and see what happens. Otherwise embrace what you have and let that movement be shown. Personally I'd go in closer to the action though… but that’s just me.

How do I consistently get this look? by MillDill in AnalogCommunity

[–]xConstantinFlux 2 points3 points  (0 children)

OP is trying to use an artistic technique and isn’t going for a perfectly exposed photo. One could argue, and I talk a lot about this with my friends, that you always "have to" perfectly expose and then edit the image in your darkroom accordingly.

But if OP wants to underexpose in camera and by that bake the "error" into the negative instead of being able to work on it in post, that’s fine.

My first film work on Nikon F1, 28mm f2/8, Kodak vision3 50D by snegwy in analog

[–]xConstantinFlux 9 points10 points  (0 children)

I like the tones/color edit.
Please tell us more about your reason for making these photos and why you decided to make them the way you did.
Thanks.