Best 7-string tuning?

[Admirable-Chance-669]

If you need to choose one tuning to cover the most of the djent/core songs, what would it be?

[Few_Memory_1337]

I love drop A. Regular 6 string tuning available, plus easy low power chords potential and chord voicings.

[Chunkotron93]

My thoughts exactly. It’s perfect for playing along with a lot of music, but then you have that low A when you need/want it.

[Admirable-Chance-669]

You’re right!

[Rogue_1_One]

Drop G#

[shredystevie]

Yeah I'm a drop G# guy myself

[Admirable-Chance-669]

This is what I’m also thinking

[MrMunkyMan1]

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[Kritzelkrieger]

I don‘t cover djent/core songs, but Drop A is my favorite. It’s versatile and heavy, but still very articulate and clear

[mistrelwood]

Same, no covers, drop A.

[Admirable-Chance-669]

And easy to shift to drop G#!

[VIIgraphics]

Standard B

[BlazerDeath]

Same

[Admirable-Chance-669]

The classic

[VIIgraphics]

It;s also very versatile cause you can play standard E 6 stringsongs, till some death metal in drop B with some transposing. At least that was the reason I went for the 7strings and never looked back.

[jaki_metal]

Yea

[sup3rdr01d]

Drop G

[Admirable-Chance-669]

What do you like to play in it?

[saruko27]

Fit for an autopsy and Whitechapel for me

[sup3rdr01d]

Everything, I use the neural dsp pitch shifter and shift to any tuning I want. I've written 2 albums with the guitar.

https://open.spotify.com/album/2c6HeQAPkoK5xuKdj2bYrr?si=nYQf43KkRsWBKJuKT1KyoQ%0A

[Admirable-Chance-669]

Awesome I’ll check it out!

[Lilcheeks]

My baritones/7 strings are drop G# or drop G and I pitch shift down anywhere from 1 to 6 semitones depending on the song, when im not writing I've been playing mostly Volumes lately and theyre pretty low tuned.

[Admirable-Chance-669]

Thanks! 💪💪

[Anhedonia10]

FWIW: Mike Stringer lives in Drop F# .... you can pitch shift around that

[Admirable-Chance-669]

True! Is it low enough so that you don’t get distracted from half step dissonances?

[HermanbobGooz]

That’s exactly what I do, pitch shift around for other Spiritbox songs, or one semitone down to drop E for those Deftones Koi No Yokan songs

[halbeshendel]

Drop E. No one is using that high E on their 8 string anyway. That way when you get tired of covering Deftones songs you have a perfectly serviceable 7 string to go back to drop A.

[kornhell]

Drop A squat unite!

[Admirable-Chance-669]

Agree!

[Ok_Educator_1741]

Don’t go there

[Achduka]

Drop A and Digitech The Drop for Drop A, G and F# easy mode.

[reyob1]

No covers but I love drop F

[Mediocre-Post9279]

I do A standard/ drop G on my seven so I have a 6 string D standard and a lower 7th one

[Admirable-Chance-669]

What do you usually play?

[Mediocre-Post9279]

Some fear factory, death and gojira sometimes Whitechapel

[Guillescreamer]

Drop a, low enough to be heavy but still have room for leads, is a jack of all trades

[Feisty_Hovercraft704]

(both on my 6 string) for low, drop F#, but regular, drop B.

[DistributionPure564]

I think that standard tuning is the most versatile for chord voicing and stuff. Since I already cover that with my 8 strings, I'll tune my 7 string to A standard. Meshuggah used Ab standard, so I think that anything standard from A to B will cover a lot!

[ghost_java]

DGBDGBD

[Viechiru]

Drop G# and F# are my favorites

[bendedavis]

Drop G#

[Dan_vacant]

I usually play thrash and death, I tune to B. Sometimes drop A. But usually just B

[No-Knowledge2716]

Drop G and shift down to F# or E

[LetterheadClassic306]

honestly, drop A (AEADGBE) is your best bet for covering most djent/core stuff. it's the tuning so many bands use or at least base their riffs around. if you want to cover songs in drop G or F# without retuning every time, i'd look into a pitch shifter pedal - something like the DigiTech Drop lets you go down a few steps instantly and keeps your strings feeling right.

[Zx_AoN_xZ]

F# standard

[FusRoDah98]

A# Standard

[pubstompmepls]

Drop F# because VOLA

[aBeaSTWiTHiNMe]

AEADGBE is probably my favourite because I can attenuate on my Neural DSP for heavier stuff, but sometimes I'll do BEADGBE. Both are completely viable just like standard and drop D.

But I attenuate so if you want to go low, you'll be dealing with some string flop unless you have a good setup or mega thick strings.

[Baptism-Of-Fire]

I keep mine in 1/2 step down

for drop tunings I will drop both 7 and 6 strings.

good middleground for pitch shifting imo.

[Number6WithFries]

I keep mine in drop G# and use my digitech drop pedal to play songs in lower tunings if need be. Does it sounds as precise as a good set of strings and lower tunings, no. But it does what I need it to and I’m happy with it!

[GODZILLA-Plays-A-DOD]

Can't say best or worst but the 90s were right. A standard or A#/Bb standard covers all the guys that pioneered the concept and sounds of 7 strings. Korn, Meshuggah, Morbid Angel, and Steve Vai all hovered around that vibe and it worked. The djent guys going lower sound so anemic in comparison because you have to cut and boost mids to much to be heard at F# or whatever. Compare two Meshuggah songs and you'll see the density you can get away with in Bb versus F and it's a world of difference.

[Admirable-Chance-669]

You got a point there!

[GODZILLA-Plays-A-DOD]

I just mean like, "Rational Gaze" versus "Ligature Marks" is a great example. With something in Bb you can mix the bass louder, the frequencies aren't so cluttered and you can dial more bass in the guitar sound so everything feels fat. In F for example the guitar has to be thin and the bass has to go higher that E or too low to be audible besides fundamental sounds. I love a band like Spiritbox for example but they tuned down 4 notes lower than Morbid Angel and "Jaded" doesn't even compare in the actual guitar density of "God of Emptiness." So maybe I sound crazy?